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Look Again Mass Market Paperback – January 29, 2013


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Constant Fear "firmly places [author] Palmer alongside the likes of Harlan Coben and Lisa Gardner." — The Providence Journal
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Editorial Reviews

From Publishers Weekly

Single mother and journalist Ellen Gleeson is unsettled by a Have You Seen This Child? flyer that features a child disconcertingly similar to her adopted son. Curiosity compels her to investigate further, and as evidence spirals closer to the truth, Ellen's horror rises as she uncovers broken trails and untimely deaths that may or may not be related to her own situation. As skillful as Scottoline's thriller is, it is enhanced by Mary Stuart Masterson's performance. Her characterizations are distinct and evocative, her tone remains smooth, even while ratcheting up the tension and suspense. Listeners will be wholly absorbed by this moving story. A St. Martin's hardcover (Reviews, Feb. 16). (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Booklist

Ellen Gleeson was balancing life as a single mother and a feature reporter as well as could be expected. She had taken on single parenthood voluntarily, having fallen in love with her adopted son, Will, now three, when he was a very sick infant. A have-you-seen-this-child postcard featuring a child who could be Will’s twin catches Ellen’s attention, and while she should be pursuing her assigned story about the emotional effect of Philadelphia’s high teenage murder rate, she instead becomes obsessed with the missing child and with pursuing more details about Will’s background. Her questions multiply when she learns that, just three weeks after she adopted Will, the attorney who handled the proceedings killed herself. Where is the birth mother, and why doesn’t her family seem to know that she was pregnant? The answer only leads to danger, but Ellen, her reporter’s instincts on high alert, is hell-bent on finding the truth, no matter the cost. In a departure from her wildly popular Rosato & Associates series, Scottoline still sticks to what she knows in this taut stand-alone: female drama, family ties, legal intrigue, and fast-paced action. A sure-fire winner. --Mary Frances Wilkens --This text refers to an out of print or unavailable edition of this title.
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Product Details

  • Mass Market Paperback: 416 pages
  • Publisher: St. Martin's Paperbacks; Reprint edition (January 29, 2013)
  • Language: English
  • ISBN-10: 0312380747
  • ISBN-13: 978-0312380748
  • Product Dimensions: 4.1 x 1.2 x 6.8 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (516 customer reviews)
  • Amazon Best Sellers Rank: #922,228 in Books (See Top 100 in Books)

More About the Author

Lisa Scottoline is the New York Times bestselling author of seventeen novels including her most recent, THINK TWICE, and also writes a weekly column, called Chick Wit, for The Philadelphia Inquirer. Lisa has won many honors and awards, notably the Edgar Award, given for excellence in crime fiction, and the Fun Fearless Female Award from Cosmopolitan Magazine. She also teaches a course she created, called Justice and Fiction at the University of Pennsylvania Law School, and regularly does speaking engagements. There are twenty-five million copies of her books in print, and she is published in over thirty other countries.Lisa graduated magna cum laude in three years from the University of Pennsylvania, with a B.A. degree in English, and her concentration was Contemporary American Fiction, taught by Philip Roth and others. She graduated cum laude from the University of Pennsylvania Law School. She remains a lifelong resident of the Philadelphia area, where she lives with her array of disobedient pets.

Customer Reviews

4.2 out of 5 stars

Most Helpful Customer Reviews

50 of 54 people found the following review helpful By Sarah Oltrogge on March 20, 2010
Format: Paperback
I absolutely loved this book and disagree with other reviews that suggest Ellen should have simply called the birth parents and tried to work something out with them. That would likely never happened with the exception of a brief period of transition. This book portrayed a mother's love regardless of how you became a parent. Not only that, it had you asking yourself, would you, could you, make that call? There is a real emotional pull between doing what is right and NEVER wanting to give away your own child. I think that the way she goes about finding out the truth is a very real look at not wanting to show all your cards until you absolutely have to. Her reasons weren't completely selfish either, she clearly had the best interest of her child at heart or else she would have taken the advice of those telling her to just forget it. She knew it would haunt her always. Then you have to consider the fiction angle of a great writer. We wouldn't read the book if the story was sweet and simple and it wouldn't be a page turner without the drama and suspense of Ellen working the story through to find the truth and even when you think the truth is not in her favor, you are surprised to find you can't put this book down until you know the "truth". To me this book was so good, it stayed with me. I found I couldn't simply finish the book and move on to my next book. It was an emotional journey that had me just needing to take it all in and ask myself what I would do in the characters position's. My husband wouldn't even have to conversation with me when I tried to ask him what he or we would do. Just an impossible situation to ever have to consider. Loved it! Loved it!
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27 of 33 people found the following review helpful By Luan Gaines HALL OF FAMETOP 1000 REVIEWERVINE VOICE on April 14, 2009
Format: Hardcover
Most people throw away fliers that say "Have you seen this child?" Features writer Ellen Gleeson doesn't- she stares at the image of Timothy Braverman wondering if her adopted son has a twin. As a reporter, it is in Ellen's DNA to question, so it isn't remarkable that the picture of the child continues to trouble her. And even though her newspaper is instigating cutbacks as a response to hard economic realities, Ellen remains obsessed with the face of the missing child. Juggling a jealous coworker, an intriguing boss who looks like Antonio Banderas and an important newspaper deadline, Ellen finds it impossible to turn away from the fear that has invaded every aspect of her life. As wound up and anxious as an overly-stimulated three-year-old, Ellen spends her off hours researching her adoption and tracking persons involved. No matter the answer, Ellen can't stop asking the questions.

"Ellen spent the afternoon in Quality Time Frenzy." Whatever else, Scottoline can write circles around her contemporaries on the pandemonium created by small children. Much of the energy in the book is frantic, at least a third of the books eighty-one chapters devoted to Ellen's interaction with her son. Whether it's a screaming tantrum or a mother-son conversation, Will literally jumps off the page (he has the right name). I desperately wanted this kid to take a long nap. A nap wouldn't have hurt his mother, either. In the context of the story, I found this hopping from intimate child care to serious issues disconcerting. Add in Ellen's crush on her boss and the story gets a bit off balance. I don't know when to be anxious or amused. Then there are the throwaway lines, like, "Time to start stalking.
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63 of 81 people found the following review helpful By David Girod VINE VOICE on May 7, 2009
Format: Audio CD Vine Customer Review of Free Product ( What's this? )
I don't even know where to begin with this thing! First, let me say I'm basing my review on the audio book version of "Look Again", while I don't think it would make much of a difference, Mary Stuart Masterson's monotone narration sure didn't help the tale at all.

I was going to compare this story to one of those lousy, awful Lifetime Network Movies, one of those flicks starring Victoria Principal or Loni Anderson, but "Look Again" even makes those stories seem like high art.

The basic storyline as outlined in every other review posted, is that a reporter gets one of those "Have You Seen Me?" postcards that feature missing kids on them. She thinks the boy on the postcard looks like her adopted son and begins to investigate. Fair enough, a basic idea that could be interesting.

Unfortunately Lisa Scottoline populates her novel with the most unappealing and unlikable characters imaginable. I can't remember the last time I've read a novel where I actually came to loathe the protagonist of the story as much as I hated Ellen. Her character was astoundingly stupid.She is supposed to be a "working Mom" and yet fails utterly in both catagories. She is a working reporter, that is sent by her editor to work a specific story, which she blows off, lies about and just generally disregards. She is a "loving Mom" supposedly, but seems to leave the kid with a babysitter at the drop of a hat, seeing him briefly in the morning, usually arriving home after the kid is asleep? She has no problem running down to Florida for a few days, again leaving her "son" in the care of a nanny, and worst of all, when she suspects that she and her son's life may be in danger, she rushes right home.....
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