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It isn't a conventional triangle.
Richard Burton and Claire Bloom give excellant performances in a doomed love affair and Mary Ure is almost as good as Richard Burton's wife.
This film could very well be a relic of the angry young man period of British film but holds up because of the quality of the acting.
This movie was shot in my neighborhood when I was a kid in London.just wanted to see the old hood again.movie was o.kPublished 7 months ago by wendy hobson
This film is one of the greatest movies ever made-if you have not seen it you are in for a great movie experiance. Read morePublished 12 months ago by Tony Marquise Jr.
I though a classic would naturally be great, but this simply isn't. The story is contrived and implausible, and the acting is so overwrought you wonder if the director was on the... Read morePublished on March 2, 2010 by Alan Weiss
Both Richard Burton and Mary Ure make this move a must see, in my opinion. Burton is at his best.
It's a rather true-to-life story about a troubled marriage. Read more
Had read this dark play which was excellent - full of cutting, witty dialogue and complex characters. These actors brought it to life and did it proud. Flawless acting by all. Read morePublished on May 18, 2009 by Nancy Myles
This film is full of problems. The first problem is that Richard Burton is horribly miscast as the lead. Read morePublished on September 14, 2008 by Mark bennett
Based on John Osborne's excoriating play, Tony Richardson's "Look Back in Anger" burst onto the screen in 1958 with piercing dialogue reflecting the stultifying state of the... Read morePublished on June 26, 2007 by John Farr
There are great performances by many great actors. but Burton's portrayal of Jimmy Porter is in a class by itself----even with a stellar supporting cast Burton is impossible to... Read morePublished on May 9, 2007 by Stephen J. Deutsch
This is interesting as a period piece. The interest is not, however, in the somewhat untypical and sometimes unbelievable personalities portrayed, as in the streets, the houses,... Read morePublished on November 4, 2006 by William Maudlin