From Publishers Weekly
This collection of unpublished fiction sheds light on Vonnegut's early writing, but fails to measure up to the rest of his formidable oeuvre. The stories are brief, vividly imagined and sometimes carry a science-fictional twist with a moral (of sorts), not unlike Harrison Bergeron. In Confido, for instance, an inventor manufactures a device that whispers to its users everything they want to hear, with special emphasis on their worst desires and suspicions, while the title story describes an interaction at a bar between a disgruntled man and a self-styled murder counselor who has come up with an ingenious method for killing people. Sidney Offit, Vonnegut's longtime friend, notes in an introduction that it's possible these stories went unpublished because they didn't satisfy the author. To be sure, they lack the polish and humor of the author's best-known work. Nevertheless, for devotees, they provide an instructive view of Vonnegut's talent in the making. (Nov.)
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Look at the Birdie is a collection of fourteen previously unpublished short stories from one of the most original writers in all of American fiction. In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and funny portrait of life in post—World War II America–a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence.
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Here are tales both cautionary and hopeful, each brimming with Vonnegut’s trademark humor and profound humanism. A family learns the downside of confiding their deepest secrets into a magical invention. A man finds himself in a Kafkaesque world of trouble after he runs afoul of the shady underworld boss who calls the shots in an upstate New York town. A quack psychiatrist turned “murder counselor” concocts a novel new outlet for his paranoid patients. While these stories reflect the anxieties of the postwar era that Vonnegut was so adept at capturing–and provide insight into the development of his early style–collectively, they have a timeless quality that makes them just as relevant today as when they were written. It’s impossible to imagine any of these pieces flowing from the pen of another writer; each in its own way is unmistakably, quintessentially Vonnegut.
Featuring a Foreword by author and longtime Vonnegut confidant Sidney Offit and illustrated with Vonnegut’s characteristically insouciant line drawings, Look at the Birdie is an unexpected gift for readers who thought his unique voice had been stilled forever–and serves as a terrific introduction to his short fiction for anyone who has yet to experience his genius.