7 of 7 people found the following review helpful:
5.0 out of 5 stars
One of the most underrated recent sf novels, July 21, 1999
By A Customer
The conventional wisdom about Jim Kelly is that he's first and foremost a master of short fiction, but this terrific novel argues otherwise. One of the rare novels about a creative artist in which we are actually shown, not just told about, the work of art being created -- not just Kelly's character but Kelly himself has solved the problem of devising a suitable tomb for a goddess! I read the first half of this a bit at a time, finding it engaging and thought-provoking but not compelling. Little did I know that Kelly was just putting his many plot pieces on the chessboard; I read the second half in one sitting.
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2 of 2 people found the following review helpful:
2.0 out of 5 stars
An earnest muddle, September 14, 2003
I really like Kelly's short stories, and I badly wanted to like this novel, but it just doesn't work. Two main problems: first, the protagonist is far too passive and mealy-mouthed, and an utterly unconvincing portrayal of a supposedly brilliant artist. And second, the alien civilization that he visits is very confusing, and facts about it are revelaed piecemeal and without enough context for the reader to be able to tell what really makes these creatures tick. Overall it reads like the first effort of a guy who might one day produce something really good - read Kelly's other stuff and ask for yourself if that promise has been fulfilled.
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1 of 1 people found the following review helpful:
3.0 out of 5 stars
Wonderful Descriptiveness, Flat Characters, January 20, 2007
Overall, I found I disliked and could not identify with the majority of the characters. I could not relate to their emotional states, nor did I find the picture painted of civilization(s) at all coherent.
Two things rescued the novel for me: the inspiring descriptions of the Phillip Wing's two master works -- the Tomb of the Goddess and the Glass Cloud, and one passage.
This is the distilled and brilliant passage from p238:
"Immortality was simple... Essence consisted of viewpoint and structural memory. Viewpoint was each individual's unique style of processing experience; structural memories were those that composed viewpoint. All other memories were trivial, extraneous to existence.... Only structural memory, overwhelmingly the result of genetics and environment, was essential."
Never before I had I thought of self redux in such a fashion, though I found the author's embrace of behavioralism over free will annoying. It made the characters less real.
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