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Tim Buckley's career reached a stalemate with the release of
Look at the Fool in 1974. Buckley's poorly conceived material suffered from weak soul-rock arrangements, and more sadly, a deteriorated voice. Some fans view all his later efforts from the funky, sex-mad
Greetings from L.A. to the burnt-out soul of
Fool, as aberrations. Others take the view that his last three albums celebrate the blue-eyed soul tradition. On the whole,
Greetings from L.A.,
Sefronia, and
Look at the Fool are inconsistent next to the glorious,
Happy Sad, the elegant
Blue Afternoon, and the far-in psychedelic cabaret blues of
Starsailor. On his last album, Buckley goes even deeper into the funk and R&B he began to experiment with on
Greetings from L.A. His attempts to come over as a bad-ass
Marvin Gaye clone fail miserably. The accompanying L.A. session musicians don't have a clue about what made Gaye funky, and Buckley's voice just isn't suited to the libidinous lover-man style he aspires to achieve. The material is pretty basic and there are few glimpses of the free-flowing adventurousness of old.
--Reuben Dessay.
Product Description
Tim Buckley's 9th and final studio album, released in 1974, a year before his death in June 1975. 10 tracks.