From Publishers Weekly
Traditional British storytelling expertise merges with the peculiarly French appreciation for sensual pleasures in the work of novelist Roberts, who lives in both countries and is a bestselling writer in England. Her 11th novel, the second to be published here (after Impossible Saints), is a period piece with psychological overtones and an impressionistic palette. Elegant and poetically descriptive, it evokes the seacoast of Normandy in the early 20th century, when horses and carts were still the local means of transport and superstition vied with religion for the souls of the inhabitants. The principal narrator, named Genevive Delange by the nuns in the orphanage where her first 16 years were spent, hires out as maid-of-all-work at Madame Patin's cafe/bar, the only grocery and gathering place in the fishing village of Blessetot. When "cousin" Frederic Montjean arrives, Genevive is dismayed that Madame Patin becomes his lover and marries him. The title refers to a full-length mirror in the bar that is a novelty to Genevive when she first arrives, and is the means of her undoing. After a near-tragedy, she goes to work in the Colbert household, consisting of a formidable matron; her son, Grard, a poet; and her granddaughter, Marie-Louise. A British governess called Millicent cares for the child and in due course falls in love with Grard, whose longtime mistress, a seamstress named Isabelle, now reappears in his life. These two women tell their stories, and Genevive, who also adores Grard, concludes that she must tell hers. "Speaking and telling, you threw joy away," Genevive realizes, and innocence, too; it is fitting that the narrative ends in 1914, on the verge of WWI. Roberts's measured prose is richly suggestive, artfully conveying mystery and passion. The quiet unfolding of this keenly observed tale should please discriminating readers. Agent, Gillon Aitken.
Copyright 2001 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Images of water, themes of storytelling, and the symbol of the mermaid as both dangerous and vulnerable drift through this 12th novel by French-English novelist Roberts (Daughters of the House) with mixed results. The novel begins as Genevi ve, an orphan who longs for affection and family, begins work at a caf in a new town. Roberts's richly imagistic writing brings out every detail of the coastal village, the people, and the daily activities of Genevi ve and her proprietress; you can almost see and smell the food they are preparing and hear the bustle of the town. However, as the story develops and Genevi ve must leave the caf , Roberts loses focus. Genevi ve is rescued from drowning by a poet, who takes her to keep house for his mother. At this juncture, Roberts starts alternating the point of view among several female characters, and the story shifts from being primarily about Genevi ve to being about the poet and the women who love him. The narrative tone of the early segment disappears, and the book becomes didactic and plodding. Suitable for large fiction collections. Rebecca Stuhr, Grinnell Coll. Libs., IA
Copyright 2001 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.