Lookout Mountain Lookout Sea

Silver Jews | Format: Audio CD

Product Details

• Audio CD (June 17, 2008)
• Original Release Date: 2008
• Number of Discs: 1
• Label: Drag City
• ASIN: B0015XIE0O
• Also Available in: Audio CD  |  Vinyl  |  MP3 Music
• Average Customer Review: 4.2 out of 5 stars  See all reviews (10 customer reviews)
• Amazon Best Sellers Rank: #133,886 in Music (See Top 100 in Music)

Editorial Reviews

2008 release, the sixth album from Silver Jews and their first since Tanglewood Numbers from 2005. All a-sweat and working hard, rumbling with terror and humility like old Johnny Cash, leader David Berman is once again your tour guide into the void, pointing out spots where some dreams died and other candy-colored conceits were conceived.

Most Helpful Customer Reviews

14 of 14 people found the following review helpful

5.0 out of 5 stars Great new direction for the Joos June 17, 2008

By J S

Format:Audio CD

There's something different about this one. Musically, you can kind of tell that it's a real band rather than just a bunch of friends and pickup musicians. This group has been playing together and it shows. The drums play on the beat instead of slouching behind, the bass is locked in solidly, and the guitars and keyboard chug, sizzle and gallop atop that solid platform.

Lyrically, it strikes me as quite different from David Berman's earlier work, though I haven't yet put my finger on exactly what is different about it, other than the two narrative lyrics ("Aloysius, Bluegrass Drummer" and "San Francisco, BC") -- I don't think Berman has written real stories into his songs like these before.

In a sense I miss the slacker voice of the earlier albums, with imagery thrown together in a way that almost appeared random, but was obviously the product of a lot of well-hidden craft. Musically, those songs fitted the lyrics. The band never sounded sloppy, but they never sounded so tight that you doubted their casual attitude towards the music.

But this one is a lot tighter, both musically and lyrically. And while the themes of self-doubt, despair and suicide are still there, they are a little further below the surface, and the suicides ("Candy Jail", "My Pillow is the Threshold" if I'm reading those songs right) are no longer the singer's but those of people he knew. It's really a much more optimistic album than any that came before, including Tanglewood Numbers. It's not cheery, but it seems to offer some solutions, rather than just problems. This is best seen in the songs that bookend the album.... The first one offers a philosophy of future possibility rather than past/present despair, and the last also looks to a future with a realistic eye on the possibility of a mature love that just might last, if.

It's nice to see David Berman's head in a happier, healthier space after the anguish and despair (buried beneath casual ironic cool but unmistakable) that filled the grooves of Bright Flight.

A great album. Read more ›

8 of 8 people found the following review helpful

5.0 out of 5 stars Their most accessible album--and maybe their best June 28, 2008

By Greg Cleary

Format:Audio CD|Amazon Verified Purchase

I've always been a sucker for the Silver Jews' more accessible, more countryish songs. Some of my favorites are "Tennessee," "How to Rent A Room," "Black and Brown Blues," and "Random Rules." Well, this new album sounds like it was made just for me. It's so accessible that David Berman has even provided the chords for each of the songs, including a little chart showing where to put your fingers on the guitar neck, so you can play along with them if you'd like.

Cassie Berman is now a full-fledged member of the band, so those who don't like hearing a girl singing with the Silver Jews will have to either get over it or move on. I've always thought that her sweet voice provides the perfect counterpoint to Berman's gravelly baritone. And her bass playing blends right in.

After only three listens, "Suffering Jukebox" is an early favorite. It is classic Berman: a sincere ode to a jukebox that is ignored and neglected. And "Strange Victory, Strange Defeat" begins with the kind of couplet only Berman could write: "Squirrels imported from Connecticut just in time for fall/How much fun is a lot more fun? Not much fun at all." There is a long story-song called "San Francisco B.C." that may at first appear to be following in the footseps of "The Farmer's Hotel," but whereas the other song was slow-moving with impenetrable lyrics, this one is built around a peppy country riff and tells a funny story in which a bad haircut figures prominently. ("It was neatly trimmed but a patch was bare/I knew it wasn't new wave, it was human error.")

I agree with the first reviewer that this is the Jews' most optimistic album yet.... It has a lot in common with previous songs like "Animal Shapes" and "I'm Getting Back Into Getting Back Into You" and very little in common with songs like "K-Hole" and "There Is A Place." Berman seems to have gotten past the darkness that dominated the previous album, "Tanglewood Numbers." Even when he sings about addiction (I think), he wraps it in candy metaphors: "Living in a candy jail with peppermint bars/Peanut brittle bunk beds and marshmallow walls."

As always, there is plenty of great wordplay, and as never before, there is a forward-thinking perspective, summed up perfectly in the final song, "We Could Be Looking for the Same Thing." The title says it all, really. This may be the Jews' best album yet. Read more ›

3 of 3 people found the following review helpful

4.0 out of 5 stars Silver Jews - Lookout Mountain, Lookout Sea September 14, 2008

By S. D. Mason

Format:Audio CD

Lookout Mountain, Lookout Sea (2008, Drag City) Silver Jews' sixth studio album. ***1/2

Silver Jews is not an immediate sound you latch onto. In fact, it's nearly required that you be a fan of Johnny Cash and the Pixies to get into it. All their albums, Lookout Mountain, Lookout Sea included, are ones that grows with each listen. The opening "What Is Not But Could Be If" sounds like a lecture with lyrics like "What could appear in morning mist/With all associated risk/What is not but could be if." Alternatively, it can be completely idiotic, such as "Party Barge," which ends with Cassie Berman repeating "Send us your coordinates, I'll send a Saint Bernard."

Two moments are truly musically awe-inspiring; the vocally downing "Suffering Jukebox" and the folk sounds of "Strange Victory, Strange Defeat." The former is remarkable for its extended chorus, which again sees Cassie Berman letting loose with pleading lines. While it isn't as introspective as other Silver Jews releases, that's by no means a good or bad thing; if anything, it offers a balance to some of their more melodramatic work and lets David Berman's sense of humor shine through more. This isn't music that you'd hear at a party, but its sound is timeless. Namely, music like this ages very well. (Suffering Jukebox)

2 of 2 people found the following review helpful

5.0 out of 5 stars Surely a Strange Victory October 9, 2008

By gonzobrarian VINE™ VOICE

Format:Audio CD

Lookout Mountain, Lookout Sea is the latest release from The Silver Jews, and in my opinion it's the most consistent album released by David Berman. Like all SJ releases, it contains the typical amount of sly resignation and witty slacker-sophistication from an eternally sobering songwriter. Berman laments the fate of the suffering jukeboxes in happy towns, country restroom on the radio, the illicit exploits of lard connoisseurs, the importation of squirrels and chicken-fried pigeon in preparation for the onslaught of autumn, and most importantly, the gooey, candy-coated imprisonments we willingly and routinely place ourselves in.

The Silver Jews is a branded band made in the mold of all the current under-the-radar greats such as Neko Case, Giant Sand, Calexico, The Handsome Family, etc. Slightly dark, weird and esoteric? Absolutely, but certainly the music is original, imaginative and with that distinctive southwestern / alt. country flair making it anachronistic enough to be cutting edge.

I daresay that this album may be enough to propel the Silver Jews just beyond their typical squirrelly fan base, but probably and regrettably not enough for mainstream play. It's a shame, since Lookout Mountain, Lookout Sea really is a strange victory.