In April of 2003, the world watched in shock as news broadcasts reported on the break in and the looting of the Iraq National Museum in Baghdad. Priceless antiquities, spanning ten thousand years of human history, were torn out from their glass cases, statues were thrown to the floor and smashed, and remains of temples and royal palaces were broken into pieces. The Looting of the Iraq Museum, Baghdad is a reconstruction in book form of one of the world's largest and most important museums, which will never be the same again. Focusing on the objects housed at the museum and collected over decades of painstaking archaeological research and study, the book traces the rich tapestry of the history of ancient Mesopotamia from its earliest prehistory to the advent of Islam. Iraq is a country of firsts: the earliest villages, cities, writing, poetry, epic literature, temples, codified religion, armies, warfare, world economy and empire. The archaeological artefacts that were looted represent our collective history and help us understand how our civilizations first began and then evolved. The looting of archaeological sites continues to this day, and has spawned a large illicit trade in stolen artefacts. Told through the art, artefacts, and writings that were lost recently in Iraq, this fascinating history of the civilizations of the Near East is sure to be a timeless and enduring book.
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Book Description
Editorial Reviews
Amazon.com Review
At once heartbreaking and inspiring, this remarkable art book seeks to document what was lost when 15,000 objects at Baghdad's Iraq Museum were lost in the 2003 war and the ongoing art destruction. Treasures like the beautiful carved-ivory Mona Lisa of Nimrud survived ten centuries, only to fall victim to chaos and looters, some sent by international art dealers. The scholar authors show that the loss isn't local, it's everybody's. Iraq saw the birth of cities, epic verse, and codified religion; the lions guarding the New York Public Library are esthetic descendants of the smashed terracotta masterpieces of Baghdad. The book is a quickie history course, with 190 handsome color illustrations. Editorially, it's a bit rushed and confusing. But look: these aren't ivory-tower scholars, they're heroes putting themselves on the line to save humanity’s legacy. One had to be rescued from kidnappers with the help of Muqtada al-Sadr. Part of what you pay for the book goes to reconstruct the museum, and the book itself constitutes a kind of virtual museum preserving some works that are lost, and some that will be relocated, in part because it exists. --Tim Appelo
From Publishers Weekly
As Baghdad fell in the spring of 2003, the thin deployment of coalition forces, it was said, made it impossible to protect cultural sites-which were immediately stripped-despite a legal obligation to preserve them. This book records the enormous, devastating losses (more than 15,000 pieces, only half of which have been recovered) of a major world museum, one that much of the world never had a chance to discover. Over 12 chapters, varied contributors lightly detail the depth and breadth of the collection, presenting highlights in 284 illustrations (most in color) from the collection as it was, with some asides about pieces that have been "reported missing" or are otherwise no longer there. Yet the text accompanying these abundant photos feels thin. A seven-page history of the museum is barely informative; the seven pages on "The Ravages of War and the Challenge of Reconstruction" feel woefully inadequate for a book of this title. With its lack of a unified perspective and the inclusion of previously published material, the book has a quickly-stitched-together feel. A percentage of the book's sales will be donated to the Iraqi State Board of Antiquities and Heritage; the director of the Iraq Museum, Dr. Donny George, will tour the U.S. in June.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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Most Helpful Customer Reviews
27 of 30 people found the following review helpful:
5.0 out of 5 stars
"My goodness, were there that many vases?",
By Karl Vogler (USA) - See all my reviews
This review is from: The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Ancient Mesopotamia (Hardcover)
I remember Secretary Rumsfeld getting a laugh when he tried putting the looting of Baghdad in proper perspective. "The images you are seeing on television you are seeing over, and over, and over," he said, "and it's the same picture of some person walking out of some building with a vase, and you see it twenty times, and you think, 'My goodness, were there that many vases? Is it possible that there were that many vases in the whole country?'" Well, this book shouts out from the audience, "Yup!" and in doing so, puts a new face on the war in Iraq, and tells a story as ironic and poignant as what we saw in the Iraqi soccer team at the Olympics last summer. Here the team is a group of experts -- a kind of dream team of Iraqis, Americans, Italians and Brits -- each taking a turn as an expert witness in the most talked about art heist in history. Unlike most of the reporting at the time, this book doesn't presume you already know your Ancient Near Eastern and Islamic history. Ralph Solecki takes us to the very beginning and recalls his prehistoric discoveries in Northern Iraq, where we have possibly the earliest known evidence of human compassion. Harriet Crawford's coverage of the dawn of civilization brings the dawning realization that ancient Mesopotamia is a lot closer to life today than we thought. Paul Collins presents an account of the amazing developments in Sumer, illustrated with some of the most beloved pieces from the Iraq Museum. All right, the Iraqis invented human emotion, agriculture, cities, empires -- what else? Robert Biggs adds writing and literature, using macro lens close-ups and a cuneiform comparison chart. And if you wonder why a quarter million people in America call themselves Assyrians, you'll certainly know after reading Julian Reade's chapter about these great achievers 2500 years ago. The East-meets-West story, starting with Alexander the Great, is vividly told by Elisabetta Fino. After seeing news photos of the mosque in Samarra vandalized, reading Alastair Northedge's piece on Islamic architecture was a form of grief counseling for me. Now as I watch daily footage of car bombings in Baghdad, I think of Vincenzo Strika's review of Baghdad through the ages, and put my hope in his last line: "Baghdad, for all its tumult and suffering, has the potential to become again, as it was in the Middle Ages, the cultural bridge between East and West." Other parts of the book use the museum building itself or specific artifacts as a point of departure: the essential "A Museum is Born" by Lamia Al-Gailani Werr and the exquisite "Small Treasures of the Iraq Museum" by Fiorella Strika. When I first opened the book, I skipped through it reading the double-page spreads here and there by Diana McDonald, and that made me want to read everything else. It was strong stuff for me to read kidnapping survivor Micah Garen's words on universal ideas - heroism, friendship, and our fear of death - drawing a comparison between the quest of Gilgamesh and the purpose of archaeology. Garen and his partner, Marie-Helene Carleton, remind us that we are all Gilgamesh, and archaeologists are our genius scribes. This elegant invitation to preserve our historical memory is echoed throughout the book, in most urgent terms by Selma Al-Radi, by Angela Schuster and Zainab Bahrani, by William and Milbry Polk, by Usam Ghaidan and Anna Paolini, and by the tireless Iraqi archaeologist, Donny George. All of these contributors are within two degrees of separation from everyone else in the cultural heritage community that reacted to the looting of the Iraq Museum. Although they are distinguished writers individually -- worthy of their own Listmania List -- this is a fine ensemble piece. Of course, the real stars of the book are the antiquities themselves, the figurines, bas reliefs, stelae and other vocabulary-building artifacts, along with, yes, the vases. The 190 color pictures on heavy paper make this a compact coffee-table book, but not too heavy to read in bed as well. University archaeology departments would be nuts not to make this required reading for new students. I can't think of a book that will more directly engage and motivate the newcomer, and possibly spark a thousand careers as luminous as those referenced in its pages. The book itself is an example of how people can work together across borders, across cultures and civilizations, clash or no clash. Many of these writers were first responders, rushing in to protect fragile human knowledge, and in the process modeling for the rest of us what we most need these days in Iraq: charity, hope and faith.
15 of 16 people found the following review helpful:
5.0 out of 5 stars
Much needed book on the looting of Mesopotamian treasures,
By Reader (New York, USA) - See all my reviews
This review is from: The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Ancient Mesopotamia (Hardcover)
I found this to be an excellent volume that opens with the looting of the Iraq Museum at the beginning of the war and develops into an elegant and expert history of Mesopotamia spanning 60,000 years. Although the looting has been covered in newspapers and magazines, this is the only attempt to my knowledge to bring the topic to mainstream readers in book form. Archaeological sites throughout Iraq are still being looted daily, and a percentage of the royalties earned by this title will go to Iraq's State Board of Antiquities to help bring awareness and policing to the illicit trade in antiquities as well as help the Museum function again. The authors of each chapter comprise a formidable cadre of international archaeologists who have worked in Iraq sometimes for decades, and bring here the many voices needed to describe the long and fascinating history of Mesopotamia. The editors, Milbry Polk and Angela Schuster, really have done a fantastic job and have brought us a much needed book.
Beautifully designed and expertly written, this is a must for lovers of history and those with an interest in the cultural background of Iraq. Highly recommended.
11 of 11 people found the following review helpful:
5.0 out of 5 stars
The Pity of War,
By Grady Harp (Los Angeles, CA United States) - See all my reviews (HALL OF FAME REVIEWER) (VINE VOICE) (TOP 50 REVIEWER) (REAL NAME)
This review is from: The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Ancient Mesopotamia (Hardcover)
As discontent over the continued American presence and the mounting loss of lives of not only soldiers from this country but also from other supporting countries and certainly for the countless loss of civilian lives in Iraq, artists and writers are responding in kind to the woe of war. One of the saddest tragedies of the Iraq invasion was the decimation of the Iraq Museum of Baghdad. Many of the rarest of antiquities housed there are now reduced to dust while others suffered irreparable damage.
This fine book provides many illustrations of the collection of the Iraq Museum and with that, naturally, comes a timeline of civilization as we know it. The treasures are/were wondrous and the history as summarized by Milbry and William Polk, Selma Al-Radi, Angela Schuster, Zainab Bahrani, Usam Ghaidan, Anna Paolini, and Donny George in their fine essays should be required reading for all of us. This fine and beautifully designed book marks a sad moment in our history, but it also provides an invaluable resource guide for those interested in the cradle of civilization that was Mesopotamia - aka Iraq! Highly recommended. Grady Harp, August 05
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