Lord of the Flies [Mass Market Paperback]

William Golding (Author), E. L. Epstein (Afterword)

Book Description

Release date: July 27, 1959

Before The Hunger Games there was Lord of the Flies

Lord of the Flies remains as provocative today as when it was first published in 1954, igniting passionate debate with its startling, brutal portrait of human nature. Though critically acclaimed, it was largely ignored upon its initial publication. Yet soon it became a cult favorite among both students and literary critics who compared it to J.D. Salinger's The Catcher in the Rye in its influence on modern thought and literature.

Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies has established itself as a true classic.

Editorial Reviews

Amazon.com Review

William Golding's classic tale about a group of English schoolboys who are plane-wrecked on a deserted island is just as chilling and relevant today as when it was first published in 1954. At first, the stranded boys cooperate, attempting to gather food, make shelters, and maintain signal fires. Overseeing their efforts are Ralph, "the boy with fair hair," and Piggy, Ralph's chubby, wisdom-dispensing sidekick whose thick spectacles come in handy for lighting fires. Although Ralph tries to impose order and delegate responsibility, there are many in their number who would rather swim, play, or hunt the island's wild pig population. Soon Ralph's rules are being ignored or challenged outright. His fiercest antagonist is Jack, the redheaded leader of the pig hunters, who manages to lure away many of the boys to join his band of painted savages. The situation deteriorates as the trappings of civilization continue to fall away, until Ralph discovers that instead of being hunters, he and Piggy have become the hunted: "He forgot his words, his hunger and thirst, and became fear; hopeless fear on flying feet." Golding's gripping novel explores the boundary between human reason and animal instinct, all on the brutal playing field of adolescent competition. --Jennifer Hubert --This text refers to the Paperback edition.

Review

"The most influential novel...since Salinger's Catcher in the Rye." 
-- Time

"Lord of the Flies [is my selection for The Book That Changed My Life] because it is both a story with a message and because it is a great tale of adventure. My advice about reading is to do a lot of it."
-- Stephen King, for the National Book Foundation, The Book That Changed My Life

"[T]his brilliant work is a frightening parody on man's return (in a few weeks) to that state of darkness from which it took him thousands of years to emerge. Fully to succeed, a fantasy must approach very close to reality. Lord of the Flies does. It must also be superbly written. It is." 
-- The New York Times Book Review
 
"[S]parely and elegantly written...Lord of the Flies is a grim anti-pastoral in which adults are disguised as children who replicate the worst of their elders' heritage of ignorance, violence, and warfare." 
-- Joyce Carol Oates, New York Review of Books

See all Editorial Reviews

Product Details

• Mass Market Paperback: 208 pages
• Publisher: Perigee Books; Reissue edition (July 27, 1959)
• Language: English
• ISBN-10: 0399501487
• ISBN-13: 978-0399501487
• Product Dimensions: 4.3 x 0.6 x 7.1 inches
• Shipping Weight: 1 pounds (View shipping rates and policies)
• Average Customer Review: 3.9 out of 5 stars  See all reviews (1,615 customer reviews)
• Amazon Best Sellers Rank: #2,464 in Books (See Top 100 in Books)
  • #99 in Books > Mystery, Thriller & Suspense > Thrillers > Psychological Thrillers

More About the Author

Born in Cornwall, England, William Golding started writing at the age of seven. Though he studied natural sciences at Oxford to please his parents, he also studied English and published his first book, a collection of poems, before finishing college. He served in the Royal Navy during World War II, participating in the Normandy invasion. Golding's other novels include Lord of the Flies, The Inheritors, The Free Fall, Pincher Martin, The Double Tongue, and Rites of Passage, which won the Booker Prize.

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#21 in Books > Literature & Fiction > Classics

#21 in Books > Literature & Fiction > Classics

Most Helpful Customer Reviews

59 of 61 people found the following review helpful

5.0 out of 5 stars More than just a book August 27, 2001

By Allie Jane Bruce

Format:Mass Market Paperback

William Golding wrote this book as a response to "Coral Island," in which a group of boys shipwrecked on an island make Christians out of cannibals, hunt pigs but do not spill blood, and are cheerfully rescued. Obviously, Lord of the Flies is much more than an adventure story about good little boys. It is an exploration into the darker side of man and the true source of the "beast," or Devil.

Meet Ralph, who represents sanity, common sense, and the conscience of man; Jack, who loves nothing more than hunting, blood, and power, and who Freudians might say embodies the Id; Piggy, who personifies intelligence, logic, and reason; and Simon, who discovers the true nature of the beast and represents a ray of hope for mankind.

I love this book because contained in less than 200 pages is an insight into human nature and the failings of society. When you read this, be prepared not only to examine the book and all its symbolism but yourself and your civilization.

89 of 97 people found the following review helpful

5.0 out of 5 stars A manual for societal behavior and expectations September 6, 2009

By Judy K. Polhemus TOP 500 REVIEWERVINE™ VOICE

Format:Paperback

"Lord of the Flies" is singularly the most important novel for required reading, whether assigned in school or self-imposed. It regularly appears as number one on my own list of best books.

Let's play "What if." What if a plane carrying a full load of school boys crashes on a deserted island with no adult survivors? What would happen to those boys? What would you expect to happen?

William Golding works with this premise: an idyllic setting, innocent schoolboys. One boy, an older boy just short of teenage years, a boy with fair hair, assumes leadership to stir the others into some semblance of organization and survival mode, much like adults would do if adults were present. He also saw a need to defuse the web of fear of the younger ones. Where are we? How long will we need to wait before someone comes for us? All questions with no answers at this time.

Ah, yes, Golding tells us, everything goes well for a while. But remember the "scar" made by the crashing plane? Something ugly is on this island (but it's not the scar). It's in the bushes, in the dark, in the depths, in the depths of hearts, and it grows like the malignancy it is.

A blatant revelation of what is about to come occurs when Roger silently and stealthily watches a young'un, unbeknownst to the little child. All the young'un is doing is running a stick through the sand, disturbing a crab in a tiny pool of water. Even he imposes control and fear on a helpless creature as Roger boldly picks up a couple of rocks and tosses them the youngster's way. He deliberately misses but comes closer with each throw. Next time he will probably hit the young boy, but not yet. This taboo--deliberately and unnecessarily causing pain to one smaller than you--has not been broken--yet.

Although the dance of the spears, the primeval chants, the attack and killing of the pig, then feasting on its flesh, their kill, are shocking acts of savagery, this event is foreshadowed by the seemingly innocent lob of the stones. From a casual incident, but one with eventual intentionality, the ritualistic slaughter is not so far-fetched or surprising. Golding prepares his readers. This is how the chaos of society starts. It begins with one simple disconnect from the rules. It begins in the minds and hearts. Will I do what society expects? Will I follow the rules to keep things running and working? Do I break a rule or two for my own enhancement. Will I feel a power surge if my rock hits that young `un?

Ralph would probably speak of the terror of knowing that rules WILL be broken. He would speak of the utter horror that any rule can be and will be broken and he won't live to tell about it. Just ask Piggy.

This novel is the only one I taught over and over during the twelve years I worked with high school seniors. My other choices I would switch around those years, drop some, add some. This one I kept. It is that important. I think of "Lord of the Flies" as a necessary manual for societal behavior and an effort to keep the chaos of evil at bay.

Is it even necessary to ask how many times that rock has been thrown since this novel was published in the 1950's? Or how much chaos has imploded so many lives?

Like the way of manuals, some remain in circulation and are deeply read; others fall by the wayside out of disinterest. Some are thrown in the trash. "Lord of the Flies"--what is its current status? And society--how is it doing? Reader, are you a little bit fearful?

58 of 67 people found the following review helpful

5.0 out of 5 stars Human Nature through the eyes of William Golding March 17, 2001

By Timothy_Froh

Format:Mass Market Paperback

With this his first novel, author William Golding wrote a novel that he could never surpass in greatness. Lord of the Flies is a novel about our human nature. Too often I think, people jump to quick conclusions about the book and Golding's stand on human nature. "His stance is too pessimistic" or "That books really gross." What these people fail to realize is that Golding tried to paint a picture of human nature as he saw it. He wasn't making things up, I don't think he was particularly angry, he wrote Lord of the Flies to expose people to the atrocities that he witnessed in World War II.

One of the largest underlying principles in Lord of the Flies is of course, human nature. William Golding gives the reader three interesting characters to analyze: Jack, Piggy, and Ralph. It's quite apparent as you read the novel that Golding must have read a little Sigmund Freud before writing Lord of the Flies. Let's start with Jack. Jack is the definite Id on the island. He wants to survive but he also wants to eat meat and have fun. Jack is clearly unable to control these urges and in turn has a pretty large influence on the other boys on the island. Piggy is the definite Superego on the island. Piggy is always referring to "well my auntie..." and always finds an excuse not to do something. Piggy has no intentions of satisfying his id, and in turn influences only Ralph and Simon. Ralph on the other hand, takes the middle road. He is clearly trying to find a way to satisfy his id, but he can't seem to find one. Take what he said in chapter eight for instance: "...Without the fire we can't be rescued. I'd like to put on war-paint and be a savage. But we must keep the fire burning..." Ralph is definitely trying to satisfy his id, but those laws of culture still remain with him, telling him it's not the thing a proper English boy should do.

Another interesting connection I made while reading, was one between Jack's status of leader and the ideology of Thomas Hobbes. Unlike Hobbes though, Jack's power was used for quite the opposite affect. Hobbes believed that in order for a perfect society to exist, a higher power had to be in charge, in order to keep the other citizens in check. Jack was that higher power on the island. He was in control of everything, however, his power had quite the opposite affect of "keeping people in check." Jack used the powerful persuasion of the id to persuade others. Jack could promise meat and fun, whereas Ralph could promise labor and fruit, something the other boys definitely didn't want.

Lord of the Flies is also a novel filled with symbolism. Probably the most important of these symbols was the conch. The conchs represented several things, including freedom and order on the island, and possibly, even for a short time, unity between the boys. One of the most interesting aspects to the conch was the fact that Piggy couldn't use it. This shows a lack of leadership or strength on Piggy's part. The conch became a tool of free speech. Those who wanted to speak at the tribal council had to hold the conch in order to be heard. However, as the story progressed, this practice diminished more and more, until the island was a place of complete chaos and anarchy. In one of the last chapters of the novel, the conch gets completely destroyed. This symbolizes two things. First, it symbolizes the end of order on the island- no more meetings, no more assemblies, none of that, the island was a place of anarchy. Secondly, this destruction symbolizes the end of Ralph's leadership. The boys had become slaves to Jack and his power, their conscience gave in.

Finally, about the novel itself. Golding is quite obviously a fan of Joseph Conrad. The writing style is almost identical, and the subject matter is very similar, with Golding opting to use children (young boys) instead of the men of Conrad's Heart of Darkness. The novel moves very quickly and it's rather short (202 pages in my copy.) You'll be immersed in the varying characters and degrees of humanity that they present. Keep in mind, that although Golding's view on humanity may seem very pessimistic, he's writing from his perspective on human nature, something that he witnessed first hand during WWII.