Customer Reviews

The Lord of the Rings: The Two Towers

5 star:		(152)
4 star:		(26)
3 star:		(14)
2 star:		(3)
1 star:		(1)

 

 

Howard Shore's Fellowship of the Ring score was a revelation. Who knew that the composer of The Game and The Cell had such a mastery of the leitmotif approach to scoring? FOTR of the ring left us with fully fleshed out themes (the Ring theme, the Fellowship theme, the Hobbit theme, the Riders March, the Isengard march, the Lorien theme) and haunting motifs (Arwen's motif, Aniron, Gandalf's lament, the 'Moth' theme, the betrayal theme, Gollum's theme). The Two Towers offers both revised presentations of the old and a stunning collection of new material.

Of the old, the Ring theme opens the album in a bold statement, followed by Goldenthal-like strings that take us back into the percussion and male choir of the Moria episode of FOTR. In "The Forbidden Pool", the Ring theme is most deftly developed, intertwined with Gollum's motif for the moment in the film that corresponds to the Henneth Annun segment of the novel. Also of note is the renewed Fellowship theme, which opens "The Uruk Hai" in grand style and proclaims the peak of the Riddermark charge in "Forth Eorlingas". The Isengard March (Shore's answer to Williams' Empire March) is twisted and turned into a charge for Gandalf in "The White Rider" (hear the opening!) and in "Isengard Unleashed", the brass is amazingly low. There are many other reprises of the old material, my favourite being the reappearance of, of all things, the 'Moth' motif in "Isengard Unleashed".

Of the new, there is the theme of the Riddermark, stated frequently in a number of tracks ("The King of the Golden Hall", "Riders of Rohan", "Hornburg"), and memorably played for the Hardinger by Dermot Crehan. A lovely theme for woodwinds appears in the second half of "The White Rider", reappearing in "The Hornburg". And then there are the action motifs: a minute into "Forth Eorlingas" will have you out of your seat! Not to mention the action motifs unveiled in "Helms Deep", which are heavy on percussion.

It's a triumph for Shore and his collaborators. Darker in overall feel and denser in orchestration that its predecessor, if either were conceivably possible. Kudos to the role call of vocalists: Isabel Baykradian (on "Evenstar", my favourite track), Sheila Chandra ("Breath of Life"), Elizabeth Fraser (thankyou Ms Fraser for the opening of "Isengard Unleashed", it's good to have you back for another score), Hilary Summers ("Farewell to Lorien"), Ben Del Maestro ("Forth Eorlingas" and "Isengard Unleashed") and of course... Emilliana Torrini. Collectively they give Enya a run for her money (and collectively probably cost less as well).

"Gollum's Song" song is rich and duplicitous, as much a song for Gollum as for men in general and all who can be corrupted by the Ring. It's a perfect answer thematically to Enya's "May it be", which praised Frodo's incorruptability. I suspect, after "The Two Towers", that incorruptibility will be brought into question.

And here's to Howard Shore's incorruptibility. May it be The Return of the King completes the most powerful series of film scores since, well, you know what trilogy I was going to say.

Howard Shore has indeed made another masterpiece. It is incredible that he can improve upon the highly acclaimed Fellowship of the Ring soundtrack. I was somewhat disappointed that Enya would not be making another contribution, but there are no complaints about the new artists. I did read a previous review expressing disappiontment that the music featured on the trailer was not on the soundtrack. This is becasue it is not from The Two Towers. That music actually is the score from the film Requiem for a Dream and is on that soundtrack. Just thought I would clear that up for anyone who was wondering because that is a powerful score as well. So, I would no doubt recommend adding this to your collection. It is just a taste of the highly anticipated theatrical experience that is on the way.

I loved the soundtrack for Fellowship of the Rings, and when the second movie came out, I was so impressed with Shore's continued work. The first film was whimsical and light in places, reflecting the Shire and it's Neverneverland perfection. It had to run to gauntlet of emotions from light and pure to powerful and pressing as they fellowship fought for their lives, to the sorrowful, the ethereal realm of the Elves to the final battle and redemption of Boromir.

Under Shore's hand, The Two Towers is darker, more intense. It does not have the range of Fellowship simply because we are past the Shire and it's tranquil beauty. But the score for the Two Towers is so moving. Think back on the brilliantly filmed scenes, and imagine them without the moving score of this film and you begin to understand just how brilliant conceived this score is. Howard Shore has firmly controlled the scores to make the sounds tracks as important as the film in creating the magic of the Rings.

After his Academy Award win for The Fellowship of the Ring, Howard Shore returns to score the sequel, The Two Towers. This is just as good as Fellowship, if not better. Some of the themes from the last soundtrack are reused, but the majority of the music contains new themes, which are just as good. A new element used in the music for this soundtrack is a handanger, which is a Norwegian fiddle used for the Rohan theme. This thematic material can be found in "The Riders of Rohan", "The King of the Golden Hall", "Helm's Deep", and "Forth Eorlingas". The powerful chorus and mighty percussion that made the first score so great is featured in "The Passage of the Marshes", "Helm's Deep", "The Hornburg", "Forth Eorlingas", and "Isengard Unleashed". As Enya was used in the first soundtrack, Shore employs several soloists for this one, such as Isabel Bayrakdarian in "Evenstar", Shelia Chandra in "Breath of Life", Elizabeth Fraser in "Isengard Unleashed", Ben Del Maestro in "Forth Eorlingas" and "Isengard Unleashed", and Emiliana Torrini singing "Gollum's Song". The Fellowship theme returns in "The Uruk-hai" and the Hobbit theme returns in "Samwise the Brave". A major highlight of the album is "Helm's Deep", "The Hornburg", "Forth Eorlingas", and "Isengard Unleashed" with a powerful chorus, brass fanfares, and booming percussion. Some other new material for Gollum can be found in "The Taming of Smeagol", "The Forbidden Pool", and "Gollum's Song" with a cimbalom being used for his sound. As you have probably guessed by now, this is definitely a score worth getting at all costs. If you liked Fellowship, you will equally enjoy this. I think this will win the Academy Award this year for best score, as Fellowship did. Very impressive!

I was surprised when Howard Shore's score for "The Fellowship of the Ring" won the Oscar. I am not saying that it wasn't deserving, but I didn't think it had much of a chance given the competition. On "The Two Towers," Shore's music has taken a turn for the somber. This is not the same music from his first undertaking. From the opening, "Foundations of Stone," the CD begins with a very "The Empire Strikes Back" tone with its choral section, more Wagner opera than John Williams. It gives the impression that this installment in the trilogy is going to be rife with overwhelming odds, epic battles, and impending doom. The score for the first film had a very bright disposition. It allowed one to smell the fields of green grass and hear the rivers rolling over rocky beds near the Shire. By the time you get to the beginning of "The Riders of Rohan," you feel like heavy losses have already felt by the good guys at some epic battle; however, the brightest musical component of the score is the second half of "Rohan:" the introduction of a new theme. The theme echoes of loss, but the potential for hope still lingers. The strings (I think by a collection of fiddles) is simply beautiful and melodic, similar to the sad solo vocal at the end of "The Bridge of Khazad Dum" on the first movie's score, indicating a painful moment of loss in the story. Considering the CD begins with what sounds like a huge crash of steel and armor, it is little surprise that many of the pieces are dense, intense, and incremental in scope. The moments of silence are oft abruptly broken by loud, crashing cymbals or powerful vocal accompaniment. "The Uruk-Hai" alows the rich horn fanfare of the first movie's main theme to meet its sibling theme for "The Two Towers," showing the definite kinship. Every track has a pressing, onimous sadness, be it subtle like "Evenstar" or blatant as in the lamentable "Gollum's Song." I originally gave this 3 stars, but as I wrote, I realized that this is NOT worse than the first score. It is just a lot darker, laden with images of rainy, muddy paths, looming threatening clouds, and the outbreak of grand war on the horizon. The whole score swells with a sense of epic scale, full of horns and large string sections. I think that this score is an excellent compliment to the first. Playing the two side-by-side, you can actually feel yourself on the journey to destroy the Ring, inching closer to Mount Doom...and the darkness that awaits.

Some may call me biased (I am a huge LOTR fan) but I think that anyone who enjoys classical music, and even many who don't, can enjoy this soundtrack. I loved the FOTR music, and find it very hard to pick a favourite between the two. TTT is more epic and sweeping, with very strong, dramatic themes running through. It introduces the Rohan theme, and you can imagine the expanive fields and rolling hills. The solo violin is just beautiful.

Frodo and Sam's journey is continued with dark, creeping themes, that characterise the new addition of Gollum. The sountrack reaches a climax with the battle of the Hornburg at Helms Deep, then draws to a close with the emotional 'Samwise the Brave' and ends with 'Gollums song' (an eerie and mysterious piece of music, that plays as the credits roll in the film. Emiliana Torrini provides the vocals, she is perfect for it with her haunting voice.) No matter how many times I listen to this cd, I don't get bored with it. It just gets better and better.
Favourite tracks: The passage of the marshes (really spooky)
The king of the golden hall
Evenstar (beautiful)
The white rider (Gandalfs return-loud and
dramatic choral pieces)
Gollums song

Call me crazy if you like but this soundtrack is far better than 'The Fellowship of the Ring' soundtrack. Howard Shore seemed to place a greater emphasis on this soundtrack between the two.

In fact, watching the movie after hearing the soundtrack over and over, I can see how the music definitely helps to make the second installment of these movies a better movie than the first. 'Two Towers' soundtrack has a larger sound and feel to it. It has a nice mixture of vocal and instrumental, some of which are mixed together (e.g. 'Foundations of Stone - which has a huge chorus sound). There are a lot of textures to the music, from large choruses and large orchestrated music, to simple slow moving features that allow the music to breathe, to marches and flowing strings.

I spend a lot of time tracking down soundtracks to play while I read and study. This one is one of my favorites. If you love soundtracks, and especially if you love a classical, large orchestrated sound to your soundtrack selection, then you will not want to be without this soundtrack. I highly recommend it.

THE LORD OF THE RINGS is actually one massive story told in three parts. That's the way Tolkien wrote it (well, actually he divided it into six parts) and that's the way Peter Jackson filmed the movies. The soundtracks follow through on that idea.

THE TWO TOWERS soundtrack continues (like the movie) where THE FELLOWSHIP OF THE RING stopped. The music repeats some familiar and powerful selections from the first film, but it also introduces new arrangements into the mix that are just as beautiful and majestic as the songs from the first part of the series. My favorite arrangements on the album are:

"The King of the Golden Hall"

"Forth Eorlingas"

"Isengard Unleashed"

"Samwise the Brave"

My favorites by far are "The King of the Golden Hall" and "Samwise the Brave". "TKotGH" is a powerful, moving piece that appears throughout the soundtrack. "Samwise the Brave" comes near the close of Part II and incorporates all the moving and majestic emotion of this, the best scene, in the movie. The only song on the album I didn't like is "Gollum's Song". It's not the same as the song Enya sang on FELLOWSHIP and is the only piece that seems out of place.

This is a great album for any LORD OF THE RINGS fan or any collector of movie music.

Howard Shore's score for "The Two Towers" is nothing short of a gleaming masterpiece. Every dollar you pay for is worth it! Here are the highlights of each track:
FOUNDATION OF STONE:
Awesome choral music as Gandalf battles the Balrog.
THE TAMING OF SMEAGOL:
Hobbit theme, Gollum fighting the hobbits music.
THE RIDERS OF ROHAN:
Rohan theme as Theoden draws his sword after being healed. Hardinger fiddle accompanies and sounds great!
THE PASSAGE OF THE MARSHES:
Awesome eerie music for the Death Marshes!
THE URUK-HAI:
The Fellowship theme, the Isengard theme, the Mordor theme all in one!
THE KING OF THE GOLDEN HALL:
More Rohan music including Eowyn's theme!
THE BLACK GATE IS CLOSED:
Perilous music as Frodo, Sam, and Gollum come to the gate of Mordor.
EVENSTAR:
Beautiful music featuring Isabel Bayrakdarian. This will put you to sleep with its awesome beauty and sadness.
THE WHITE RIDER:
The awesome theme for Gandalf the White!
TREEBEARD:
Some weird xylophone stuff for the Ents.
THE LEAVE TAKING:
A melancholy version of the Rivendell theme as the Elves leave.
HELM'S DEEP:
Awesome battle music/emotional parting of Eowyn and Aragorn before the Warg battle.
THE FORBIDDEN POOL:
One of the slower, softer tracks.
BREATH OF LIFE:
Some distinct music for the return of Aragorn from the cliff incident. His theme is at the end in full form!
THE HORNBURG:
Beautiful Rohan theme, Lothlorien theme as the Battle of Helm's Deep begins.
FORTH EORLINGAS:

My favorite track with the Rohan theme, Fellowship theme, and beautiful music as the Rohirrim ride into battle topped of with Gandalf's theme!
ISENGARD UNLEASHED:
Chromatic scales as Isengard is flooded. Awesome!
SAMWISE THE BRAVE:
A rendition of the Lord of the Rings theme as Sam narrates at the end and the Battle for Helm's Deep is won.
GOLLUM'S SONG:
A distinct, beautiful song for Gollum topped off with fanfare (Eowyn, Rohan).

This is a WONDERFUL soundtrack! If you appreciate good orhcestra music you won't regret buying this soundtrack!

This is certainly the best sequel soundtrack I've ever heard. There are no annoying tracks on it, which is in and of itself an accomplishment.

I like all of the tracks, but of particular note are, Foundations of Stone, Evenstar, The White Rider, The Leavetaking, Helm's Deep, Forth Earlingas, and Samwise the Brave.

I feel I have to give Gollum's Song it's own paragraph. It is one of the most haunting songs that I have ever heard. It begins with a sad melody soon accompanied by the haunting words of what must be a pitiful creature. But there is an edge to it that builds. Pity turns to anger, anger to vengeance. But it is all so increidbly subtle. The tone of the song hardly shifts at all, but I felt all of these emotions vividly.

Enough gushing. Buy this soundtrack. It's better than its predecessor, and that alone is saying a lot.