|
||||||||||||||||||
|
||||||||||||||||||
|
||||||||||||||||||
| ||||||||||||||||||||||||
Product Details
Would you like to update product info or give feedback on images?
|
| 1. Smoke on the Water |
| 2. Emily |
| 3. Sky High |
| 4. Moonlight |
| 5. Train Out of Hollywood |
| 6. These Foolish Things |
| 7. Enough |
| 8. Famous Friends |
| 9. Down |
| 10. Night and Day |
| 11. Walking on the Moon |
| 12. Bridges |
| 13. Dreaming |
|
Share your thoughts with other customers:
|
||||||||||||||||||||||
|
Most Helpful Customer Reviews
8 of 9 people found the following review helpful:
5.0 out of 5 stars
Perfect Night at the Club,
By
This review is from: Lost and Found (Audio CD)
Not new to the music scene, Judith Owen has movie tracks and previous CDs to her credit. But on this CD, Ms. Owen's breaks out the jazz with some kicky renditions of some classics, original works and sultry interpretations of classic rock pieces with help from the likes of Tom Scott, Cassandra Wilson and Keb Mo. This is Hot Jazz, cool to the touch and strong like a good shot of fine aged scotch.Ms. Owen's voice has all the classic elements of a night club singer crooning her way into your presence; strong, sexy, smoky and very enjoyable. The phrasing reminds you sometimes of Joni Mitchell, but the style is all hers. As she takes you through the various jazz pieces or her interpretation of some very familiar rock songs, her voice carries a torch, or expresses the emotion of a woman who loves jazz and knows how to make it come across with the impact of a velvet covered train wreck. As I wandered through the tracks, each one was a surprise, each one eloquent in the approach and style and none of them were a disappointment. Her voice has a range that could cover songs like the classic Police song "Walking on the Moon" or run up and down the scales as in "Famous Friends". Joni Mitchell's influences are evident in the track "Train Out of Hollywood" which features Keb' Mo' and this is one of the most outstanding tracks on the CD. A very dynamic composition with Ms. Owens making it kick up and demand attention. I liked her sultry interpretation of "Smoke on the Water", a Deep Purple tune that goes from rock to jazz and never falters. Ms. Owens interpretation is exceptional, and you will be surprised at the end result. "These Foolish Things" is a classic, made more so by the smooth vocals Ms. Owen lends to this piece, as well as the emotional expressions in her voice. Emotion is key here. Not only does Ms. Owen sing, or phrase, but she injects emotional expressions that give each piece impact and sometimes a ripping at the heart strings. This is especially noticeable on tracks like "Down" and "Emily". "Emily" is another stand out track, with kicking vocals and melody. While there are some tracks with full orchestra, piano is her companion in much of this music, and it allows her voice to come on strong, or it softens so she can emphasize the phrasing. "Famous Friends" is an excellent example, working the piano then breaking into vocal backups while still allowing Ms. Owens voice to shine. "Sky High" with Tom Scott is just the right touch of jazz with the right feeling and expression of vocals. Probably my choice for another "outstanding track" on this work. "Bridges" is a Latin jazz piece that enables Ms. Owen to show another side and expressiveness to her vocals. Just the right amount of beat to pick up the pace, but still the expression and smoothness to her voice that makes this piece work. "Enough" features a duet with Cassandra Wilson, and this piece is smokin'! Two female jazz singers taking a tune and making it a knockout! Smooth, hot and just what the doctor ordered to cure your blues. Another outstanding track on this collection. The final track of "Night and Day" with Richard Thompson on guitar is a classic. All Ms. Owen needs is a guitar, but the addition of a Latin beat and orchestra makes this a closing track to remember and leave you wanting more. There is a bonus track included, from the film "P.S." called "Dreaming". It keeps within the jazz genre, and is a lovely composition, again calling upon Ms. Owen to implant her emotion filled vocals into some heady lyrics and misty music. A nice addition to this CD and nicely done by Ms. Owen. If you love jazz female vocalists, as I do, Judith Owen is sure to please. If you like torch songs or new interpretations of old material, this CD is going to delight you. This lady has talent, a real show stopper, and she is not to be missed. maf
1 of 1 people found the following review helpful:
5.0 out of 5 stars
absolutely perfect!!!!!,
By tompan "tompanus" (CARLSBAD, CA United States) - See all my reviews
This review is from: Lost And Found (Audio CD)
I saw the cover and thought "this looks interesting"...I was blown away! Judith Owen is totally fresh and original. There's nothing better than a woman at a piano singing her own songs. This one has interesting stories to tell and beautiful songs to sing. What's so wonderful is she can move so easily among different styles from jazz to pop to serious to playful. Emily is the stand-out track. As far as being a jazz singer and pianist...she's got it all over Diana Krall. For current female singer-songwriter...she's not so wrapped up in herself like Tori Amos. Judith Owen is a total class act. Even her previous album, 12 Arrows, though different and obviously less mature has the feel a singer who is "there" for the listener.
5.0 out of 5 stars
Perfect Night at the Club,
By
This review is from: Lost And Found (Audio CD)
Not new to the music scene, Judith Owen has movie tracks and previous CDs to her credit. But on this CD, Ms. Owen's breaks out the jazz with some kicky renditions of some classics, original works and sultry interpretations of classic rock pieces with help from the likes of Tom Scott, Cassandra Wilson and Keb Mo. This is Hot Jazz, cool to the touch and strong like a good shot of fine aged scotch.Ms. Owen's voice has all the classic elements of a night club singer crooning her way into your presence; strong, sexy, smoky and very enjoyable. The phrasing reminds you sometimes of Joni Mitchell, but the style is all hers. As she takes you through the various jazz pieces or her interpretation of some very familiar rock songs, her voice carries a torch, or expresses the emotion of a woman who loves jazz and knows how to make it come across with the impact of a velvet covered train wreck. As I wandered through the tracks, each one was a surprise, each one eloquent in the approach and style and none of them were a disappointment. Her voice has a range that could cover songs like the classic Police song "Walking on the Moon" or run up and down the scales as in "Famous Friends". Joni Mitchell's influences are evident in the track "Train Out of Hollywood" which features Keb' Mo' and this is one of the most outstanding tracks on the CD. A very dynamic composition with Ms. Owens making it kick up and demand attention. I liked her sultry interpretation of "Smoke on the Water", a Deep Purple tune that goes from rock to jazz and never falters. Ms. Owens interpretation is exceptional, and you will be surprised at the end result. "These Foolish Things" is a classic, made more so by the smooth vocals Ms. Owen lends to this piece, as well as the emotional expressions in her voice. Emotion is key here. Not only does Ms. Owen sing, or phrase, but she injects emotional expressions that give each piece impact and sometimes a ripping at the heart strings. This is especially noticeable on tracks like "Down" and "Emily". "Emily" is another stand out track, with kicking vocals and melody. While there are some tracks with full orchestra, piano is her companion in much of this music, and it allows her voice to come on strong, or it softens so she can emphasize the phrasing. "Famous Friends" is an excellent example, working the piano then breaking into vocal backups while still allowing Ms. Owens voice to shine. "Sky High" with Tom Scott is just the right touch of jazz with the right feeling and expression of vocals. Probably my choice for another "outstanding track" on this work. "Bridges" is a Latin jazz piece that enables Ms. Owen to show another side and expressiveness to her vocals. Just the right amount of beat to pick up the pace, but still the expression and smoothness to her voice that makes this piece work. "Enough" features a duet with Cassandra Wilson, and this piece is smokin'! Two female jazz singers taking a tune and making it a knockout! Smooth, hot and just what the doctor ordered to cure your blues. Another outstanding track on this collection. The final track of "Night and Day" with Richard Thompson on guitar is a classic. All Ms. Owen needs is a guitar, but the addition of a Latin beat and orchestra makes this a closing track to remember and leave you wanting more. There is a bonus track included, from the film "P.S." called "Dreaming". It keeps within the jazz genre, and is a lovely composition, again calling upon Ms. Owen to implant her emotion filled vocals into some heady lyrics and misty music. A nice addition to this CD and nicely done by Ms. Owen. If you love jazz female vocalists, as I do, Judith Owen is sure to please. If you like torch songs or new interpretations of old material, this CD is going to delight you. This lady has talent, a real show stopper, and she is not to be missed. maf
Share your thoughts with other customers: Create your own review
|
|
Suggested Tags from Similar Products(What's this?)Be the first one to add a relevant tag (keyword that's strongly related to this product).
|
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
