8 of 8 people found the following review helpful:
4.0 out of 5 stars
Enough already, January 7, 2006
I have read so very many reviews on here about this album and how it is not like L.D. 50. Well, you know what? Its not like L.D. 50! There are some simularities yes, but no, its no L.D. 50. Like one reviewer put it: "If you want to hear L.D. 50..." put it in your cd player.
With that being said, my actual rating is 4.5 stars. Amazon has not embraced the progression of fractional ratings yet so I have to do it verbally. This is a great album from start to finish. This bands' sound is very tight and together. We have yet again wonderful basswork from L.D. 50 (that was not very present in their sophmore outting), great guitar work as always and great back-up vocals, outstanding lyrics and the drums have never sounded better. What an improvment from the mediocre sophmore effort.
If you are a fan of this band I see no reason for you not liking this release. Take this album for what it is (great) and dont bash it because it is not an L.D. 50 replica. Thanks for reading and enjoy listening to this great Cd.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
The Make-up Comes Off and the Talent Comes Out, March 7, 2006
To all metal fans who feel like all hope is lost and Nu-metal jokes such as Nickelback have brainwashed music with their sissy songs and are opressing true rock fans, I have some good news: Jump on Mudvayne's back and ride them back to the promiseland.
Mudvayne is exactly what rock needs right now. They have changed their approach, not only have they adapted to a more straightforward image but are expanding their musical talent considerably. Mudvayne is no longer made up of guys with names from the Cling-on dictionary or appearing as if they were just massacred by Freddy Crouger. Nowadays its just good 'ole Chad, Greg, Ryan, and Matt in street clothes. Fans liked the switch because it sent the message that they would allow their loyal followers to get more intimate with the band, and econmically it was beneficial because they sent the message to new listeners that they were about music, not image.
With the background information out of the way, I can tell you about this album. "Lost and Found" is hands-down Mudvayne's crowning achievement. "End of All Things to Come" was a great album, but I was fearing that it was a fluke. "Lost and Found" shattered that notion. "Lost and Found" proved that Mudvayne is committed to expanding their musical range and "L.D. 50" was just the typical first album-glimpses of potential greatness, but for the most part still unharnessed.
"Lost and Found" has more widespread appeal than "L.D. 50" and "End of All Things to Come". Not only does it contain more songs acceptable to the mainstream audience, but metal fans will appreciate this album also because it is their most technically difficult and contains very complex, layered passages that requires sheer wizardry to execute. There are hints of Megadeth in this album, but Chad Gray can wail with the best of them, whereas Dave Mustain can not.
The first track is 'Determined', a throwback to the Mudvayne of old--sonically ferocious and attacks with aggression. 'Happy?' is the third track but the first treasure on this album, it demonstrates Chad Gray's vocal capabilities and shows he is mastering melody. 'Fall Into Sleep' is a dark ballad, complete with a deep, rich sound. It is easily my favorite track on this album. It lures you in with its hypnotic bass line, then dissects with its overpowering chorus. Yet again, compliments to Chad Gray because you can feel the emotion in his screams, you connect with his substance.
Tracks 6-12 are very solid, there is no drop off at any point. 'Choices' is an excellent song with perhaps the most melody, but it spills over to the 7 minute mark; a bit too long for me. 'Forget to Remember' is fast-paced, and very catchy, and the lyrics are very deep and refined. 'Forget to Remember' is also more mainstream, and just simply keeps repeating in your head long after the CD player was turned off; the brightest spot on the latter half of the disc. 'TV Radio' is also catchy, but the lyrics come across as somewhat uninspired.
'All That You Are' is the power ballad, and perhaps the masterpiece of the entire album. 'All That You Are' is a probing anthem that showcases emotion and lyrical substance rather than mesmerizing riffs.
All together, this is a very excellent album. "Lost and Found" may be the third album, but it is Mudvayne's coming-out album. Previously, Mudvayne would leave a lasting visual with their appalling image, but now the immense skill is what is most evident.
If you are a fan of good hard rock music but never warmed up to Mudvayne because they initially were way too radical, you should really give this album a chance. You will like what you find. Metal fans will love this album because the music is both technically complex and empowering. Mostly though, the vocals are what pushes this album over the top. Chad Gray has made the committment to melody and departure from madness. While he is not in the elite category of great voices such as Maynard James Keenan, Layne Staley, or Scott Weiland, this is his best performance to date.
A very solid album, and a very safe purchase.
Mudvayne is easily the best hard rock/metal band on the scene these days, and "Lost and Found" is hands-down their best compilation thus far.
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