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Comment: (Hard Cover) There may be some minor damage to the dust jacket and/or cover. The pages may have some visible wear such as dog eared pages or minor water damage. There may be some writing inside the covers or on the title pages but the text is clean. All shipping handled by Amazon. Prime eligible when you buy from us!
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Lost Girls Hardcover – July 28, 2009

3.8 out of 5 stars 32 customer reviews

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Product Details

  • Hardcover: 320 pages
  • Publisher: IDW - TOP SHELF; First Edition edition (July 28, 2009)
  • Language: English
  • ISBN-10: 1603090444
  • ISBN-13: 978-1603090445
  • Product Dimensions: 1.6 x 8.8 x 12 inches
  • Shipping Weight: 3.9 pounds (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (32 customer reviews)
  • Amazon Best Sellers Rank: #288,964 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Hardcover
I'm not put off by graphic sex, but I'm not big on pornography. I do, however, have a lot of respect for Alan Moore's work, so I decided to give Lost Girls a go.

Moore proves here that it is possible to write high-brow porn. The problem is Moore himself. I enjoy his work, but he does have a tendency to get a bit dull. Dull and boring is exactly how I would describe Lost Girls. There's nothing very titillating about it. The sex itself isn't very imaginative and the whole story just lacks life. I would not be surprised if Moore was inspired by Victorian pornography since there's only a little raunchiness to be had and a lot of stuffy writing. Perhaps in the 1910s when this book is set, Lost Girls would have been considered much more titillating, but today, it fails to impress on that level. Pornography and erotica doesn't work unless there's some kind of life in it, some way to draw the reader into the debauchery taking place on the page. Moore is just not the person to write this kind of story because no matter how he tries, he writes in a very distant, self-conscious, intellectual way that is not a good fit for the genre.

As for the actual plot, which could have been Lost Girls's saving grace, there really wasn't much of one. Not a whole lot goes on beyond base sex. The story is supposed to be about sexual awakening and liberation, but it's weak and easily overshadowed by the copious amounts of boring sex going on. It's also somewhat disturbing. I know, I should have a stronger stomach for the destruction of favorite childhood stories as well as for all the pedophilia and incest. But combined with the cold writing and lifeless sex, there's no getting drawn into Moore's world. There's only sitting just outside of it being really disturbed at what you see going on.
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Format: Hardcover Verified Purchase
I'm a fan of Moore because of his creativity and sense of risk. While about of a quarter of the way into this collection I was smiling and laughing, by the middle I was groaning (not in a good way) and yawning, and by the end I was positively bored. Although I recognize the point of this sordid tale was excess (the mindless, intimacy-starved sex is the counterpart to world war) it was, well, +preachy+ and, lets face it, too much poking leads to soreness. Moore and his partner should have stopped while they were ahead, but they push this narrative to a kind of heterosexual extreme. What I thought held promise as a truly queer Moore endeavor ended up, well, ironically homophobic (proving, in an unintended way, that the most heterosexual relationship is the lesbian one). The most clever metanarrative here is the one in which the characters negotiate the charge of child pornography (which, lets face it, this book celebrates and complicates). This is very interesting, but in the final analysis, tedious. Not Moore's best. Indeed, perhaps among his worst for the mindless self-indulgence. Don't read in public.
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Format: Hardcover
"Desire's a strange land one discovers as a child, where nothing makes the slightest sense" (Book 1: VI, 3). Forget everything you knew about desire, this is one of the most lucid approaches anyone could ask for about a most fascinating subject.

We have heard much about how controversial Alan Moore's Lost Girl was and still is: forbidden in some countries, withheld by custom officers in others, we could easily dismiss it as a polemic work and thus leave it forever imprisoned into whatever mental drawer we put our taboos and scandalous items. Nonetheless, it would be a gross error to do so. Moore's work is highly literary and profoundly intellectual, it has nothing to envy to "serious" novels or academic authors. Using well-established literary creations such as Alice (from Wonderland), Dorothy (from the land of Oz) and Wendy (from Neverland), this long-bearded British man has, once again, made an innovation in the 9th art that perhaps will go unnoticed by some.

Let's make a quick review, chapter by chapter, of what exactly are those innovations, and why is it that Moore has put so much thought into each and every one of these lavishly illustrated pages.

Everyone familiar with bedtime stories knows about mirrors. A Mirror is a magic and powerful thing. But then again, in real life, mirrors are that which help us define ourselves, at least according to psychoanalyst Jacques Lacan. In Lacanian theory, the mirror stage starts when the child is between six and twelve months old: unable to walk properly, to talk fluently, unable even to control sphincters and thus bodily emissions; the child, indeed, is a clumsy, messy, unfinished creature, not at all like the adults he sees constantly.
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Format: Hardcover Verified Purchase
Bought this for a gift and he loves it. Kind of over the top for my taste-not interested in seeing my favorite childhood fairy tale characters involved in porn! When animals become involved that is more than enough for me to look away! That is just downright disturbing to me, even if it is just an animated comic style book.
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Format: Hardcover
Alice of 'Alice in Wonderland' and 'Through the Looking Glass'; Wendy of 'Peter Pan'; and Dorothy of 'The Wizard of Oz' have enchanted young readers for generations in these now classic stories of childhood fantasy. In "Lost Girls", author Alan Moore and artist Melinda Gebbie have taken those three iconic characters and created wholly new interpretations of them, their circumstances, and their histories. Clearly a work of imaginative and visualized erotica, "Lost Girls" is for an adult readership only. In this newly created fantasy universe, the three girls are now grown women and find themselves together in French hotel just prior to the outbreak of World War I. They gradually reveal their pasts to one another, discovering common interests and uncommon experiences. "Lost Girls" is a newly created classic in its own right and highly recommended for mature readers who will appreciate the reworking of other classics into a wholly new and engaging graphic novel format work of impressive and memorable literature.
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