Most Helpful Customer Reviews
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
A Delightful Romp Through History, August 28, 2008
Daniel Costa brings to life the last days of Imperial Rome, as well as the chaotic sweep of European history in the first millenium after Christ. The book chronicles the sacking of Rome by Alaric and the Visigoths in 410, A.D., the first breach of the city's walls in some 800 years.
The book's subtitle, "The Hunt for Alaric's Treasure," reveals the book's theme as Costa examines the various efforts over the centuries to find Alaric's gravesite in the belief that, consistent with Gothic tradition, a vast fortune would have been buried with him. Costa also reviews the scant evidence on where the gravesite and buried treasure are likely to be.
Costa's book is lively and well-written. He weaves into a comprehensible pattern the rise and fall of the innumerable kingships that ultimately led to the creation of the European nation-states we know today. He also tells of the rise of Islam and its impact on European society of the time, a story not unlike the struggle going on today between jihadists and Western civilization.
This is a book worth reading by anyone who wants to know whence we came and ponder the lessons to be derived therefrom.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
A glimpse of Dark Ages history seen from an unusual perspective, August 26, 2008
History lovers feel rarely spoiled by the chance of reading an apparently easy, sheer elegant, and equally tantalizing historical book. Through its slow raise to grandeur, world dominance, and hectic fall into decay, Rome has been a favorite subject in this respect. Recently, we were fortunate to have Tom Holland's "Rubicon" describing with such gusto the collapse of the Roman republic and the foundation of the Empire. Daniel Costa's "The Lost Gold of Rome" is artfully revealing the other side of the coin, the last stage of decadence of the Roman Empire, and the chaos that followed its downfall, which had brought with it the end of the ancient world.
In the former case, the historical narrative is set in motion by unfolding the deadly twist of ambitions of the destroyers of the republic; for the latter, Daniel Costa subtly chooses to track the shadowy fate of Rome's treasures, robbed by the first wave of city's invading barbarians. Reading the book, it soon became obvious that Daniel Costa wanted to depict, behind that moving target of a treasure hunt, a vivid historical fresco of the epoch, and to illustrate the wild tapestry of human mentalities of those dark times, wowed into violence, superstition, greed and irrationality, indistinctly carrying a few seeds of a forthcoming world.
The clear architecture of the book, its fine balancing between elements of historical analysis and insertion of significant details, does succeed in bringing together, in a cinematic fashion using a casual style, traces of legend, mystery, and facts related to the story of the Roman treasure pillaged by the Visigoth king. Some open speculations sustain a certain sense of suspense in the quest for the lost riches of Rome. But we may also suspect that the author had intended to touch a more disquieting question, beyond the crust of the subject exposed. How would compare with, or how different from that bygone era our world seems to be? And so the splendid metaphor used by Barbara Tuchman, "a distant mirror", comes to mind. Daniel Costa's excellent book is inscribing on a similar line of thought.
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