3 of 3 people found the following review helpful:
3.0 out of 5 stars
"For great good a crime might be necessary", April 22, 2008
Mirroring the great classics of literature this vast and unwieldy novel of betrayal centers on the winnings of a lottery ticket and those characters that become willingly caught up in an effort to find the elusive receipt and then hopefully cash it in. But what starts out as a rather depressing tale of animosity and bitterness, unrequited love, and all-consuming betrayal, soon turns into a full blown cosmic morality play where stabbings, blackmail, long held family resentments, and even murder provide the overriding themes.
Steeped in a literary flavor that is deeply reflective of the novels of the great Russian classic authors, The Lost Highway begins as the down and out Alex Chapman discovers from the owner of the local service station, Burton Tucker, that his despotic great uncle Jim Chapman has just won thirteen million dollars. Over the years Alex's relationship with his uncle, nicknamed the "the old man" has been fraught with difficulty, both of them warring off and on for twenty years, ever since the boy had left the priesthood under what were called suspicious circumstances.
Living a paltry existence in a small cabin that used to be the old man's icehouse, Alex plots and plans and ruminates on his failed life even as he's certain he's going to be kicked out of his ramshackle him. With old Jim Chapman also intent to write him out of the will, Alex is positive that his Uncle's enmity for him originates from along with his long-held dislike of Alex's father, mainly because of how he treated Alex's long-suffering mother.
As The Lost Highway opens, both uncle and nephew are embroiled in a "brutal infantile tit-for-tat." Alex has tried to live a life both fair and honest, yet he's never got ahead. Jim Chapman, however, sees his nephew as an unadulterated failure that has done his best to ruin the family fortune. Haunted by the painful death of his mother, and with few expectations, Alex begins to obsess over this money that he considers is just too much for an enemy like Jim Chapman.
To let Chapman have his winnings would be the end of Alex's life. He would never be able to live down Jim's hubris, nor would he be able to crawl back. But there is also another consideration - that of the love of his life, Minnie Patch. So with ideas twirling around in his mind like a windstorm, his life with Minnie like those of unrequited lovers, Alex hangs onto the hope that somehow Minnie really still loves him. He plans to steal the lotto ticket, from his uncle, the tyrant, to keep her respect. But Minnie has married Sam Patch, and the only way that Alex can guarantee that Minnie will come back to him is to use the moment to entice her.
If Alex could somehow get this money, he would do far more good with it than his uncle who has lost himself in anger of his failed plowing company, and Minnie might just come back to him. It is this dilemma that is central to this somewhat overwrought novel that is peppered with drunks and scabs, the characters mostly hard-noised and poverty stricken, forever damaged and always bereaved. These are people who have faced their fair share of life's hard knocks.
Alex is a man who had planned to save money, to have things in his own life, and to be happy, but it isn't until he reconnects his arch childhood nemesis Leo Bourque who knows a secret, something Alex had done to the Jim Chapman's company a year ago, that Alex - and consequently Leo - are set on a path towards self destruction.
This is indeed a powerful novel, full of misery and poverty, but often the narrative goes in circles, the author more concerned with espousing his complex philosophical views on religion, morality, and faith than propelling the story forward. A compendium of destiny and a well-crafted meditation on the human condition, The Lost Highway works as a complex portrait of a vast and rapacious ego with unchecked moral compass that ends up justifying to a horrible act, but it is also a novel that often sinks under the weight of it's own repetitiveness and self-importance.
With a plot that revolves around a dead body and a teenage girl who knows what is at a stake regarding the thirteen million dollars, life for Alex and Leo comes to a devastating climax in an ending that is riddled with a type of bitter irony. The aftermath of a violent act and the total sum of all Alex's plans and ambitions end up coming to the single sentence: "You have done what you have done." Mike Leonard April 08.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars
Lost about why it's called the Lost Highway, June 4, 2008
People always use terms like "moral" and "fierce" to describe this writer, but I'd forgotten how long winded and repetitive he could be. A couple of sections were terribly preachy; his own moral theories badly woven into the story. Worst of all, the main character Alex was portrayed as a small town ethics lecturer, but his thoughts and prejudices were akin to those of a person with half his IQ. In short, an unbelievable character in a sometimes unbelievable story.
Other people and sequences worked a lot better; the incorrigible Leo Bourque, the uncommonly insightful native Canadian police inspector Markus Paul and the breathtaking scene near the end when a 15 year old girl is pursued by two men who wish to drown her.
Particularly in the second half, the book gathered momentum and was really compelling, but at half the size it would have been every bit as effective. It's not that often I spend so much time wondering how clumsily chapters are put together, or why the same points are repeated again and again and the obvious re-stated. I have been spoiled by the sparse writing of Galgut and Coetzee for sure.
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