Lost Icons: Reflections on Cultural Bereavement [Paperback]

Rowan Williams (Author)

Book Description

ISBN-10: 0567087220 | ISBN-13: 978-0567087225 | Publication Date: May 2000

Rowan Williams draws attention to the inability of modern man to deal with images of childhood, his awkwardness at speaking about community and his devastating lack of vocabulary for the growth and nurture of the self through time. He argues that we have to let go of a number of crucial imaginative patterns - "icons" - for thinking about ourselves.

Editorial Reviews

Review

"This is a rich book, densely woven around themes that constantly provoke questioning of oneself and one's culture." -- Theology Today, January 2002

“...‘Yes, that is what’s wrong, so that’s what I need to preach’. So read it!” -- Anvil, 2001

About the Author

The Rt. Hon. and Most Reverend Rowan Williams is Archbishop of Canterbury. He was formerly Lady Margaret Professor of Divinity at Oxford and Archbishop of Wales.

--This text refers to an alternate Paperback edition.

Product Details

• Paperback: 200 pages
• Publisher: T. & T. Clark Publishers, Ltd. (May 2000)
• Language: English
• ISBN-10: 0567087220
• ISBN-13: 978-0567087225
• Product Dimensions: 8.4 x 5.4 x 0.6 inches
• Shipping Weight: 9.1 ounces
• Average Customer Review: 4.8 out of 5 stars  See all reviews (6 customer reviews)
• Amazon Best Sellers Rank: #3,724,320 in Books (See Top 100 in Books)

More About the Author

Rowan Douglas Williams was born in Swansea, south Wales on 14 June 1950, into a Welsh-speaking family, and was educated at Dynevor School in Swansea and Christ's College Cambridge where he studied theology. He studied for his doctorate - in the theology of Vladimir Lossky, a leading figure in Russian twentieth-century religious thought - at Wadham College Oxford, taking his DPhil in 1975. After two years as a lecturer at the College of the Resurrection, near Leeds, he was ordained deacon in Ely Cathedral before returning to Cambridge.

From 1977, he spent nine years in academic and parish work in Cambridge: first at Westcott House, being ordained priest in 1978, and from 1980 as curate at St George's, Chesterton. In 1983 he was appointed as a lecturer in Divinity in the university, and the following year became dean and chaplain of Clare College. 1986 saw a return to Oxford now as Lady Margaret Professor of Divinity and Canon of Christ Church; he was awarded the degree of Doctor of Divinity in 1989, and became a fellow of the British Academy in 1990. He is also an accomplished poet and translator.

In 1991 Professor Williams accepted election and consecration as bishop of Monmouth, a diocese on the Welsh borders, and in 1999 on the retirement of Archbishop Alwyn Rice Jones he was elected Archbishop of Wales, one of the 38 primates of the Anglican Communion. Thus it was that, in July 2002, with eleven years experience as a diocesan bishop and three as a leading primate in the Communion, Archbishop Williams was confirmed on 2 December 2002 as the 104th bishop of the See of Canterbury: the first Welsh successor to St Augustine of Canterbury and the first since the mid-thirteenth century to be appointed from beyond the English Church.

Dr Williams is acknowledged internationally as an outstanding theological writer, scholar and teacher. He has been involved in many theological, ecumenical and educational commissions. He has written extensively across a very wide range of related fields of professional study - philosophy, theology (especially early and patristic Christianity), spirituality and religious aesthetics - as evidenced by his bibliography. He has also written throughout his career on moral, ethical and social topics and, since becoming archbishop, has turned his attention increasingly on contemporary cultural and interfaith issues.

As Archbishop of Canterbury his principal responsibilities are however pastoral - leading the life and witness of the Church of England in general and his own diocese in particular by his teaching and oversight, and promoting and guiding the communion of the world-wide Anglican Church by the globally recognized ministry of unity that attaches to the office of bishop of the see of Canterbury.

His interests include music, fiction and languages.

In 1981 Dr Williams married Jane Paul, a lecturer in theology, whom he met while living and working in Cambridge. They have a daughter and a son.

Customer Reviews

Most Helpful Customer Reviews

13 of 14 people found the following review helpful:

5.0 out of 5 stars Eloquent and Timely, August 15, 2003

By 

benjamin (USA) - See all my reviews

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This review is from: Lost Icons: Reflections on Cultural Bereavement (Paperback)

This is the second book by Archbishop Rowan Williams that I have read and, regardless of what one may think of the Anglical Communion, someone such as Rowan Williams must give one some level of hope for its continued (and hopefully unified) existence. Although this work is less theological than a book such as _Resurrection: Interpreting the Easter Gospel_ (the other book by him that I have read), it is nonetheless still relevant as it finds its roots in a Christian worldview.

What I find both interesting and refreshing about the Archbishop is that he seems far more willing to listen to both sides of an issue than many other religious thinkers. I have heard him referred to as a "post-liberal"; although the usage of the word "post" is all too chic these days, it does seem to designate a type of continuity with a tradition while at the same time a certain level of discomfort with it. Particularly refreshing is his brief discussion about the use of the word "choice" in abortion debates and how the use of the word "choice" presupposes the action/s of an individual are divorced from a social context. Such an understanding of "choice" is, of course, naive; the result of such thinking can all too quickly become an ethics of power, which is contrary to so much of feminist ethics.

Williams seems to have a particular interest in language and its place in community, culture, and relationships - not in the purely romantic sense, but in the more general sense of relating one person to an other. He notes several times the place of language in expressing and sharing one's self with others and how certain dispositions - such as a lack of remorse - result in the inability to accurately and fully articulate one's existence in language to another person. His points are well thought out and touch something deep within not only the self, but within the soul as well (for a fuller discussion of the soul and the self, read the last chapter).

Disappointingly, the layout of this book is rather frustrating - there are several formatting errors that are completely unnecessary. While the Archbishop's writing makes this book well worth the read, it would have been nice if those that formatted the book had done a higher quality job - a job that matched the Archbishop's work.

All in all though, this book is another one by Rowan Williams that is well worth reading - and, perhaps as another reviewer has written, worth reading twice.

38 of 48 people found the following review helpful:

5.0 out of 5 stars A life changing book, October 12, 2000

By A Customer

This review is from: Lost Icons: Reflections on Cultural Bereavement (Paperback)

I think this is one of the most invigorating books I have ever read. It is totally uncompromising and incredibly impressive in its breadth and depth of thought. It presents an intellectual and moral structure that goes further than any other I know in explaining personal identity, amongst a host of other things. I very much like its humanity - this is a world view that allows the possibility of remorse that has real meaning, of change and redemption. I don't think it's possible to read this book intelligently without measuring yourself against what it says, but falling short of its high standards does not leave one without hope - the roadmarks are there. This is an honest, kind, and above all brave book. It's also delightful to be given, along the way, a bibliography of other interesting titles. I shall be rereading many times, I suspect, and finding new depths each time.

7 of 8 people found the following review helpful:

5.0 out of 5 stars Finding the focus..., October 27, 2005

By 

FrKurt Messick "FrKurt Messick" (Bloomington, IN USA) - See all my reviews
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This review is from: Lost Icons: Reflections on Cultural Bereavement (Paperback)

Rowan Williams, current Archbishop of Canterbury, wrote the book 'Lost Icons: Reflections on Cultural Bereavement' while he was Archbishop of Wales, primate of a national church in the Anglican Communion outside of England. In his preface, he states that he was working on this book for the greater part of a decade: 'There have been times when I thought this book might more honestly have been presented as a sort of journal of the 1990s.' Of course, during this time, Williams wasn't even Archbishop of Wales; he spent much of the decade of the 1990s as Bishop of Monmouth.

This was the era of the Spice Girls, of the death of Prince Diana, of Madonna (the singer, not the Blessed Virgin Mary) and of other media sensations that came to be called 'icons'. An icon used to be used in terms almost exclusively for those images that Eastern Orthodox (among selected others) hold for veneration and prayer. Now it is more likely referring to a computer graphic image; even the media 'icons' have fallen. Williams resists the urge to set out a complex theological and aesthetic theory of iconography, but rather, more accessibly, looks at areas that are more particularly associated with everyday life and ways of thinking.

Williams looks at issues of identity, choice and will, society encroachments upon these aspects as well as the recognition of the other, that part of the world and society (including pieces of ourselves) that are outside of us and our own control. Finally, Williams looks at the issue of the soul, hoping to recover a 'lost language of the soul', taking secular language construction to task in theological as well as historical and psychological terms.

'So, this is an essay about the erosions of selfhood in North Atlantic modernity.' This involves issues in politics, economics, and philosophy as well as religion and theology. Williams' grasp of the fundament issues is strong, and his breadth of knowledge to draw these disciplines together in a useful and thoughtful way is impressive. Williams calls for a kind of cultural discourse that goes beyond the modern slogan and sound bite; this may seem radical, but in fact is what the true founders of modern society were calling for against the backdrop of medievalism. Who are we? Do we as individuals each have a self?

This is an important consideration - just what does our self consist of? Quoting Joseph Needleman, Williams states that 'Christian doctrine and exhortation are meaningless in our present context so long as we have no idea of what sense of self such teaching is address to.' We are called by Williams to build a new self different from that which media-saturated, postmodern society imposes upon us. Williams finally relates his argument back to the Eastern-style icon and what that means for us today. We have lost focus, lost a luminosity that these icons embody and demonstrate.

How can one not love a book in whose index Madonna, John Major, David Mamet, Thomas Merton and the Muppet Workshop appear virtually side by side (not to mention Roald Dahl, Jacques Derrida, and Diana, Princess of Wales)? Despite the references to Hegel and Derrida (among others), Williams text remains accessible and inviting to the general reader, and a real gift to those who have an interest in theology, spirituality, and culture.