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Lost Light Audio, Cassette – Audiobook, Unabridged


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Product Details

  • Series: Harry Bosch
  • Audio Cassette
  • Publisher: Hachette Audio; Unabridged edition (April 1, 2003)
  • Language: English
  • ISBN-10: 1586214888
  • ISBN-13: 978-1586214883
  • Product Dimensions: 7 x 4.2 x 1.7 inches
  • Shipping Weight: 9.4 ounces
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (417 customer reviews)
  • Amazon Best Sellers Rank: #1,931,695 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

At the fade of Connelly's City of Bones, his hero, Harry Bosch, said goodbye to the Los Angeles Police Department he'd served loyally but unhappily for nine phenomenally successful novels, raising the question: what now? This new work provides the answer: Harry has embarked on a new career as a private detective. His first case involves a homicide that his LAPD superiors took away from him four years before, the still-unsolved brutal murder of a young woman that has continued to haunt him. He goes about his new business just as zealously and relentlessly as when he wore a badge, but its absence makes his job more difficult, especially when his solo sleuthing pits him against friends and foes on the LAPD, over-zealous anti-terrorist feds and a cadre of vicious killers. Connelly lets Bosch narrate the story, a somewhat hoary private eye device brought up to date by the author's compelling style. Reader Cariou, a veteran of Broadway (Sweeney Todd) and television (Law and Order; Murder She Wrote), has the timbre and talent to capture the sound and the moods of Harry: thoughtful, tough, driven yet surprisingly hopeful. His treatment of the other characters-from a raspy-voiced, paraplegic ex-cop to Bosch's disillusioned former partner Kizmin Rider-is nearly as effective. The quality of the narration plus the added production details-e.g., breaking the cassettes at chapter endings and bookending them with bluesy jazz riffs-result in an intriguing, suspenseful audio noir package, as dark and edgy as its hero-narrator.
Copyright 2003 Reed Business Information, Inc.

From School Library Journal

Adult/High School-After more than 25 years with the L.A. Police Department, recently retired Harry Bosch decides to finish the murder investigation of Angella Benton, a case he had been quickly pulled off more than four years earlier. Gaining additional background information from a former colleague, now a quadriplegic as a result of having been shot during the investigation, Harry begins contacting any and all of the people who could have facts pertaining to the crime. He believes that the murder is tied to a film scene and $2 million in cash, and that the entire caper was ingeniously set up well in advance. With dogged determination, he risks his life more than once to prove his theory correct. Connelly expertly weaves the many complex story parts together, resulting in an action-packed ending. As in real life, all aspects of the case must be researched thoroughly, and the bulk of the novel involves the time-consuming, labor-intensive effort that goes into finding answers. Several subplots-including ones involving jazz, Harry's ex-wife, and another murder-help to round out characters, inject other interests, and relieve the intensity of solving the murder. Young adults who read true crime and forensics, or who are interested in police procedures, will surely pick this one up.
Pam Johnson, Fairfax County Public Library, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

More About the Author

Michael Connelly decided to become a writer after discovering the books of Raymond Chandler while attending the University of Florida. Once he decided on this direction he chose a major in journalism and a minor in creative writing ' a curriculum in which one of his teachers was novelist Harry Crews.

After graduating in 1980, Connelly worked at newspapers in Daytona Beach and Fort Lauderdale, Florida, primarily specializing in the crime beat. In Fort Lauderdale he wrote about police and crime during the height of the murder and violence wave that rolled over South Florida during the so-called cocaine wars. In 1986, he and two other reporters spent several months interviewing survivors of a major airline crash. They wrote a magazine story on the crash and the survivors which was later short-listed for the Pulitzer Prize for feature writing. The magazine story also moved Connelly into the upper levels of journalism, landing him a job as a crime reporter for the Los Angeles Times, one of the largest papers in the country, and bringing him to the city of which his literary hero, Chandler, had written.

After three years on the crime beat in L.A., Connelly began writing his first novel to feature LAPD Detective Hieronymus Bosch. The novel, The Black Echo, based in part on a true crime that had occurred in Los Angeles , was published in 1992 and won the Edgar Award for Best First Novel by the Mystery Writers of America. Connelly has followed that up with 18 more novels. His books have been translated into 31 languages and have won the Edgar, Anthony, Macavity, Shamus, Dilys, Nero, Barry, Audie, Ridley, Maltese Falcon (Japan), .38 Caliber (France), Grand Prix (France), and Premio Bancarella (Italy) awards.

Michael lives with his family in Florida.

Customer Reviews

Nice pace, good plot and great characters.
Pamela
Bosch begins his private investigation, only to find another unsolved crime...one that is linked to the murder of the young woman.
Nick G
You really get to know the characters that way.
shannon

Most Helpful Customer Reviews

114 of 117 people found the following review helpful By Kevin Tipple VINE VOICE on November 7, 2003
Format: Hardcover
From his first incredible book, "The Black Echo," LAPD Detective Harry Bosch has had one mission and one mission only as he sees it-to speak for the dead. To bring justice to those who have killed and some measure of comfort, no matter how small to the victims left behind as survivors. When he retired, he took his watch and his files and thought his mission was over.
Instead, while he does not have the authority of the badge any more, he realizes as time passes that the mission remains. In particular, a case from a four year old unsolved murder begins to work its way into his mind. Angella Benton, an employee of Eidon Productions, was found dead in the vestibule of her apartment building. Bosch was assigned the case and was working it days later on a movie set when the set was robbed of two million dollars during a brazen daylight robbery shootout. Bosch would wound one robber, none of whom were ever caught, and the money was never found. After the robbery and the resulting high profile glare of the media, the Benton case was pulled from Bosch and folded into the robbery investigation and given to two detectives from Robbery Homicide. Days later, while eating lunch, one of the detectives was killed and the other permanently paralyzed in a robbery at a neighborhood bar.
That was a death knell for the case as cops are a superstitious lot and there are always new cases that demand immediate attention. But Bosch without a badge is just as aggressive as he was when he carried the shield. He may be retired, but he still goes at it the only way he knows how and soon seems to have antagonized his former bosses as well as other parties. Before long, old friends are annoyed, a federal terrorism task force is involved and unhappy, as well as numerous other shadowy figures.
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57 of 58 people found the following review helpful By Tucker Andersen VINE VOICE on May 1, 2003
Format: Hardcover
While I have been aware of Michael Connelly's impressive reputation as an author and the many readers who are fans of detective Harry Bosch, this is my introduction to this series. My five star rating indicates that I enjoyed the book tremendously and felt that it was exactly what the book jacket led me to expect and what the author was trying to accomplish. This is neither a great work of fiction nor is it even the best crime story that I have ever read, but it is well plotted, fast paced and very enjoyable with enough surprising details before the case is solved to keep the reader's interest.
Recently retired LAPD Detective Harry Bosch is still haunted by the four year old unsolved murder of twenty-four year old Angella Benton, an assistant to a famous movie producer. He is also bothered by the apparently coincidental robbery and murder that occurred on the movie set as he was investigating Angie's murder a few days later. The two million dollars taken in the heist was never recovered. Furthermore, the cops in the Robbery-Homicide Division who took over the case became the victims in a subsequent apparently unrelated robbery that left one dead and the other completely paralyzed and extremely bitter.
This is a classic detective story, and while it has many of the ingredients of a police procedural one of the important elements is that Harry is no longer on the force and has to rely on favors from his friends rather than having the power of his badge to get to the truth. The reader knows what happened and suspects that the question of why will in some way relate all the apparently random elements to the heist, then waits for Bosch to uncover who was involved and how they escaped apprehehension.
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42 of 42 people found the following review helpful By Jim Rolf on April 22, 2003
Format: Hardcover
I read the first two chapters of this book before it was published, and was sure I'd hate it for two reasons - it's written in first person, and Bosch's anti-authority figure would suffer without the LAPD supervisors to give him battles to fight. Then, I read the entire book. Connelly came through for me again. Bosch still has windmills to flail against and the story was so exciting that I forgot it was narrated by the man himself. An excellent read - not as much to my liking as CONCRETE BLONDE or ANGELS FLIGHT, but far superior to BLOOD WORK and CATCHING THE DIME.
My greatest complaint about Connelly is that he has ruined my enjoyment of other authors - they just don't measure up. I can no longer find excitement in the writings of Patterson or Burke or any of those authors I used to read before I got hooked on Bosch.
And, here comes Bosch again - fighting bureaucracy in search of the truth, rekindling old flames and renewing old relationships, and just flat tearing up anything that stands in the way of justice. If ever a character jumped out of the pages and lived, it has to be Harry Bosch.
Thanks, Mr. Connelly, for renewing my faith in you. I can't for the life of me figure out how you can keep up the pace, but I'm mighty glad you do. I can hardly wait for the next installment!
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35 of 37 people found the following review helpful By Sebastien Pharand on April 8, 2003
Format: Hardcover
Michael Connelly is probably today's best mystery writer. He's up there with the likes of Raymond Chandler and Dashiell Hammett. His Harry Bosch is one of the best, most engaging cop/PI/investigator since the noir years in the 50s and 60s. You know that when you start a Harry Bosch novel, you won't want to let go of it until you turn the very last page.
That's why Lost Light is a little bit disappointing. Not that it's a bad book. It's classic Connelly; it reads quickly, the writing is sharp, the dialogue even sharper and the plot moves quickly. Only thing is, Connelly has done this before, and better.
In Lost Light, we find Bosch investigating the murder of a young woman who worked as a production assisstant on a movie. That very movie is also under scrutiny, as it was the setting for a 2 million dollar heist that is still unresolved. Mix to this a missing FBI agent and you've got more than enough to keep your mind busy for 360 pages. But the plot itself is quite predictable. You can easily predict Bosch's next step. There are very few surprises for the reader in Lost Light
The one intersting thing is that, for the very first time, Connelly chose to write the book in the first person. And I have to admit that it suits the book and the character well. It was great to finally get into Bosch's mind, see how he thinks, what he does. I just love the way this character thinks and acts. He feels so real on the page that he just seems to creep right out of the book.
You can see that Connelly is trying to bring his character in a new direction now that he is retired. And retirement works well for Bosch. I liked him a lot as a cop, but I like him even more as a retired PI.
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