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Lost Memory of Skin Paperback – July 17, 2012


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Product Details

  • Paperback: 432 pages
  • Publisher: Ecco; Reprint edition (July 17, 2012)
  • Language: English
  • ISBN-10: 0061857645
  • ISBN-13: 978-0061857645
  • Product Dimensions: 5.3 x 1 x 8 inches
  • Shipping Weight: 11.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (134 customer reviews)
  • Amazon Best Sellers Rank: #358,496 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

Amazon Best Books of the Month, October 2011: In Lost Memory of Skin, Russell Banks plays peek-a-boo with the reader lifting each corner just enough to wonder at what may lie underneath. When we meet the Kid, he is grappling with his public status as a convicted sex offender, living under a Florida causeway with other men whom society finds “both despicable and impossible to remove and thus by most people simply wished out of existence.” Enter the Professor, with his genius IQ and massive physical presence, eager to prove that men like the Kid have been shaped by social forces and are capable of change. The pair seem diametrically opposed yet share a “profound sense of isolation, of difference and solitude…,” held hostage by their secrets in this morally complex and thought-provoking story of illusions and blurry truths in a novel that that hums with electricity from beginning to end. --Seira Wilson --This text refers to an out of print or unavailable edition of this title.

Review

“Destined to be a canonical novel of its time... it delivers another of Banks’s wrenching, panoramic visions of American moral life, and this one very particular to the early 21st century... Banks, whose great works resonate with such heart and soul, brings his full narrative powers to bear.” (Janet Maslin, New York Times)

“Banks may be the most compassionate fiction writer working today… Lost Memory of Skin is proof that Banks remains our premier chronicler of the doomed and forgotten American Male.” (New York Times Book Review)

“Banks’s enormous gamble in both plot and character pays off handsomely…By the end, Kafka is rubbing elbows with Robert Ludlum, and Banks has mounted a thrilling defense of the novel’s place in contemporary culture.” (The New Yorker)

“One of our finest novelists gives voice to the unspeakable…[A] compelling story” (O, the Oprah Magazine)

“His boldest imaginative leap yet into the invisible margins of society… Lost Memory of Skin is a haunting book.” (Wall Street Journal)

“Among contemporary writers giving voice to America’s beleaguered working class, Russell Banks may have no peer…this oddly unsettling, beautifully crafted novel…raise[s] fascinating issues.” (San Francisco Chronicle)

“Banks reveals the two [characters] with tenderness and trenchant wit, in a story that, not surprisingly, plumbs the depth of human despair and resilience. If that prowess is predictable, Skin is bound to leave you shaken and strangely reassured.” (USA Today)

“Mr. Banks knows plot, and incorporates intriguing complications to keep the novel building power all the way to the end.” (Pittsburg Post-Gazette)

“Russell Banks really does know how to pull his readers into a dark, dark world only to deliver us into the light.” (Boston Globe)

“Banks is in top form in his seventeenth work of fiction, a cyclonic novel of arresting observations, muscular beauty, and disquieting concerns… a commanding, intrepidly inquisitive, magnificently compassionate, and darkly funny novel of private and societal illusions, maladies, and truths.” (Booklist (starred review))

“Like our living literary giants Toni Morrison and Thomas Pynchon, Russell Banks is a great writer wrestling with the hidden secrets and explosive realities of this country.” (Cornel West)

“Russell Banks’s work presents without falsehood and with tough affection the uncompromising moral voice of our time... I trust his portraits of America more than any other—the burden of it, the need for it, the hell of it.” (Michael Ondaatje)

“Lost Memory of Skin should be required reading for anyone interested in fixing the country’s broken criminal justice system…Banks, in his latest novel, takes an unflinching look at people at their worst and manages to turn it into art.” (Associated Press)

“[It] is a pleasure to see [Banks’] gift turned to big, semisurreal characters. The grand, rambling examination of guilt and blame takes place against a ravishingly bleak backdrop, lyrically described, while each revelation of character is like a quiet explosion.” (Time Out New York)

“A ompelling story... one of those rare, strange, category-defying fictions that grabs hold of you... It’s hard to shake it off. And even when you do, it leaves a mark.” (Chicago Tribune)

“Banks is a master of peeling back the veneer to show us for the desperate creatures we are, no more so than in his fearless Lost Memory of Skin…[Banks] writes here with a combination of compassion and outrage… a compelling read and an indictment of our age.” (Miami Herald)

More About the Author

Russell Banks is the author of sixteen works of fiction, many of which depict seismic events in US history, such as the fictionalized journey of John Brown in Cloudsplitter. His work has been translated into twenty languages and has received numerous international prizes, and two of his novels-The Sweet Hereafter and Affliction-have been made into award-winning films. His forthcoming novel, The Reserve, will be published in early 2008. President of the International Parliament of Writers and former New York State Author, Banks lives in upstate New York.

Customer Reviews

Even though the book is 434 pages long it is a very fast read because once I started it I just couldn't put it down.
Linda Linguvic
Beautiful, descriptive prose, well developed characters, imaginative story line, great use of setting and place to develop the characters and story.
Jane A. Matthews
Either way, the story gets a little weird from this point on and for me at least didn't seem to quite fit with the tone of the rest of the book.
Ripple

Most Helpful Customer Reviews

132 of 138 people found the following review helpful By Karen Franklin on September 30, 2011
Format: Paperback
The Kid is all alone in the world, hiding in the shadows under the freeway, part of an ever-growing mass of exiles electronically shackled to a society that despises and shuns them.

But who are these modern-day lepers? And why are there so many of them? What if sex offending is a symptom of a malfunctioning society, and these men are just the canaries in the coal mine, carrying the burden of society's shame? What if the Internet is the snake in the Garden of Eden, and pornography is the forbidden fruit?

In "Lost Memory of Skin," best-selling novelist Russell Banks explores the deeper ironies of a culture that condemns pedophiles even while turning its children into dehumanized sexual commodities. But on a deeper level, the novel is about the profound loneliness and alienation of the digital age, the inability of people to get beyond false facades to truly trust and connect with each other.

To the Kid, no one is real. They are all two-dimensional characters. The Professor, a sociologist who takes a mysterious interest in him. The other trolls under the bridge, who regard each other with wary suspicion. Even his own inadequate mother, who abandoned him when he was arrested trying to hook up with a 14-year-old girl he met in a chat room after years of solitary Internet stimulation.

In interviews, Banks has said that the idea for the book came in part from the encampment of registered sex offenders living under the Tuttle Causeway near his home in Florida. Serving as a jury foreman in a child molestation trial also piqued his interest.

"The guy was clearly guilty," he told a reporter.
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160 of 170 people found the following review helpful By "switterbug" Betsey Van Horn TOP 500 REVIEWERVINE VOICE on September 27, 2011
Format: Paperback
The main character of Banks' new novel, a twenty-two-year-old registered sex offender in South Florida known only as "the Kid," may initially repel readers. The Kid is recently out of jail starting a ten-year probation in fictional Calusa County, and is required to wear a GPS after soliciting sex from an underage female.

The Kid cannot leave the county, but he also cannot reside within 2,500 feet from any place children would congregate. That leaves three options--the swamplands, the airport area, or the Causeway. He chooses the Causeway and meets other sex offenders, a seriously motley crew, who consciously isolate from each other. He befriends one old man, the Rabbit, but sticks to his tent, his bicycle, and his alligator-size pet iguana, Iggy. Later, he procures a Bible.

These disenfranchised convicts are enough to make readers squirm. Moreover, in the back of the reader's mind is the question of whether authorial intrusion will be employed in an attempt to manipulate the reader into sympathizing with these outcasts. It takes a master storyteller, one who can circumnavigate the ick factor, or, rather, subsume it into a morally complex and irresistible reading experience, to lure the wary, veteran reader.

Banks' artful narrative eases us in slowly and deftly breaks down resistance, piercing the wall of repugnance. It infiltrates bias, reinforced by social bias, and allows you to eclipse antipathy and enter the sphere of the damned. A willing reader ultimately discovers a captivating story, and reaches a crest of understanding for one young man without needing to accept him.

A series of very unfortunate events occur, and the Kid becomes a migrant, shuffling within the legal radius of permitted locales.
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22 of 23 people found the following review helpful By Bookreporter on November 2, 2011
Format: Paperback
Russell Banks has long been considered one of the finest writers of literary fiction in America today. His portrait of the American landscape's dark side and the tortured souls who inhabit it have leapt from the small page to the big screen in award-winning films such as Affliction and The Sweet Hereafter. LOST MEMORY OF SKIN presents perhaps the most challenging work of Banks's career. With controversial and dark subject matter that is expertly handled, he creates a novel that will linger in the memory of its readers long after the final page is turned.

The main characters are not as much "people" as they are symbols and metaphors. With the exception of a few tertiary characters, the central figures here have no names. The protagonist, a convicted sex offender, is known simply as the Kid. In his early 20s, his life is already all but over. Convicted of soliciting sex with a minor, he has done his time in prison and is now forced to live under a causeway in Miami that is inhabited by fellow ex-cons and social miscreants. They represent the sad underbelly of society from which most people avert their eyes; they are the invisible minority.

The Kid is unable to get worthwhile employment, he cannot live within 2,500 feet of where children may gather, and he must wear an electronic device on his ankle for a decade, preventing him from wandering beyond the county limits. Whether the Kid was actually guilty of the crime for which he was incarcerated or set up in a string of potential sex offenders becomes almost irrelevant. The Kid, like most people, has made many mistakes in his life that he wishes he could change. His dark and somewhat perverted impulses have dominated his decision-making process and put him into a situation that seems hopeless.
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