From Publishers Weekly
In 1986, when the author was 10, her father was stabbed while sleeping next to his third wife; his murder remains unsolved. After years of pretending the memories of that night haven't affected her, and about to get married and enter a new phase of life, Howard sets out to untangle what she and her family can recall of her father's life and death. This book is not an attempt at vengeance but rather a profoundly personal account of a California Central Valley childhood defined by chaotic family life. Howard's parents divorced when she was very young, and both subsequently remarried, with Howard repeatedly pulled into new versions of "family" that replaced—but never explained the demise of—the old ones. It's a testament to her strength that she was finally able to extract herself from this turmoil and make a life of her own (she now writes for the
San Francisco Chronicle). Howard's desire to understand her past (particularly the murder) will leave readers sympathetic and understanding of the story's sometimes wandering nature. This is a poignant account of the lifelong effects violence and tragedy can have on an individual and a family.
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Howard, an arts writer for the
San Francisco Chronicle, delivers a stunning debut. Forgoing the true-crime treatment, Howard remains restrained, her focus on the broad emotional panorama of the story instead of lurid details and self-pity. In crisp, unadorned prose, she explores broken families, drugs, rural California, and the hard emotional work of remembering.
The Washington Post notes a "flavor of journal-writing" to
The Lost Night, but its a mere quibble overshadowed by the heady chorus of critical praise. "[N]o novel based on Ms. Howards life," concludes
The Wall Street Journal, "no matter how skillfully crafted, could have been as believable as
The Lost Night."
Copyright © 2004 Phillips & Nelson Media, Inc.
--This text refers to an out of print or unavailable edition of this title.