Amazon Best Books of the Month, May 2011: Near the end of World War II, a plane carrying 24 members of the United States military, including nine Women’s Army Corps (WAC) members, crashed into the New Guinea jungle during a sightseeing excursion. 21 men and women were killed. The three survivors--a beautiful WAC, a young lieutenant who lost his twin brother in the crash, and a severely injured sergeant--were stranded deep in a jungle valley notorious for its cannibalistic tribes. They had no food, little water, and no way to contact their military base. The story of their survival and the stunning efforts undertaken to save them are the crux of
Lost in Shangri-La, Mitchell Zuckoff’s remarkable and inspiring narrative. Faced with the potential brutality of the Dani tribe, known throughout the valley for its violence, the trio’s lives were dependent on an unprecedented rescue mission--a dedicated group of paratroopers jumped into the jungle to provide aid and medical care, consequently leaving the survivors and paratroopers alike trapped on the jungle floor. A perilous rescue by plane became their only possible route to freedom. A riveting story of deliverance under the most unlikely circumstances,
Lost in Shangri-La deserves its place among the great survival stories of World War II.
--Lynette Mong
Amazon Exclusive: Hampton Sides Reviews Lost in Shangri-La Hampton Sides is the editor-at-large for Outside magazine and the author of the international bestseller Ghost Soldiers, which won the 2002 PEN USA Award for nonfiction and the 2002 Discover Award from Barnes & Noble, and also served as the basis for the 2005 Miramax film The Great Raid.
Although World War II was the greatest conflict in the history of this planet, many a jaded reader has come to the reluctant conclusion that there aren’t any more World War II stories left to tell. At least not good ones—not tales of the “ripping good yarn” variety. Yet remarkably, in his new book Lost in Shangri-La, Mitchell Zuckoff has found one, and he’s told it with reportorial verve, narrative skill, and exquisite pacing.
What makes this World War II story all the more fascinating is that it isn’t really a war story—not in a strict military sense. It’s more of an exotic adventure tale with rich anthropological shadings. In 1945, near the end of the war, an American plane crashes in a hidden jungle valley in New Guinea inhabited by Stone Age cannibals. 21 Americans die in the crash, but three injured survivors soon find themselves stumbling through the jungle without food, nursing terrible wounds and trying to elude Japanese snipers known to be holding out in the mountains.
The first contact between the three Americans and the valley’s Dani tribesmen is both poignant and comical. The Americans, Zuckoff writes, have “crash-landed in a world that time didn’t forget. Time never knew it existed.” The tribesmen, who have never encountered metal and have yet to master the concept of the wheel, think the American interlopers are white spirits who’ve descended on a vine from heaven, fulfilling an ancient legend. They’re puzzled and fascinated by the layers of “removable skin” in which these alien visitors are wrapped; the natives, who smear their bodies in pig grease and cover their genitals with gourds, have never seen clothes before.
The Americans, in turn, are pretty sure their boartusk-bestudded hosts want to skewer them for dinner.
What ensues in Zuckoff’s fine telling is not so much a cultural collision as a pleasing and sometimes hilarious mutual unraveling of assumptions. Though the differences in the two societies are chasmic, the Americans and the Dani become—in a guarded, tentative sort of way—friends.
But when armed American airmen arrive via parachute to rescue the survivors, relations become more tense. The Americans make their camp right in the middle of a no-man’s land between warring Dani tribes—a no-man’s land where for centuries they have fought the battles that are central to their daily culture. Here, Zuckoff notes, the ironies are profoundly rich. The Dani, untouched by and indeed utterly unaware of the great war that’s been raging all across the globe, become thoroughly discombobulated when their own war is temporarily disrupted.
Yes, there are still a few good World War II stories left to tell. And yes, this one meets all the requirements of a ripping good yarn. Zuckoff, who teaches journalism at Boston University, is a first-rate reporter who has spared no expense to rescue this tale from obscurity. His story has it all: Tragedy, survival, comedy, an incredibly dangerous eleventh-hour rescue, and an immensely attractive heroine to boot. It’s extraordinary that Hollywood hasn’t already taken this tale and run wild with it. If it did, the resulting movie would be equal parts Alive, Cast Away, and The Gods Must Be Crazy. It’s as though the Americans have arrived in the Stone Age through a wormhole in the space-time continuum. The Dani don’t know what to do with themselves—and life, as any of us know it, will never be the same.
“A truly incredible adventure.” (New York Times Book Review )
“[A] gripplingly cinematic account. . . . A remarkable cast of characters. . . .
A.” (Entertainment Weekly )
“This is an absorbing adventure right out of the Saturday-morning serials. . . .
Lost in Shangri-La deserves a spot on the shelf of Greatest Generation nonfiction. It puts the reader smack into the jungle. ” (Cleveland Plain Dealer )
“Zuckoff transforms impressive research into a deft narrative that brings the saga of the survivors to life.” (Publishers Weekly (starred review) )
“Zuckoff delivers a remarkable survival story. . . . In this well-crafted book, Zuckoff turns the long-forgotten episode into an unusually exciting narrative. . . . Polished, fast-paced and immensely readable—ready for the big screen.” (Kirkus Reviews (starred review) )
“[An] engaging story. . . . This excellent book will be enjoyed by anyone who loves true adventure stories.” (Library Journal (starred review) )
“A riveting tale in the hands of a good storyteller. . . . LOST IN SHANGRI-LA is the most thrilling book, fiction or nonfiction, that I have read since I can’t remember when.” (Seattle Times )
“Mitchell Zuckoff has uncovered, and vividly reconstructed, such an astonishing tale. . . . Zuckoff skillfully builds narrative tension and deft character portraits. . . . . He has pulled off a remarkable feat — and held the reader firmly in the grip.” (David Grann, Washington Post )
