Customer Reviews

Lost in Transmission

5 star:		(5)
4 star:		(3)
3 star:		(2)
2 star:		(2)
1 star:		(0)

 

 

I picked up this book on a whim, based on the strange summary of immortals cast out of their home, and unaware that there were two previous books tied to this story. I would recommend that you pick up 'The Collapsium' and 'The Wellstone' before delving into 'Lost in Transmission', but know that the book stands formidably on its own.

I tend to avoid so-called 'hard scifi' books because I prefer a good story to a clever bit of scientific extrapolation. I find hard scifi books to dwelve too much into scientific exposition, as they seem to be too much in love with their own concepts to care about their characters.

This is partly true of Lost in Transmission, but it's far from annoying. The science displayed in this novel is, to be frank, absolutely stunning and well worth the expositions, especially as its workings have major consequences on the rest of the story. Not only does McCarthy tackle a frighteningly original and awe-inspiring concept, but he takes the time to think on its consequences on human life.

And that's what stands so perfectly at the core of this novel... It's the way the technology forms the basis of a fascinating study on human psychology, of a humanity that has no more material need and knows immortality. The protagonists are given this gift, then it slowly falls away from them as the story progresses.

The structure of the novel might seem disjointed, but it is perfectly appropriate for the nature of the story, that of the life of an immortal. The main character changes his mind a few times, gets close then drifts away from friends and lovers... In that regard, the story's pace is perfect for an immortal life, if quite unconventional.

Another thing I found awesome with this novel is the fact that there is no Bad Guy and Good Guy in this story. This means less drama at times, but as a whole, the story is much more satisfying for it.

All in all, I found much more than I expected from Lost in Transmission, and I heartily recommend it to fans of good scifi, hard or otherwise.

In the twenty-sixth century earth time, mankind has achieved immortality through the fax and duplicating clones that can be used at a moment's notice. In such a society the children have no hope of making a mark because what can they do that their older and wiser parents can't? Some young rebels turn to piracy, revolution and other acts of violence that upsets the status quo. These rebels are caught and their punishment is to take the OSS Newhope to a world light years away and colonize it for a thousand years.

The former rebels make it to planet P2 and at first it looks like they will have the freedom to pursue their dreams. However, the planet is short on tracer metals needed to keep people healthy and young. As the technology wears out, there is nothing to replace it and for the first time these immortals know what final death is. One brave former revolutionary conceives of a plan to rescue some of the population but it is history that will judge whether he is a hero or a pirate.

In LOST IN TRANSMISSION readers will find that immortality leads to stagnation and a need for the status quo, a situation that drives the second generation of immortals into rebellion so they can break free of the social constraints. The irony is that when they "grow up" in tens of centuries they are much like their parents except for a few "old" revolutionaries who are not content with their situation and intend to change it (sounds like the love children of the sixties). Will McCarthy has written a fascinating book about a future the audience hopes will never come true.

Harriet Klausner

Lost in Transmission is the third of Wil McCarthy's novels set a few centuries in the future in the Queendom of Sol (and successor states). I have enjoyed all these novels, and I feel they are improving as the series continues. One reason for this may be the increasing dark tone -- the first novel was in some ways a Tom Swiftian tour of fun technology, while the subsequent novels have focussed increasingly on the human problems of McCarthy's future. I rank Lost in Transmission one of the best SF novels of 2004.

All three books are set in a wondrous technological future, based largely on programmable matter and on instantaneous matter transmission. Crucially, the latter wonder also leads to near immortality: one can be maintained at any desired age by filtering software in the "faxes," and one can be reinstantiated from stored copies in case of accident. In the first two novels, we saw how this bounty led to near-utopian conditions, but how human nature represented the snake in that garden. The first novel, The Collapsium, is an episodic story in which the great scientist Bruno de Towaji thrice saves the Solar System from destruction. Here the problem is human jealousy and the great power available from such high tech. In the second novel, The Wellstone, Bruno's son Bascal and his friends, frustrated by the place of youth in a world of immortals, play a number of increasingly dangerous pranks, and end up exiled to Barnard's Star.

Lost in Transmission, then, is the story of the journey to Barnard's Star and the effort to colonize one of the planets of that star. The main character, as in The Wellstone, is Bascal's close friend Conrad Mursk. Conrad is First Mate of the Newhope, their starship. His lover Xiomara Li Weng, or Xmary, is the Captain. Bascal is the leader of the expedition and will be King once the new planet is reached. Conrad himself is a rather stolid young man, though perhaps not so stolid as he seems to think. His goal is to be an architect. He often feels pushed into Bascal's shadow: the other man is much more overtly brilliant, a poet, and a more energetic leader. But this relationship evolves a great deal throughout this book.

The journey to Barnard's Star takes a number of mostly uneventful decades. Conrad and most of the others spend the bulk of their time stored in fax memory, but Bascal stays "awake" the whole way. This more or less drives him mad. Once at the new planet, the group is faced with the job of terraforming a rather un-Earthlike place. They do this in part by altering themselves, in part by changing the planet and its fauna. They also colonize (to a small extent) the star system.

Here lies the heart of the novel, for it turns out that despite the incredibly high technology at hand, the colonists are resource-limited. Over time, it becomes harder and harder to guarantee regular fax updates, or even resurrection from accidents. Class divisions arise. Some people choose to alter themselves -- to flying forms, or to centaurs, or trolls: not always with happy results. Children are "born" from fax machines into an adolescent body, also with less than always happy results. Bascal's grip on his Kingdom depends more and more on the use of force.

I thought the novel was a very effective look at real limits to a seemingly miraculous technology. I found its treatment of economic problems well thought out, and its treatment of the personal problems of people living hundreds of years is also worthwhile. (Conrad's off again, on again, relationship with Xmary, and his increasingly difficult relationship with Bascal, being especially well done.) McCarthy's writing is strong as well -- he maintains a sardonic, sometimes funny, sometimes mordant tone throughout. He has fun with altering his third person voice on occasion -- quite effectively, I thought. As I said, one of my favorite books of the year.

This novel and its predecessor are each framed with chapters set in the future of both, after Conrad, much changed and much older, has returned to the Solar System. The home planet, it is clear, has gone through some terrible times of its own, reflecting yet further complications of the Queendom's very high tech level. In the next novel, we are told, Conrad will "save the world... in a manner of speaking". I look forward eagerly to that story.

This is the third book in McCarthy's _Queendom_of_Sol_ series, and the first I picked up (the first two in the series are not available in ebook editions!). As a standalone work, it works: the characters are vivid from the outset, so any missed characterization is unnecessary to the appreciation of this story. Moreover, it takes place in something of a discontinuity with the prior two books: the authors of the Children's Revolution are exiled to Barnard's star... so it doesn't take place in the context of Sol at all.

The Queendom of Sol series is a whimsical mix of Holy Fire (Bruce Stirling) Kim Stanley Robinson's Mars Trilogy, and Michael Moorcock's The Dancers at the End of Time. Death has been defeated by advanced technology. People can record quantum images of themselves, restore from backup, fax themselves across the solar system. It's fun stuff. But it doesn't entirely apply in this particular story about the colonization of a new planet where resources are scarce and getting scarcer, and children (and revolutionaries) are doomed to recreate the authoritarian regimes they rebelled against.

McCarthy is ambitious in this series, tackling large spans of time, historical forces, scientific speculation, and parallel stories all while attempting to keep the traditional character based story on track. The pacing is occasionally erratic, and the necessity of selecting widely disparate times and places for the individual scenes undercuts the dramatic power of interpersonal tension. Like many books attempting to explore immortality, the reader must suffer characters who are sometimes tired of dealing with life, jaded, and generally afflicted by ennui. This also contributes to problems in pacing.

One other quibble is that McCarthy, despite the virtuoso display of craft, falls victim to a surprising number of "As You Know, Bob" moments. He does so almost self-consciously, as though confessing to a small but necessary blunder. Most of the time, however, he is extraordinarily adept at conveying his background and scientific speculation, so these occasional exceptions seem rather glaring.

Overall, I found this particular story a bit less interesting than the concluding book in the series (To Crush the Moon), in part because the characters in this story simply weren't as much fun as those left behind at Sol.

All these quibbles aside, McCarthy's ambition is successfully achieved: a large-scale novel on a human-sized stage. Fans of character-centric SF will find as much to love as hard-SF readers looking for plausible, adventurous science. If you're looking for "the good stuff" in contemporary science fiction, you should be reading Wil McCarthy.

Some reviewers have commented that this book stands well on it's own. I wouldn't know, because I've avidly read The Collapsium and The Wellstone, which are just about my favorite books of all time. Amazingly, Lost In Transmission maintains that same level of kick-in-the-brain wonder.

Fleeing from an oppressive Utopia, the children of the first immortals seek a world where THEY can be leaders and visionaries. But building a new society is a lot harder than it looks, and many tears will be shed before they finally get it right, and as immortals they, too, must live through the future their own actions have created. A funny, sad, thoughtful book for anyone who has ever loved science fiction.

Lost in Transmission is really pieces of two books that only intersect - and neither one seems complete. The prologue and the epilogue are from the same span of time, but the rest, and more interesting parts of the book form a story that clearly takes place much earlier. McCarthy's technologically advanced civilization and offshoot colony banished to Barnard's Star are brilliantly and wittily conceived, but, darn it, why didn't he supply the 50 or 100 pages that get you from where the colony story ends to where the book ultimately begins and ends? There's a big chunk missing that I wanted to know, particularly since the colony is in a pickle that isn't explicitly resolved by the ending.

Starts out well, moves into a flashback, which is the bulk of the book. At the very end, the tale moves back to the future, but not only fails to explain what exactly is happening, but even fails to explain how things have reached that future point. Isn't that the whole purpose of the flashback? Frankly, I'm prettty p*ssed off and left wondering what the point was.
I didn't know there were other books, and it shouldn't matter. This stood alone up until the very end, when you put the book down, feeling like someone left out the last reel of the movie and jumped ahead to the credits.

Here we have the penulimate chapter in McCarthy's "Queendom of Sol" series and in it McCarthy rises to become one of the best science fiction writers around.

Following on the heels of "The Wellstone", "Lost in Transmission" continues the story of Conrad Mursk and the colony of exiled 'children'.

By carefully jumping forward in time from one point to another we are treated to the entire voyage to Barnard's Star and then the entire lifespan of the colony.

If you are fond of writers like Varley, Sheffield or Anvil, this book is definitly for you.

There's more of McCarthy's physics in this novel. He's found a way to show how even the best laid plans ...

But it's an exciting, tense ride, with lots of suprising turns and science.

Read it!

"-"

McCarthy in his earlier novel, "The Wellstone," postulates his children's rebellion as a response to a world where people can live practically forever (possessing the "engineered negligible senescence" much discussed of late) that apparently generates few opportunities for younger individuals. But his proposed solution in the sequel, "Lost in Transmission," doesn't really address the problem. Adolescents do grow up into adults, after all, and the youthful characters carried over from the first novel rapidly assume adult behaviors and a social dynamic that doesn't distinguish them from their parents. They could just as easily have turned out that way by staying in their home solar system.

Moreover, while the Queendom's physical and biological technologies are quite impressive, its understanding of psychology seems unaccountably deficient. You'd think with all the knowledge and resources at its disposal, the Queendom could have found ways to bring up children in emotionally satisfying ways instead of kicking them out on doomed interstellar colonizing expeditions. And if the youngsters still insisted on going any way, why couldn't some relatively unobtrusive but capable elders (for example, someone like Robert Heinlein's Lazarus Long) have tagged along in advisory positions?

McCarthy technological vision is often quite intriguing, but this novel shows that he needs to do some more work before I will find his portrayal of a negligibly senescent society plausible.