Customer Reviews

The Lost World: Jurassic Park - Original Motion Picture Soundtrack

5 star:		(21)
4 star:		(16)
3 star:		(5)
2 star:		(2)
1 star:		(0)

 

 

Different film ... different soundtrack! You can count on the genius of John Williams to create something so daringly 'different' and 'new', certainly when compared with his music for 'Jurassic Park'. It is a sign of highest artistic honesty that John williams here went ahead without trying to cash in on the success of his music for 'Jurassic Park' by reusing any of his themes from that film, only just hinting at them now and then. The only time when the renowned 'big themes' come along is during the final 'Finale and Jurassic Park Theme'. I like to see this as a little reward to the listener, as if John Williams is saying: I have created something completely new, and I really appreciate that you like it, so now I would like to treat you with a nice encore.
Anyhow, artistically, John Williams simply HAD to take another direction, because the wide-eyed wonder and happy excitement of the first Jurassic Park could of course not be repeated in The Lost World. With The Lost World we have taken the next logical step: the overwhelming awe and excitement of Jurassic Park (seeing dinosaurs alive for the very first time!) has worn of and has been replaced by darker sentiments. The Lost World is not - like in Jurassic Park - about the awe and humility before the beauty and intricacy of Nature and the fear of incontrolability of scientific experiments. The Lost World necessarily had to go beyond that: what to do now that 'bad guys' have taken over. (That is why Jurassic Park III was an artistic failure: it didn't take the next logical step, but was just repeating the same moves again in a rather uninspired way, causing it to become an uninspired movie of much lower artistic quality.)
John Williams' music for The Lost World is indeed approprately 'different'. There are no stately or grand themes to be found here to carry the musical (and dramatic) argument. The music for The Lost World is more like a constantly pumping nervous heartbeat. This music for The Lost World is not as 'operatic' like that for Jurassic Park. Here, there aren't any 'resolutions' with grand and magnificent, easily recognizable themes. But in their place has come music of great subtlety and intricacy, creating more of a darker 'undercurrent' that flows with the emotions and events as they pass along in the movie. Much of the music is characterized by dissonance, all marvellously done of course (what else would you expect from John Williams!), underpinning the tensions and (nearing) danger. In the action-centered pieces, or in the music which accompanies tense situations, John Williams makes even more use of (exotic) percussion here than in Jurassic Park. For example, 'The Hunt' and 'The Raptors Appear' are quite exciting musical romps.
All in all, this music for The Lost World is indeed very, very different from the music from jurassic Park, and therefore quite refreshing to the ears of this listener. I, for one, am very glad that John Williams - in all his artistic honesty - has chosen to compose this specific music. These two soundtracks stand aside one another as total but very different masterworks for the movies, and can BOTH easily be listened to on their own as independent works of musical artistry.

While "Jurassic Park," with its tale of cloning long-extinct dinosaurs and bringing them to life in the present, is steeped in contemporary possibilities, "The Lost World" is more a throwback to the "big monster" films of the 1950's. Thus, John Williams does more of a Max Steiner/"King Kong" thing with the score to the latter. It is bombastic, frenetic, resulting in a composition of thrilling brilliance. Some of the themes from the first score are interpolated differently and are almost subtle in their execution, but that befits a story wherein much of the action takes place in modern-day San Diego, involving a "fish-out-of-water" Tyrannosaurus Rex.

Williams effectively uses tribal drums throughout to convey the "jungle feel," regardless of the on-screen setting. The best cut of all is "The Hunt," a truly exciting piece that reminds one of Jerry Goldsmith's similarly-titled selection from the classic "Planet of the Apes."

The score to "The Lost World" is far superior to the composer's later work for such Spielberg fare as "Minority Report" and "The War of the Worlds," scores that lack the depth and ingenuity of the former.

"The Lost World" can stand almost toe-to-toe with the composer's landmark creations for "Jaws" and "Star Wars."

I can't believe everyone is saying "this isn't as good as Jurassic Park." If anything, it is a whole lot BETTER than the soundtrack to the first movie. The main theme track (track 1), Rescuing Sarah and The Hunt are absolutely brilliantly orchestrated. Anyone who doesn't think so is just silly.

Unfortunately, the movie itself was horrible - not suspenseful, just dumb. And like most John Williams music in movies, the sound level in the movie is so low that you can't even HEAR the soundtrack, so that is very disappointing.

This very dark soundtrack is great! It is very underrated because it is one of John's best soundtracks -- much more subtle than many others. Highly recommended.

I bought this score when the film came out, because the original was what turned me on to film scores. I expected a lot of the same beautiful, themes and magical music. When I sat down to listen to this sequel score, I was disappointed. Today, years later, I want to slap the boy who couldn't appreciate this music for what it was: a fantastic film score.

I can say now that I would have been disappointed if Williams had relied solely on the Jurassic Park material on this film. This film is a lot darker, a lot more action intense--not quite as good either--but also one cannot deny that an audience will no doubt find the "magic" to be in lesser degree because dinosaurs had become old hat by this time. The first film was breathtaking because it was probably the single largest leap in special effects, so the sequel couldn't do anything more than the same; therefore Williams was smart enough to compose a stand alone score that didn't try to sap all of the magic from the original film. I can't help but applaud him for that.

The Lost World is a far darker score with a main theme that isn't as awe-inspiring as the original, but deserves your respect just as well. It's almost a pity that it doesn't appear more abundantly on the album, ESPECIALLY in the End Credits, where Williams makes his only substantial--and unwanted--return to Jurassic Park material. The rest of the score has some of the greatest action music I've ever come across in a film score, and what makes it all the better is the persistent attention to African drum beats that make for a welcome change in Williams' repertoire. Every moment is exciting and thrilling; I don't think I can praise enough just how perfect the percussion is and how much I almost think it was neglected in the original.

Yes, I do consider the sequel to be the lesser film--though still better than the third; However, the score is an admirable addition that might not impress some, and will no doubt initially disappoint more, but deserves everyone's applause for creating and maintaining the perfection upheld by Williams' work on the original. It is, perhaps, one of the few times in film history where you can own both scores and not have an abundance of repeated material. They are companions to each other and to neglect one is to not only neglect excellent music, but also to neglect a beautiful compliment to the series.

Jurassic Park was a majestic score with 2 majestic themes and a cruel relenting motif for the raptors. It was dark but not as dark and dissonant as the sequel. In John William's sequel, he utilizes the main themes while adding an adventurous theme and tons of eerie percusion and synthesizers. Since the same scene designer from Schindler's List did the scenes for Lost World, the music reflects this as well. The beginning adventure theme gets you ready for the not so ordinary safari adventure and is followed next by an ominous and threatening cue for an incident at one of the hidden dino islands. The theme found only on The Hunt sounds exactly like the track title and was never used in the film, which was a shame because it fitted with the movie. Rescuing Sarah is definately a change from the action music in Jurassic Park. It is a a catchy upbeat barrage of percussion and bongos. Anyone thinking John Williams can't beat a cool rythym is extremely mistaken. Hammonds plan is also the cue with the raptor attack on a small group of hunters. I'm suprised and dissapointed that John Williams didn't bring the old raptor theme back or make a theme for them at all. After a slightly less-exciting percussive cue for The Raptors Appear, more dark dissonant music dominates. I love the cool syncopated brass rythym played near the end of The Stegosaurus. The whole cue sounds peaceful at first but then lashes out. Ludlow's Demise and Visitor In San Francisco bring out the final confrontation between the main characters and a runaway T-rex in the city. Though the latter cue sounds incoherent and jumbled, it makes for a roller coaster ride. The credits is like the other John Williams scores, a reshowing of themes, though it sounds like the orchestra rushed through it due to its tempo. Many people don't like Lost World because of its dissonance and lack of majestic music. This might be true but in the sequels, all peacefulness and Disney stuff go out and the darkness and savagery come in. I thing he did a good job making the score dark and threatening like the film intended.

This is, by far, the greatest film score of all time. John Williams is a master who creates suspense with every note. The tropical sound gives the album a special tone and you dont even have to watch the film to get the full effect. The horns are so well arranged, and every time the music is mellow, the soft tones become eerie, as though you yourself are sitting the the thrilling scene. This is a perfect score that can't be missed!

John Williams is a genius, and his take on this film (as opposed to the first) is brilliant. The famous JP theme is used sparingly, and the inclusion of a more jungle-like quality definitely makes for a unique listening experience.

This is an excellent album by John Williams that stands as a milestone in thematic action. It features passionate orchestra music, (like the strongly dramatic Rescuing Sarah) and some excellent themes, (featured in "The Hunt" "Main Titles" and "Malcolm's Journey" most strongly.)

Overall, I highly reccomend this album to any music fan out there, John Williams can't compose the wrong music.

The score to The Lost World is a good one, but not as good as the score to the first one. John Williams returned to score the sequel and surprisingly, his main themes from the first one are hardly used at all in this 69 minute score. If you're expecting the themes from the first film to return in full force and take your breath away, you will probably be disappointed. Bits and pieces of them occur here and there (especially in the last track), but for the most part, the score contains lots of new material. The new theme that Williams came up with is The Lost World theme and is played in a concert like fashion in the first track. Although not quite as good as the other themes, it still stands out as a great one with plenty of brass and percussion. Lots of the music has a South American influence to it with lots of percussion, mainly tom-toms. "The Raptor Attack" is a pounding action cue with chasing tom-toms and frightening brass lines. "Rescuing Sarah" is another great action cue with the same style tom-toms and percussion and a big, grand finale. The theme for the Stegosaurus is a nice one with strings being the primary instrument. "Ludlow's Theme" contains some frantic and exciting string work that Williams will later use in his score to "Minority Report". "Visitor in San Diego" is a 7 minute plus action cue that contains those big John Williams sounds that we know and love. "Finale and Jurassic Park Theme" end the score nicely with a reprise of the main themes from the first film, played in a quicker tempo than usual, that were largely underused in this one. One small complaint is the CD packaging which contains a fold-out dinosaur pop up display and a bad place to put the CD which could leave some scratches on it if not placed nicely in the slot in the back of the foldout thing. Overall, a good score and one that is so much different than the first.

The music on this CD is wonderful.

The packaging, on the other hand, is terrible. The disk is in a pouch rather than on a spindle. I have seen several of the disks and they all came *badly scratched* from the factory. Either provide a plastic sleeve for the pouch, or use a regular spindle case. Secondly, like many other Williams-produced CDs (Jurassic Park, Phantom Menace, Harry Potter), the duration times of the tracks are absent. Track numbers, names, and duration times should all be present on the back of CD cases for listener convenience and enjoyment.