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Lost Years: A Memoir 1945 - 1951
 
 
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Lost Years: A Memoir 1945 - 1951 [Hardcover]

Christopher Isherwood (Author)
3.6 out of 5 stars  See all reviews (7 customer reviews)


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Book Description

September 5, 2000

The English writer Christopher Isherwood settled in California in 1939 and spent the war years working in Hollywood film studios, teaching English to European refugees, and converting to Hinduism. By the time the war ended, he realized he was not cut out to be a monk. With his self-imposed wartime vigil behind him, he careened into a life of frantic socializing, increasing dissipation, anxiety, and, eventually, despair. For nearly a half decade he all but ceased to write fiction and even abandoned his lifelong habit of keeping a diary.

This is Isherwood's own account, reconstructed from datebooks, letters, and memory nearly thirty years later, of his experience during those missing years: his activities in Santa Monica, and also in New York and London, just after the war. Begun in 1971, in a postsixties atmosphere of liberation, Lost Years includes explicit details of his romantic and sexual relationships during the 1940s and unveils a hidden and sometimes shocking way of life shared with friends and acquaintances--many of whom were well-known artists, actors, and film-makers. Not until the 1951 Broadway success of I Am a Camera, adapted from his Berlin stories, did Isherwood begin to reclaim control of his talents and of his future.

Isherwood never prepared Lost years for publication because he rapidly became caught up in writing the book that established him as a hero of gay liberation, Christopher and His Kind.

With unpolished directness, and with insight and wit, Lost Years shows how Isherwood developed his private recollections into the unique mixture of personal mythology and social history that characterizes much of his best work. This surprising and important memoir also highlights his determination to track down even the most elusive and unappealing aspects of his past in order to understand and honestly portray himself, both as a writer and as a human being.


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Editorial Reviews

From Publishers Weekly

English expat novelist and autobiographer Isherwood (1904-1986) may be best known for The Berlin Stories, the basis for the musical Cabaret; he spent most of his later life in southern California, where his productions included the groundbreaking gay-themed 1976 memoir Christopher and His Kind. Bucknell edited Isherwood's Diaries Volume One 1939--1960, which appeared in America in 1997; those diaries gave day-by-day accounts of Isherwood's WWII years and the '50s, but left the time in between sparsely covered. Begun in the 1970s and perhaps unfinished, this long, intimate, sometimes repetitive book was Isherwood's attempt to reconstruct those seven years; it takes the form of third-person diary entries ("On February 25, Christopher drove to Los Angeles"; "On September 6, Christopher went down to Trabuco"; and so on). During those years, "Christopher" investigated psychic powers and Indian mysticism; visited England, Italy, South America and New York; made contacts in the world of Hollywood film; worked on novels and autobiographies; and maintained a serious, if troubled, romance with William Caskey, with whom he lived for much of that time. The book is notable throughout for its portrayals of sex, sexuality and pre-Stonewall gay identity. It stands out, too, for its wealth of highbrow celebrities: prose writers E.M. Forster, Aldous Huxley and Ana?s Nin; poet W.H. Auden; and spy Guy Burgess are among the diaries' famous figures. Individual episodes (especially one surrounding Isherwood's surgery) can be touching, or funny, or both; the diary structure, though, prevents the book from acquiring momentum or shape. While it lacks the artfulness of the memoirs Isherwood chose to publish, it will nevertheless find grateful readers among those who care about his work. (Sept.)
Copyright 2000 Reed Business Information, Inc.

From Booklist

The esteemed British writer Christopher Isherwood (1904-86), who established American citizenship and spent the second half of his life as a resident of California, kept copious diaries, a first volume of which, covering 1939 to 1960, was published in 1996 as Diaries: Volume One. In 1971, Isherwood began work on a "reconstructed diary" to document his activities during the half-dozen years following World War II, a time when, more or less, he didn't keep his usual careful diary records. This reconstructed diary, "never completed by Isherwood but also never destroyed," as we learn in the editor's introduction, is now being published for the first time. It must be stated, first and foremost, that this volume is quite sexually graphic. At the time he was composing it, Isherwood was avowing his homosexuality; and, in fact, as Bucknell relates, gay liberation "was the only movement for social change to which Isherwood ever felt personally and entirely committed." These "sexual memories," as he calls them, amount to consequential reading for gaining a complete picture of an important writer. Brad Hooper
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 432 pages
  • Publisher: HarperCollins; First Edition edition (September 5, 2000)
  • Language: English
  • ISBN-10: 0061180017
  • ISBN-13: 978-0061180019
  • Product Dimensions: 9.6 x 6.5 x 1.6 inches
  • Shipping Weight: 2 pounds
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #1,035,928 in Books (See Top 100 in Books)

More About the Author

Christopher Isherwood (1902-86) lived in Berlin from 1928 to 1933 and immigrated to the United States in 1939. A major figure in 20th-century fiction and the gay rights movement, he wrote more than 20 books including the novels Prater Violet and a series of short stories that inspired the musical Cabaret.

 

Customer Reviews

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Average Customer Review
3.6 out of 5 stars (7 customer reviews)
 
 
 
 
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15 of 18 people found the following review helpful:
5.0 out of 5 stars Hiding from Garbo and Other Old Tricks, October 31, 2000
By 
J. McFarland "jbmcfar" (Seattle, WA United States) - See all my reviews
(REAL NAME)   
This review is from: Lost Years: A Memoir 1945 - 1951 (Hardcover)
This memoir raises the bar for sexual candor way above what we are used to, and that is a good thing. Isherwood, in commenting and elaborating on his sketchy daily calendar notes for these years, takes a fiercely critical view of himself and his obsessions and, in the process, reveals the very funny and humane man behind the suave, mannerly one we have been familiar with up to now. From what he describes, gay life in Los Angeles during these years was covert yet very, very wild. He was a busy guy, both professionally and personally. His portraits of his friends, lovers, tricks, flirtations and coworkers in the film industry are vivid and viscerally engaging. When Isherwood wrote this memoir in the 1970s he no longer had any use for euphemisms and politesse and, consequently, he simply calls a three-way a three-way and says who did what to whom in what order and whether he later went back for more. What comes through loud and clear is that Isherwood loved the sex he had, and that he had no time for those suffering Saras and Sams who claimed that shame and suffering lurk behind the lure of sensuality. The body was a temple to him and he attended services every day and often more than once a day. When he set out to have fun with the boys, he had fun with the boys. When he had lunch with Garbo, he had a GREAT lunch with Garbo; and when he talked with Ava Gardner as a pal, he dedicated 100% of his attention to her. Does knowing this much intimate detail diminish Isherwood-the-writer? If anything, this brilliant, dishy and hilarious memoir deepens my regard for the Isherwood who produced the fiction classics like The Berlin Stories and A Single Man. I am in awe of his honesty.
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10 of 14 people found the following review helpful:
5.0 out of 5 stars A Very Important Contribution to the Art of Biography, October 27, 2000
This review is from: Lost Years: A Memoir 1945 - 1951 (Hardcover)
All of Isherwood's writing -- from "The Berlin Stories" to "Down There On A Visit" to "A Single Man" to name three -- derives from his actual life, but the work he did in the last years of it, from "Christopher and His Kind" on, is quite different. He sets about correcting a record we thought we knew. He's very insistent on identifying precisely what happened to him and his friends and why. The results will be quite surprising for those who think of him as someone who wrote special material for Liza Minnelli.

"The Lost Years" is utterly unprecedented in the way it deals with Isherwood's love life. I have rarely read anything so frank or detailed about gay life. In writing this book, based on notes he'd scribbled decades before, it was very important to Isherwood to get to the heart of why and how he loved Bill Caskey (more a sex partner than a real romance) and others, prior to the grand entrance of Don Bachardy into his life. There's a lot in here about gay sexuality that I've never seen put down on paper quite in this way before -- though I recognize it from my own experiences as a gay man. And because of that I'm not at all surprised by the way the book has been dismissed by "mainstream" reviewers.

The book's biggest revelation is how wild the late 40's were. Everybody talks about the 70's as being -- in Brad Gooch's words -- "The Golden Age of Promiscuity." It wasn't a blip on the radar screen compared to what was going on with Isherwood and company in Santa Monica canyon back in the 40's. HOO-YAH!

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6 of 9 people found the following review helpful:
2.0 out of 5 stars Should Have Stayed "Lost.", November 10, 2003
By 
F. Gentile (Lake Worth, Florida, United States) - See all my reviews
(REAL NAME)   
This review is from: Lost Years: A Memoir 1945 - 1951 (Hardcover)
Though I read and enjoyed Christopher Isherwood's "Diaries, Volume One", I was bored by these recollections,"Lost Years, A Memoir", which were composed by him some thirty years after their occurrence. Apparently he had abandoned his daily practice of keeping a diary between the years of 1945-1951, and this is his attempt to cover those lost years. There are some mildly interesting stories here, and also includes little tid-bits about the people you'd expect it to, Garbo, Vidal, Williams....but I found it very repetitious. Also, though I am far from a prude, and am just as much of a horn-dog as anyone else, I found the very graphic description of his sexual escapades to often be tasteless and vulgar. Tennessee William's "Memoirs", for example, included many accounts of sexual situations, but they were usually recounted with such humor that it only made them very comical. Not only are many of Mr. Isherwood's sexual memories told without any comical hindsight that one could maybe even identify with, or, in fact, any sensuality, but, they are beyond bad taste. I mean, there are some things I just don't need to know. Though I respect Mr. Isherwood and his literary legacy, and know he is remembered as a good person and friend, the overly prurient, if I may use such an old fashioned word, tone of this book really turned me off. The contents of these rememberences were just not interesting enough for me to get past the self-indulgent drivel. I guess there IS such a thing as too much honesty. Sex "in your face" is a bore, and so was this book.
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Inside This Book (learn more)
First Sentence:
I am writing this to clarify my project to myself, not actually to begin work on it. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
reconstructed diary, sex duel, refugee hostel, thin notebook, yoga aphorisms
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Los Angeles, Santa Monica, Vedanta Center, Bill Harris, Jim Charlton, John van Druten, Vernon Old, Chris Wood, Gerald Heard, Hayden Lewis, John Lehmann, Entrada Drive, Rustic Road, Lennie Newman, Salka Viertel, Iris Tree, Jack Hewit, Peggy Kiskadden, Stephen Spender, The Great Sinner, Aldous Huxley, Denny Fouts, Sally Bowles, Speed Lamkin
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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Diaries by Katherine Bucknell
 

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