Kent Larson used virtual reality to produce strikingly lifelike, two-dimensional pictures . . . the product is a luminous representation of daylight. -- The Chicago Tribune
Of applications to which the computer has been put in architecture, none is more intriguing . . . startlingly convincing. -- The New York Times Book Review,
Rigorous scholarship . . . an important contribution to the history of architecture in general, and a deeper understanding of Louis Kahn's genius -- Architectural Record, December 2000
The Hurva simulations are astonishing and utterly convincing. -- The New York Times, A Spiritual Quest Realized, but Not in Stone, Paul Goldberger, Sunday, Arts and Leisure.
The poetry in Larsons images comes from his artistic interpretation of Kahn. -- OPEN: The Electronic Magazine, Redefining Creativity in the Digital Age, Inside Virtual Walls,
They bring us with startling fidelity into the space that Kahn wanted to make. -- A Virtual Landmark, Hurva Synagogue,
From the Inside Flap
Author Kent Larson has delved deep into Kahns extensive archives to construct faithful computer models of a series of proposals the architect was not able to build: the U.S. Consulate in Luanda, Angola; the Meeting House of the Salk Institute in La Jolla; the Mikveh Israel Synagogue in Philadelphia; the Memorial to Six Million Jewish Martyrs in New York City; three proposals for the Hurva Synagogue in Jerusalem; and the Palazzo dei Congressi in Venice. The resulting computer-generated images present striking views of real buildings in real sites. Each detail is exquisitely rendered, from the interreflections of glass block to the shading of concrete to the patterns of sunlight and shadow.
Kahns famous statement I thought of wrapping ruins around buildings is borne out by the views of his unbuilt works; his rigorous exploration of tactility and sensation, light and form, is equally evident. Complementing the new computer images is extensive archival materialrough preliminary drawings, finely delineated plans, and beautiful travel sketches. Larson also presents fascinating documentation of each project, often including correspondence with the clients that shows not only the deep respect accorded the architect but the complicated circumstances that sometimes made it impossible to bring a design to fruition. Not only a historical study of Kahns unbuilt works, this volume is in itself an intriguing alternative history of architecture.