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"Star Trek Into Darkness" Available for Pre-order on Blu-ray and DVD
From director J.J. Abrams comes the next installment in the Star Trek saga, Star Trek Into Darkness. Watch it in theaters now and pre-order on Blu-ray, 3D Blu-ray, DVD, and the Exclusive Starfleet Phaser Gift Set. Shop Star Trek Into Darkness and more in the Star Trek Store. Learn more |
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I've always felt that the context (Russia in the 19th century and the Napoleonic Wars) and the content (pre-existentialist philosophy) were fine targets to satire. The opening scenes, where Woody as narrator introduces his screwball family, are truly looney-tuney. And the scenes where Woody (Boris) and Diane Keaton (Sonja) talk philosophy, serve more to make fun of the ridiculous gibberish they are engaged in than to further the philosophical discourse. The truer philosophical discussions come in the form of setup-punchline jokes delivered later on ("If it turns out that there IS a God, I don't think that he's evil; I think that the worst you can say about him is that basically he's an underachiever"). This is all good stuff.
Woody's performance here reminded me a lot of really good Groucho Marx. His wiseguy retorts to oblivious inquisitors are done in the same winking/nod to the camera manner that Groucho mined for gold. And Woody, with his messy red hair and horn-rimmed glasses, looks every bit the sarcastic clown that Groucho did. There's one particular scene ("She's a great kidder... No, you're a great kidder... No, you're Don Francisco's sister") which mimics the Marx Brothers doubletalk style perfectly. In the film's second half, Woody takes a step back, to allow Diane Keaton some grand time in the Groucho persona. And she runs with it. Keaton is an underrated comic actress, usually overshadowed by Woody. Here, she rolls her eyes, grins goofily, has great comic timing, and appears to be having a gloriously good time delivering her dialogue. You can see Woody's pride as he stands to the side and watches her go great guns.
There are many truly hilarious scenes here (my favourite: Woody, drawn into a duel, is offered to choose his weapon from a pair of guns; he picks them both up, examines them for a moment, and then says "I'll take these"), the scenery is shot gorgeously, the music by Prokofiev is jubilant and fits in perfectly with the film, and there is never a down moment. Come to think of it, the pace reminds me of the joke-a-minute style "pioneered" by the Zucker-Abrahams-Zucker "Airplane" movies. Only Woody, dear Woody, bestows such intelligence and wit upon the material that it is elevated to a divine state.
I wish I had this mans smarts...I am amazed at Allens twisted weaving of story-telling and one-liners..My favorite is when he is in training and the seargent says "From now on you'll clean the latrines and the mess hall" Allens response: "Sir, how can I tell the difference?".....Hilarious...
I've seen this film dozens of times, and it simply doesn't get old..Allen has proven once again that if a joke is TRULY funny it can be repeated over and over again and have the same effect on people. The reclusive Woody Allen is the one celebrity I would like to meet..... to thank him for making this extraordinary film....it;s like a best friend I like to watch when I'm in the dumps..
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