From School Library Journal
Grade 8 Up--Teenaged Jack thinks about sex (a lot), love, Annabel (sex again), nose hair, and his mother, who died of cancer and whose ghost haunts him. His memories--weekend trips with his father and sister, a photo of his mother, science class--are well drawn in first-person free verse. Most of the poems are narrated by the 16-year-old, with some selections by his father or sister. The switch is quick, without warning, and some readers might not realize that the voice has changed. By the end of the book, through numerous growth experiences and a burgeoning relationship with Annabel, Jack is ready to "tell the ghost no more visits/It's not that I don't need her/or want her to stay,/I'm just too old to believe in it anymore
." He's come to terms with the past, ready to face the uncertain future, stronger. In
A Place Like This, also written in free verse, Jack, now 18, and Annabel have decided to put off going to university and set out on their own. They enjoy one another, sex, and their freedom. Life leads them to a job at an apple orchard, where Jack realizes, "This is not what I planned./I wanted lonely beaches with Annabel/and bush camping beside a river
." Instead, the two pick apples for 10 hours a day, sleep in a shed, and get entangled with their employer's pregnant daughter. Jack is drawn to help Emma because of a secret in his past. The story is tied up a bit quickly, and not entirely satisfactorily, but readers remain confident that Jack will survive wherever life takes him, and Annabel, next.
--Sharon Korbeck, Waupaca Area Public Library, WI Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* Reviewed with Steven Herrick's
A Place Like This. Gr. 9-12. In publishing these novels by an Australian poet as original paperbacks, Simon Pulse combines the slick packaging of series fiction with rich, layered verse reminiscent of works such as Sonya Sones' Stop Pretending (1999). The narrative rotates among several characters, but the primary speaker is Jack, who is 16 at the start of Love, Ghosts, & Facial Hair. Jack is an aspiring poet who falls in love with another soulful teenager, Annabel. Their intense connection, as cerebral as it is lustily sexual, soothes Jack's grief over the loss of his mother seven years earlier, a loss Herrick captures in shifting, raw emotion--from nihilistic bitterness ("They said it was a harmless lump / it wasn't") to brooding melancholy ("There's a ghost in our house / in Mum's / red evening dress"). A Place Like Thi s follows Jack and Annabel on a postgraduation road trip, tapping into a Kerouacian fantasy that will resonate with many teens. This novel lacks the immediacy of the family tragedy found at the heart of Love, focusing instead on the pregnant, 16-year-old daughter of the apple farmer who gives Jack and Annabel a job. Both books, however, speak with sincerity and sensitivity to the "quiet revolution in every family." Billed as "companion novels," this pairing evidently does not represent the beginning of a Jack-and-Annabel franchise, though YAs touched by the couple's sweet, redemptive relationship may wish it were otherwise. Jennifer Mattson
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