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Love Goes to Buildings on Fire: Five Years in New York That Changed Music Forever Audio CD – Audiobook, Unabridged
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“Practically every paragraph about music here is also about something else just as fascinating--race, city planning, ambition, drugs, hair-dos. Braiding intricate research with his own teenage memories, Hermes has a bird's eye view of a great city, and has his ear to the ground.” ―Sarah Vowell
“By simply putting things in chronological order, Will Hermes shows just how astonishing New York City's music was in the 1970s. But he does more than that: he brings depth and discernment and an eye for odd detail, making his book an essential work of cultural history.” ―Luc Sante
“Love Goes to Buildings on Fire is an almost perfect portrait of New York music culture: specific yet comprehensive, enthusiastic yet objective, and as informed as it is personal. The four-page section of what (seemingly) every interesting person in NYC was doing on the night of the ‘77 blackout could have been a book unto itself.” ―Chuck Klosterman
“A must-read for any music lover, Love Goes to Buildings on Fire will no doubt inspire nostalgia in readers who lived through the era, and make those who didn't wish they had.” ―Liz Raftery, The Boston Globe
“Will Hermes grew up in Queens, but Love Goes to Buildings on Fire, his new book on New York's 1970s music scene, is no nostalgia jag--it's a detailed time-machine trip that zooms in on everyone from the New York Dolls to Steve Reich.” ―Rolling Stone
“Meticulously researched and engaging.” ―Eric Been, The Wall Street Journal
“I thought there was nothing left to say about the seventies NYC music scene, but Hermes puts it all together--punk, salsa, jazz, hip-hop, disco--into a portrait of a city in ferment, with new bubbles of innovation popping up all over.” ―Dan Kois, Vulture Recommends (New York magazine)
“Revelatory.” ―Entertainment Weekly (Grade: A)
“There's no mistaking that this book will have a special appeal for people who were exposed to this music when it was developing--mostly those living in New York in the mid-70s--but Hermes does what a good writer does. He makes the rest of us (this writer included) wish we'd been there.” ―Georgia Young, Paste
“[Hermes] does an expert turn here in his book about the music scene in 1970s New York, moving between musical genres and the human worlds they contained with the light-headed excitement of a bright grad student who's transferring from one subway line to another.” ―Emily Carter, Minneapolis Star-Tribune
“[A] breathtaking, panoramic portrait of five years . . . that music in New York City was alive, flourishing, and kicking out the jams.” ―Publishers Weekly (starred review)
“Hermes moves effortlessly back and forth between the various musical genres while interspersing stories of New York at a time when the city was on the verge of financial ruin and moral collapse.” ―Booklist (starred review)--This text refers to the Paperback edition.
From the Author
-Mojo magazine UK --This text refers to an out of print or unavailable edition of this title.
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Top Customer Reviews
In any case, Will looks at a somewhat arbitrary 5-year period in the 70s (he easily could have extended it a year or two in either direction), and goes into great detail about the NYC music scene during that time. Not only did it see the rise of groups from CBGBs and Max's Kansas City (Talking Heads, Ramones and others), the minimalists (Steve Reich, Philip Glass), performance artists, and the early days of hip-hop, but it also was a key time for the ascendancy of salsa, singer-songwriter rock (Springsteen, Patti Smith, etc.) and jazz. Will was always an eclectic listener, and among my friends, was the one with the most varied record collection. He writes here about all these styles of music - yes, even disco, which sucked - with erudition and feeling.
As I look back on the 70s from a distance, I realize that not only were those formative years for my own musical tastes, but that they did, indeed, have lasting influence. Will points out how much of this gestation was under the radar for years before becoming influential, and highlights a number of forgotten musicians and artists that were essential back in the day. (And there were plenty of non-NYC bands that passed through: the Grateful Dead, Pink Floyd, Emerson Lake & Palmer, Yes, Genesis - okay, I was a prog rock fan), Santana, the country rock bands like Lynard Skynard and the Marshall Tucker Band, and so much more.)
New York City in the late 70s was an amazing city for concerts.Read more ›
Will Hermes book does a lot to place Hip Hop and Disco in the proper context. Not only does he seem to have a fond appreciation of the genres, he places them against a political and social economical backdrop that does a lot in explaining why the genres would grow as big as they did. Such insights were long overdue in writings about popular culture.
But the book even goes further than that. Will Hermes restores Bruce Springsteen’s place in the early seventies Rock and Punk scene. Because Springsteen became an act of mega proportions it is easy to forget how close he was to acts like the Tuff Darts, the Dictators and the Heartbreakers early in his career when he played the same joints as the Ramones and Patti Smith.
Hermes also analyses parallel developments in classical music, Jazz and Latin-American music. Minimalism seems to have been a common trend across the board as a response to the dire economical times.
Will Hermes often writes form the perspective as a fan, tells about his own experiences seeing some of the now legendary acts when they were just coming up, thus adding a contagious flavour to the book. But he also seems to have gone to great lengths to familiarize himself with the genres that did not necessarily play an important part in the soundtrack of his youth.
The book portraits a full picture of an era without coming of too academic.Read more ›
The writing, though, is at times grating. Hermes rarely resists the chance to shoehorn as many hyperactive adjectives and adverbs into each sentence as possible. There's too much coverage of his own life in this period--although he omits his discovery of Tom Wolfe, who clearly made a big impression on him, because he's too fond of Wolfe's "new journalism" gimmick of writing about historical events in the present tense ("He tries to get the orchestra to stop, but they keep on pounding it out, Johnny Pacheco conducting wildly in an unbuttoned white dress shirt and stacked heels, hair flying like a crazed Caribbean Beethoven"). And "the mania around the just-released Born to Run... pulsed through the Village like pheromones radiating up from the pavement"? Really?
The research, the stories, and the connections he shows between different artists do make it an enjoyable read overall if you can grit your teeth through the writing style. The paperback will make a good beach read for music fans.
Most Recent Customer Reviews
Captures NYC back in the day before high rents destroyed it! Well done, well written. Feels like he was therePublished 29 days ago by F. Hunt
I bought this at the end (I hope!) of a long infirmity caused by a herniated disc. It's featured in a Nick Hornby book; Hornby suggests it with the warning that the reader might... Read morePublished 1 month ago by Whit
If you love NYC and the 70s and music this is the book for you. Really amazing diary of those yearsPublished 6 months ago by Carlo De Marchis
Beautifully written, the author does a great job of unfolding one of the richest periods of music in the united states.Published 7 months ago by kitten la roux
The information is interesting and encyclopedic but it's dense and tedious.Published 7 months ago by Carole Kirschner
Information packed, immensely readable history of a key period in music history - whatever you already know, you'll learn something from Hermes' book. Read morePublished 8 months ago by Michael Witthaus
I bought this book as research for a novel I'm writing. I loved the concept of focusing on this pivotal period in music in New York. Read morePublished 8 months ago by Lisa Borders