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Love in Infant Monkeys: Stories Paperback – September 22, 2009


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Product Details

  • Paperback: 177 pages
  • Publisher: Soft Skull Press; Original edition (September 22, 2009)
  • Language: English
  • ISBN-10: 1593762526
  • ISBN-13: 978-1593762520
  • Product Dimensions: 0.8 x 5 x 8.2 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (17 customer reviews)
  • Amazon Best Sellers Rank: #338,992 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

Starred Review. It makes a bizarre kind of sense to pair animals with celebrities, as the PEN-USA Award–winning Millet does in her new collection, since both tend to provoke our sympathy while remaining fundamentally alien. This disconnect proves a fascinating subject for stories where David Hasselhoff's dachshund (which is not his fault) inspires meditations on mortality, Noam Chomsky holds forth on hamsters, Jimmy Carter spares the swamp rabbit, and Thomas Edison is haunted by the elephant he electrocuted. Millet's apprehension of interspecies rapport is particularly sharp in Sexing the Pheasant, where Madonna's remorse at shooting a pheasant (while hunting in Prada boots, naturally) is mainly symptomatic of her own self-regard. For sheer line-for-line delight, nothing beats The Lady and the Dragon, where a Sharon Stone look-alike is lured to the bedside of an Indonesian billionaire who plans to make the movie star his concubine. Millet's stories evoke the spectrum of human feeling and also its limits, not unlike the famous naturalist in Girl and Giraffe, who watches as lions and giraffes live out the possibilities of the world while hiding in the underbrush: being a primate, he was separate forever. (Oct.)
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Review

"These incredibly crafted stories, with their rare intelligence, humor, and empathy, describe the furious collision of nature and science, man and animal, everyday citizen and celebrity, fact and fiction. Lydia Millet's writing sparkles with urgent brilliance." -- Joe Meno

More About the Author

Lydia Millet is a novelist and short-story writer known for her dark humor, idiosyncratic characters and language, and strong interest in the relationship between humans and other animals. Born in Boston, she grew up in Toronto and now lives outside Tucson, Arizona with her two children, where she writes and works in wildlife conservation. Sometimes called a "novelist of ideas," Millet won the PEN-USA award for fiction for her early novel My Happy Life (2002); in 2010, her story collection Love in Infant Monkeys was a finalist for the Pulitzer Prize. In 2008, 2011, and 2012 she published three novels in a critically acclaimed series about extinction and personal loss: How the Dead Dream, Ghost Lights, and Magnificence. June 2014 will see the publication of her first book for young-adult readers, Pills and Starships -- an apocalyptic tale of death contracts and climate change set in the ruins of Hawaii.

Customer Reviews

So I guess I didn't love it, but I didn't hate it either.
J. Shetrone
Well worth reading and the type of work that leaves one waiting for more.
Crazy88Line Cook
The stories are smooth and insightful, soulful and compelling.
Englishboy

Most Helpful Customer Reviews

8 of 10 people found the following review helpful By demerson19 on November 22, 2009
Format: Paperback
Lydia Millet has received a lot of praise for her work and is seen by many as one of the best writer's in the U.S. Stepping into her world for the first time with her collection of stories, Love in Infant Monkeys, shows a writer willing to take risks in her material. The collection revolves around animals, be they pets, circus elephants, or even the lions from the movie Born Free. Millet further layers the collection with real life celebrities or historical figures so in the course of the book we see David Hasselhoff, hear the musings of Madonna, learn of the religious leanings of Thomas Edison, and witness a confession from former President Jimmy Carter -- and there are more. Many of the stories are based on true stories of animals with famous people, although Millett takes artistic license and uses them as springboards.

The result is a strong, if uneven, collection with the famous names at times proving to be a distraction and at other times an annoyance. The book opens with Madonna pondering a range of ideas as she looks over a dying pheasant she has shot in "Sexing the Pheasant." The animal here serves as a catalyst for her thoughts, but the focus is on Madonna and her musings on celebrity life, her husband's friends, and her attempts to conquer English phrases. Madonna is such an easy target to make fun of that she is hardly worth the effort; this story could be written by some talented undergrads with a sense of humor.

Such entries are frustrating when you see Millet's skills in a story such as "Sir Henry," a moving tale of a dog walker who is forced beyond his dog world when he suddenly recognizes humanity which rises to the level of, well, dogs. Sir Henry, a dachshund, belongs to a famous performer, but this means nothing to the dogwalker.
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2 of 2 people found the following review helpful By Englishboy on May 3, 2010
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Without doubt, this is the best collection I have read so far this year. The stories are smooth and insightful, soulful and compelling. As with her novels, Millet uses historic and pop culture elements from the 20th Century as a means of creating stories that are surprisingly personal and deeply contemplative. In a sentence: Millet knows how to ransack the details of my life--especially as it relates to movies and tv I watched as a kid--and make art out of it. (As I've not yet been able how to configure my signature as my real name: Todd Pierce).
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1 of 1 people found the following review helpful By Zach Powers on September 17, 2011
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Any collection that starts with a story told from the perspective of Madonna hunting pheasant, I will probably love. And while that first story is probably the least like anything I've seen before which, for me, is always a pleasant discovery, the other stories step away from cleverness toward humanity, and it's there that the real rewards are found. Humanity is examined through a semi-tame lion and a giraffe, through a dog walker and his charges ("The poodle was stately, subtle and, like the dachshund, possessed of a poise that elevated it beyond its miniature stature."), through Thomas Edison's obsession with an electrocuted elephant ("This is my gift to you: I will never forgive: Now and forever, you are not forgiven."), through Nikola Tesla and his beloved pigeons, through monkeys tortured for the sake of science ("To know how love works, a scientist must study its absence."), through Noam Chomsky's sadness at the memory of gerbils lost, through Jimmy Carter's regret toward an unsaved cat ("I had no doubt that the rabbit had affected his conjugal performance.") and, in the last two stories, it is found in zoos and aviaries. I love nothing more than the lens of the absurd illuminating the everyday in surprising ways, and this book does that throughout. It is the feeling of being surprised at finding exactly what is expected.
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1 of 1 people found the following review helpful By J. Shetrone VINE VOICE on April 1, 2011
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This collection of short stories has a peculiar mix of celebrities and animals. Some border on charming, such as Sexing the Pheasant (Madonna goes pheasant hunting and has a hilarious inner dialogue, complete with congratulating herself for using proper British slang) and The Lady and the Dragon (a Sharon Stone look-a-like is romanced with a Komodo dragon). Others, particularly the title story, Love in Infant Monkeys are disturbing and leave a bad taste in your mouth. So I guess I didn't love it, but I didn't hate it either. I don't think I found as much humor in it as the author intended. It certainly was an interesting theme to build a collection around.
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Format: Paperback
Lydia Millet will never write a better book than this. Don't get me wrong; hopefully she'll write others just as good - but better? Admittedly I only know three (and finished one) of her previous works, in the review of which I pleaded for the return of the satire the age demanded - and bingo! This little gem combines steely satire with the - I want to say fabulous; fabulist? anyway, partaking of the fable without any glib punchline, though there are morals aplenty to be drawn. So: satirical/fabulist/moralising. And philosophical. But above all funny - and sad. (Funny and sad both; isn't that pretty well the definition of satire - or indeed philosophy, in this day and age - the two ways of apprehending truth/reality?) Anyway, none of my regrets, reservations and strictures about How the Dead Dream happily apply.

In that review I praised Millet as writer (it was the plot that got bogged down) and here she surpasses herself; I personally feel the restraint of the short form works to her advantage. The beauty and aptness of her style are very hard to pin down (isn't style always?) but it is a question of tone above all, which is perfectly judged throughout, for example in the story with a male narrator (#8). Then there's the third-person male voice of the title story (oh, her men!) and of course the lead story, which your reviewer Derek Emerson is so slighting about (while missing the morality); but all her characters are note-perfect - such writing cannot be taught! As to what her stories are about - PURLEAZE! Just read the book! But it is worth noting, I feel, that the book is not solely, or even primarily, about animals; it is about death. What is it about reviewers that they don't pick up on this? is it that they're scared of frightening their readership off, or are they in denial?
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