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Love is a Racket Signed "First Edition" [Hardcover]

John Ridley (Author)
4.5 out of 5 stars  See all reviews (21 customer reviews)


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Book Description

July 21, 1998
In his first novel since Stray Dogs, John Ridley offers up a brilliant noir farce about a small-time con man who finally gets it right just before it all goes wrong.
        
Everything's a racket for Jeffty Kittridge, a thirty- seven-year-old ex-wannabe scriptwriter living on the skids in Hollywood--the two-bit cons he pulls for spending money; the way he convinces himself that he's not a drunk between every shot of booze he kicks back; the way he tries to assure Dumas, the local shark, that he's just about to pay off his 15K debt . . . Except he's not good at any of that. He's been in jail twice (and the state's got a bad attitude about seeing someone the third time); that bug he just felt crawling up his neck is most likely the first installment of the DTs; and Dumas recently delivered a fairly emphatic payment-due reminder: a couple of his goons busted two of Jeffty's fingers. The fact is, Jeffty's a loser, big as they come, and things aren't about to change up for him anytime soon: "I would've felt . . . near terminally depressed," he tells us as his story begins to unfold, "but I was so used to my life all I felt was content."

Then he stumbles on salvation: a dirt-caked, street-hardened, exquisitely beautiful young homeless woman named Mona--Jeffty prefers to think of her as Angel--who inspires both his love and the idea for the perfect con. It's Jeffty's chance to hit it big, and to be set for good in his new life with his new love. "The thing about love," Jeffty declares, "is no matter how twisted, or wrong, or evil, it never dies." But as the momentum of the con carries him closer and closer to what he imagines will be a moment of blissed-out consummation with his angel Mona, Jeffty discovers there are some severe exceptions to his rule.

Smart, edgy, caustically funny, Love Is a Racket puts John Ridley in a darkly comic league of his own.


From the Hardcover edition.
--This text refers to an out of print or unavailable edition of this title.

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Editorial Reviews

Amazon.com Review

At several points Love Is a Racket is outright offensive in its depiction of Jeffty Kittridge's Hollywood skid-row world. Yet, Jeffty's narrative voice is so compelling, so real, that you want to know how he makes out.

The novel begins with Ty--a heavy working for the local loan shark, Dumas--breaking Jeffty's fingers. The fingers become a symbol of Jeffty's relentless bad luck as he tries and fails time and again to make the $15,000 he owes Dumas. Years ago, the reader discovers, Jeffty had come to Hollywood as an aspiring scriptwriter (a life that Jonathan Ridley lived, ultimately writing episodes of Martin, The Fresh Prince of Bel-Air, and The John Laroquette Show), but he now declares himself a grifter, a gambler, and, gradually, a drunk. Several roads to salvation emerge in Jeffty's nightmare life. At one point, it seems that a day at the races just might erase his debts. His "friend," Nellis, reappears at another moment--a junkie and, strangely, a master of Zen poker who hopes to win Jeffty's money for him. And, finally, Mona, an attractive young homeless woman, keeps showing up until Jeffty realizes that she is his last chance for escape.

Despite its grim subject matter, the book is sexy and often outright funny. ("My good luck was LA's a great place to work. Except for the smog and the gang violence, the brushfires in summer, the rain and floods in the winter, it's great.") Ridley injects bits of Eastern mysticism and icy realism to suggest a deeper truth behind Jeffty's tragicomic façade. While it's not a book for the overly sensitive, it is a masterpiece of noir black comedy that recalls Elmore Leonard's best writing. --Patrick O'Kelley --This text refers to an alternate Hardcover edition.

From Publishers Weekly

Ridley's second novel (after Stray Dogs, 1997) brings panache and a kooky premise to a familiar setting. Jeffty is an African American L.A. grifter whose hustles inevitably fail, whose screenplay everyone deems "beautiful" and whose plot to wring money from old-time movie mogul Moe Steinberg is as quintessentially Hollywood-gothic as a mansion on Mulholland Drive. Jeffty concocts the scam of a lifetime to enact revenge on his bookie, Dumas, whose goon breaks Jeffty's finger. Sadly for him and for us, Dumas proceeds to bump off Jeffty's best chance of making the payback money (and the story's most interesting character): Nellis, a wife-killing junkie who wins fortunes by applying Zen techniques to poker games. Jeffty is left to run his scam using a beautiful street girl, Mona, who bears an uncanny resemblance to James Dean's dead, sometime girlfriend, the real-life movie star Pier Angeli. It seems Steinberg may have orchestrated Dean's death in order to get close to Angeli. Jeffty's sure that when he sees this perfect replica, dressed up in 1950s clothes, Steinberg will refuse her nothing. While the swindle plays out, a cop called Dentphy pressures Jeffty to inform on Dumas. By the time the scam and story reach their climax, the characters don't know whom to trust and neither do readers. The preposterous plot is less important than Jeffty's voice, saturated with classic noir self-mockery and convincingly compromised morals. Even if Ridley ignores such glaring questions as why he keeps a gun he never uses, or why Dumas leaves Jeffty alone long enough to carry out his plan, die-hard fans of neo-pulp will forgive these slips with hardly a second thought. 50,000 first printing.
Copyright 1998 Reed Business Information, Inc. --This text refers to an alternate Hardcover edition.

Product Details

  • Hardcover: 288 pages
  • Publisher: Knopf (July 21, 1998)
  • Language: English
  • ISBN-10: 0676543049
  • ISBN-13: 978-0676543049
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (21 customer reviews)
  • Amazon Best Sellers Rank: #10,317,832 in Books (See Top 100 in Books)

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Customer Reviews

21 Reviews
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4 star:
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3 star:
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Average Customer Review
4.5 out of 5 stars (21 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

4 of 4 people found the following review helpful:
5.0 out of 5 stars What a Great Racket!!!, October 19, 1999
By A Customer
John Ridley seems to have been inspired by the works of James M. Cain and Jim Thompson. He takes that inspiration and mixes it with his unique updated style and creates greatness.

This story of Jeffty Kittridge trying to rise up from the bottom is funny, exciting and sad. If you are familiar with an urban environment, you will recognize some of these realistic characters. People like these really exist in cities all across this country.

I really enjoyed this novel. I can't wait to read more from Mr. Ridley.

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2 of 2 people found the following review helpful:
4.0 out of 5 stars The art of the con, artfully told, May 29, 1999
By 
A Fan (Two Steps From The Blues, USA) - See all my reviews
This review is from: Love Is a Racket (Hardcover)
It would be too easy to say that Ridley puts Jim Thompson's characters in the sub-basement of Raymond Chandler's Los Angeles. There are echoes of both masters in this book, but mostly in the sense that the people and places are made real by Ridley's skill. The pace is brisk, and the dialog sparkles. If there is one quibble, it is with one (unnecessary) sentence that telegraphs the ending, but this doesn't detract from the entertainment the book provides. It may not be great literature, but it is great fun.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars Another Stepping Stone to Greatness, December 8, 1998
By A Customer
This review is from: Love Is a Racket (Hardcover)
I read John Ridley's first novel, 'Stray Dogs' and was pleased. Beyond that, however, it didn't blow me away. It was nasty, compact and smartly written, but in the end I deemed it merely servicable. Thank God I picked up his sophmore effort to show me exactly how much Ridley has grown as a writer. Love is a Racket is smarter, funnier, edgier, more densely plotted and filled with a cast of deeply written characters. Plus, the ending was brilliant; both unexpected, and, if you think about it, the only way the whole thing could have ended up. All great writers get better with age; it's part of the evolution of their craft. With a second book this good, I can't wait for the release of Mr. Ridley's next book, 'We All Smoke in Hell.'
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Beverly Hills, Polo Lounge, Las Vegas, Hollywood Boulevard, Jesus Christ, Santa Monica, West Hollywood, Golden Gate, Sleeves Guy, Audrey Hepburn, Moe Steinberg, Pier Angeli, Terri's Song, Tom Selleck, Turf Club, Los Angeles, New York, Orange-Haired Girl, The Manchurian Candidate
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