Customer Reviews

Love Is Rain

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If you are looking for a fluffy, happy review of the new CD by the darlings of the PA rock scene - The Badlees, stop reading now.
The Badlees new release, Love Is Rain, is flawed. The first of these flaws are right up front and immediate. Now, we realize that the art of song sequencing is evaporating with the advent of digital downloads, but as consummate professionals these guys should know that you start off with some of your stronger material. That is not the case here as the first two songs, boilerplate pop songs, are perhaps the weakest of the album.

A few songs down the road are a pair of tunes that have been kicking around the local scene for several years now - "Don't Ever Let Me Down" and "Well Laid Plans". Each of these had featured guitarist and primary songwriter Bret Alexander on vocals in their original form, but each have been reconstructed as Badlees songs by dropping in lead vocals by front man Pete Palladino. For us, as local music fans, this seemed like an odd thing to do and begged the question - why?

Although Palladino is the lead vocalist for most of the songs, the true "voice" on the album comes from Bret Alexander. Since the last Badlees release in 2002, Alexander has continued to compose and perform as a solo act as well as with various musical arrangements (see DAMES article from earlier this year). It has become clear that he was the driving force behind the Badlees' success of the 90's and has become even more refined in his songwriting and arrangements this decade.

But if Alexander is the heart and soul of the Badlees, what is Palladino - the hair and teeth? And, as such, was it preordained that this new album have a quota of Palladino-fronted tunes? Well, it's not quite that simple. The truth is that this album may, in fact, contain some of Palladino's finest performances of any Badlees album.

This is most evident in the song "Anodyne", a shining example of the combo of pop and rock that has made the Badlees so successful in the first place. Palladino's powerful yet controlled vocal shines brightest on this tune co-written by longtime collaborator, Mike Naydock. It is a perfect concoction - enough 90's style pop for "that" crowd and enough thought provoking lyrics for "this" crowd - coupled with the rare art of the improvised coda (never has "fading away" sounded so good) that ranks this Badlees song with some of the elites of their past.

This brings us back to the two "do-overs". The ethereal soundscape of "Don't Ever Let Me Down" with its appregiated piano riffs and quasi-rap lyrics is a gem unlike any other. Still a fine song with Palladino on vocals, we contend that this was better in its original Alexander-led form. "Well Laid Plans", upon further review, is a better fit for Palladino's vocal skills and is a solid and entertaining pop song.

"Radio at Night" is another fine Naydock collaboration that perhaps should have led off the album as it is a nostalgic nod to the Badlees own past. On the surface happy-go-lucky, deeper listening will uncover a tinge of melancholy, a reflective tone that says, "the past isn't so bad - embrace it and reminisce a bit".

Then there is the other side of the album - the other "state" if you will - that includes several Alexander-led songs, starting with "Drive Back Home". Here the album takes a quantum leap as this powerful and emotional song paints a stunning portrait of the journey of life... "All my life is like a drive back home/there ain't no where that you can run to/there ain't no where that you can go..." The past is inescapable, always there and part of who you are - a universal message that especially rings true with the mature listener.

"Part of Rainbow" and "We Will" are probably the two most exotic songs ever included on a Badlees album. "Part of Rainbow" is reminiscent of 60's psychedlia with Harrison-esque guitars, while "We Will" arrives like an early Glenn Campbell tune with an AM radio vibe and use of strings as creative and cutting-edge as Johnny Cash's use of horns on "Ring of Fire". Both of these songs feature guest musicians (Aaron Fink on the former, Nick Van Wyck on the latter) and both contain a tinge of "social commentary" that Alexander delivers perfectly - avoiding the trap by playing neither propagandist nor apologist nor preacher - using philosophy and poetry to state his point.

The next couple of songs are a bit lighter on substance, but heavy on style and soundscapes (but the similarities end there). "Way Back Home" reaches the band's heavier edge and includes driving rhythms and another outstanding vocal performance by Palladino, while "Starthrower" is a melodramatic waltz through Americana sung by Alexander.

All these diverse roads of songs ultimately lead to the twelfth track "Two States", which is quite simply a masterpiece. Deep does not aptly describe this - to write this song was down-right courageous. It brings the listener to a place remote yet familiar. Unlike the up-front, soft, nurturing love of a mother, there's the sterner love of a father. Something we possess but rarely tap into. Further, it explores the transformation and revelation we all go through, from a child, "living in a world where heroes never fall" to the old man living in a world where "heroes have all fallen..."

We would be remiss if we failed to mention the absolutely flawless quality of the production of this album as well as the pristine timing and execution of drummer Ron Simasek and bassist Paul Smith - the world's greatest rhythm section. Further, the ambient sounds that flavor this album throughout are sonic candy to music lovers. The instrumentation and arrangement by producer Bret Alexander are simply masterful. This last point is best illustrated again in "Two States", where he provides an incredible mix using authentic, acoustic guitar, mandolin, and banjo.

The song sequencing in the second half of the record - in contrast to our opinion of the opening sequence- is masterful. Following the heart-wrenching climax of "Two States" comes the light-hearted, McCartney-ish "Alright Now", which provides the ride off into the sunset as life goes on. As this musical odyssey concludes, the serious listener is left in amazement at the transformation that takes place between the ears, from the beginning of Love Is Rain until the end.

Yes, we stick to the assertion that this album is flawed. It kicks off with a couple weak tracks, uses the wrong vocalist on another, and, heck, even its title sounds like gibberish absent the proper qualifying context (...struggle is the thunder/Love is rain...). But this lack of perfection should not distort the fact that this may well be one of the finest musical pieces to come out of our region - ever. We do not claim this lightly and we encourage all music lovers to buy this, listen, and send us your own assessments.

In the past we were amazed by how a local band was able to produce an album like River Songs that sounded as good as anything put out by the major labels. Now, we believe the Badlees have put out an album that is miles ahead of your typical production anywhere.

In the past Bret Alexander's songwriting has been compared to that of Steve Earle, Tom Petty, and Bruce Springsteen. Now, we believe that these comparisons may no longer be relevant. The only one you can now compare Bret Alexander to is himself.

I didn't know if I'd ever see another Badlees CD, but here it is. I can't thank them enough. I hope it is as rewarding for them as it is for us listeners. First the band, then the CD.

The Badlees- the band
If you are familiar with the Badlees, buy the CD, you know what you are going to get and you know it's going to be good. If you're not familiar with The Badlees, you need to give them a try. They very rarely disappoint. They are all individually some of the most talented people out there and collectively even better. Vocally, lyrically, and musically, they are without a doubt as good as anyone you'll hear on any radio station. Their music is pop ( but not exactly#, rock # but not quite ) so basically it is a rare blend of a lot of styles, and it's all done very well.
Their music is experienced on several levels. Musically & rhythmically it makes you tap your feet, bob you head and sticks in you brain. Vocally it is pure, powerful and when called upon beautiful. They beg you to sing along, you just won't sound as good. Lyrically it is intelligent, clever, moving, thought provoking, paints a picture, tells a story, and sometimes even expands your vocabulary.

When listening to The Badlees the same thoughts usually come up.
1. Man these guys are good, every single one of them.
2. Bret Alexander is one of the best songwriters I've ever heard.
3. Man these guys are really good
4. IF I were young & good looking, and a slick agent said " Ok kid I'm gonna make you a star. Now whose voice do you want to come out of your mouth for the video."? I would say Pete Palladino.
5. Why aren't these guys more famous?

I've never meet these guys (and probably never will) but after listening to them for years you kind of feel like you know them. I can honestly say I've never rooted for a band's success as much or heard a band more deserving of recognition than The Badlees.

Now for the new CD, Love is Rain
The one problem with a new Badlees CD ( especially after 7 years ) is your expectations are so incredibly high. Well relax, listen a couple times and everything is OK. Although, I don't agree that this is their best, ( I would choose River Songs or Up There Down Here) it is still The Badlees and it is still good, very good. It has something for everyone and everything it needs. Like every Badlees cd the writing is excellent, the vocals are great and the music tight. Pete's voice is amazing as always and Bret's more rootsy sound is perfect for the songs he sings lead on. Jeffery Feltenberger although not listed as a band member anymore (?) thankfully adds his alw

I have waited years for a new album and the guys did not disappoint. Great album from start to finish. Hard to pick a favorite. Each song creates it's own feeling. Overall this is an album you need in your collection. Badlees diehards will appreciate the efforts of the guys on this one. GREAT JOB!!!

I could go on and on about how fantastic this CD is. The music...great. The lyrics....stellar. The instrumentation.....flawless. The production....big time. Overall, the best songwriting one can ever hope for. I have my favorite songs but there are no clunkers on this album. However, highlights for me wwere "Drive Back Home", "Anodyne", "Star To Fall", "Peter Pan" and "Two States". Just buy it and you'll agree that The Badlees should be one of the biggest roots-rock bands on the planet.

Badlees `Love' reigns supreme

What happens when the members of one of the most critically acclaimed and successful bands that Pennsylvania has ever produced decides to hit the studio together for the first time in seven years? Well, in a nutshell, things pick up right where they left off.

A great rock record is made.

"Love is Rain," the latest release from The Badlees, perfectly exemplifies why the group has received such acclaim and why it has developed such a loyal fan base. It's a perfect amalgamation of the clever roots rock for which the band is best known, yet it also embraces the pop sounds that helped propel the band up the national charts. And, perhaps most important, it's also a brash step forward. It offers radio-ready gems, eclectic instrumentation, a touch of modern rock, marvelous production and stunning album cuts unlike anything the band has recorded before.

The album opens with the clever, catchy and melodic "Peter Pan." A perfect pop song in every way, the track pulls in the listener on its first spin and never lets go. Though the song sounds as if it was built for radio, the arrangements bend and turn in a way to give it a fresh and vibrant vibe. "Star To Fall" is another breezy pop gem, though its slight twang and sturdy thump will also remind some of the band's five-star "River Songs" album. It also reminds us that though even some of the best songwriters can't write songs that cleverly combine a pre-chorus and a chorus, few songwriters do it as well as The Badlees.

But "Love Is Rain" is The Badlees in 2009, not 1995. And that's part of what makes it such a treasure. "Anodyne" is a grand U2-ish track that allows vocalist Pete Palladino to flex his vocal talents. And when it reaches its grand crescendo, you are reminded that though the band may have cut its teeth in the bars, it has also played the arenas.

The album's most gripping track is "Drive Back Home," a stirring, slightly cinematic number that builds with both force and grace and allows the listener to paint their own images to fit its picturesque storyline. Guitarist Bret Alexander, who wrote or co-wrote all of the songs on the CD and produced it, offers lead vocals on the track and brings a perfect touch of emotion and grit while also sounding as if he's got his foot on the accelerator. It's a stunner.

With its fluttery and melodic pianos, it's easy to imagine "Don't Ever Let Me Down" riding the radio airwaves. The same goes for the bouncy and quirky "Well Laid Plans," which could serve as an audio definition for the term "power pop." And "Radio At Night" -- perhaps the most radio-friendly tune on an album that's loaded with radio-friendly tunes -- sounds as if it might be a bit of a nod to the band's fans and even to parts of its own past.

"Part of a Rainbow," with a guest appearance by Breaking Benjamin guitarist Aaron Fink, slides and glides with a driving rhythm and offers a touch of George Harrison, or even Oasis. And if you want to hear The Badlees rock, gallop and groove through a song with pure freedom and abandon, check out the explosive "Way Back Home," a fast-paced soaring number that Alexander has jokingly described as "three Who songs all jammed into one." It's a pretty good description, and it's the type of tune Palladino was born to sing. He's never sounded better, nor like he was having more fun.

All of this makes "Love Is Rain" a great listen, but again, there's much more happening within these 13 tracks. "We Will," again with Alexander on vocals, is unlike anything the band has done before. Like most of the group's songs, its lyrics are thought-provoking, yet this one also comes with some moving social commentary. Inspired by a TV report in which NBC's Tom Brokaw recalled being a young reporter covering the anti-war movement of the '60s, it's a Marvin Gaye-meets-Springsteen track that reinforces the notion that Alexander can write and sing songs as well as anybody.

"Two States," another track sung by Alexander, is equally impressive. Inspired by the recent death of his father, it too stirs up strong emotions while also revealing the sense of perspective found on "Love Is Rain." Though The Badlees are known for their third-person narrative storytelling songs, this album offers a band that is sometimes looking just as much inward as outward. And what we find is they themselves are just as interesting as their observations.

"Love Is Rain" is in many ways the perfect Badlees album. You get Alexander's trusty mandolins, ala "River Songs," the big pop/rock sounds of 2002's "Renew" and the lyrical depth of 1999's "Up There Down Here." And you get constant evidence of a group that has continued to grow.

Critics have placed The Badlees in the same class of songwriters as Springsteen, Mellencamp and Petty and have called them "America's best band." And radio programmers -- before, during and after they danced with the major labels -- have always been quick to add their music to their playlists.
Love Is Rain
"Love Is Rain" -- perhaps more than anything the band has done before -- is a testament as to why.

ALAN K. STOUT

what a great thing to finally hear some new Badlees music knowing that they are performing together again . these guys have a special sound. there is a genius in Brett's lyrics and Pete has this ability to put such character and meaning to those words. I look forward to a live performance in the near future.

joe wye

As a longtime fan, I never thought the Badlees would ever get together to make another record, let alone one of this quality. Bret has grown beyond measure as an artist (musically, lyrically and vocally); his vocals IMHO now outshine Pete's. If you've been a fan in the past, do yourself a favor and "catch up" with a true quality band. If you've never heard them before, take a flyer on them and give this recording a chance...you won't be disappointed.

The only negative is it took FOREVER for Amazon to ship the CD to me (fortunately I downloaded the MP3s from CDBaby on the day the record came out). By the time I got it, I had pretty much nailed Bret's lyrics (which is why I bought the CD anyway).

In my opinion, this CD is yet another hit for The Badlees. All tracks are well-written, and overall the CD delivers approx. an hour's worth of soothing sounds, interspersed with a few rockers (including the title track). As a bonus, many tracks have that "Badlees vocabulary quiz" quality that I've come to know and love over the years. I tend to wonder what the songwriters were thinking when they wrote any one particular track though...I think we need that information in the liner notes (not just from The Badlees, but from ALL artists for ALL CD's! Congrats to The Badlees on another great release, I wish them the best with this one - hope it goes gold!

What a return! It's great to see this group putting out new material. Highlights for me on this album are "Star To Fall", "Don't Ever Let Me Down" and "Radio At Night." However, the brilliance of the group is that people are going to have favorites all over the album. The playing is solid, the writing first rate and Pete Palladino's voice just soars. Pity that former Badlee Jeff Feltenberger is only a "guest", his voice adds quite a lot to the few tracks he's on, but it doesn't diminish what has been accomplished here. Please don't let it be another seven years between albums!

We're Badlees fans and have been so for years. So we anxiously awaited the release of this CD after a long hiatus. The tracks are hauntingly familiar. Not just because it has the same Badlees sound and feel as before, but also because it seems they've put new lyrics to tunes they've already recorded. If you're not familiar with their music, that might not be a problem. But if you have some of the earlier great Badlees recordings, this might disappoint unless new lyrics are enough for you. This offering still leaves us thirsty for some new Badlees material!