42 of 44 people found the following review helpful:
5.0 out of 5 stars
Requiem for the Children, August 2, 2008
It all begins with Josh, the Keller's beloved son, and his agonizing death. Filled with grief and an unending suffering, distraught over memories of their son's short life, the Keller's move from their small apartment into a dilapidated old house seeking an escape from the memories they can no longer bear. Here, they shall have a new start and thus escape the tormenting memories of a son that is lost to them. Here, in this dismal house, neglected and in need of repair they see only hope and happiness for their future. That is, until they see them. Alone in her home, awaiting the return of her husband and remaining son, Jenna Keller glances up the darkened upstairs corridor to see a young toddler, clothed in the shadows soundlessly running toward her. An apparition sent from beyond the grave as a messenger of hope or a conveyor of peril? Later, her husband hears the haunting laughter of children in the back yard, children that soundlessly elude him as they fade into the darkened night. Miles, the Keller's remaining son, is woken from a fitful slumber to suddenly witness the apparition of a man as he phases through the floor uttering the chilling words, "Be a good puppy." Jenna's feisty mother, Martha, also witnesses disquieting apparitions as she awakens nightly to the images of children long dead writhing along her bedroom wall wailing in agony throughout all eternity. What can it all mean? This house of hope, this dream of peace, this desire for life, shall it all be shattered by the children's mournful requiem and the secret of what happened to them in that house so long ago. Will the Keller's survive or shall their sorrowing phantasms be added to the legion of the dead stalking the shadows of 2204 Starfish Drive, forever engulfed in waves of unending sorrow? This is the story of the loveliest dead and their haunting requiem.
As the reader is introduced to the Keller's in the initial prologue, the waves of foreboding and eloquent foreshadowing instantly engulf the stunned reader leading them deep into the chasm of despair enshrouding the haunting world of the Loveliest Dead. The atmosphere of the novel truly gained its own life to the extent that I was actually terrified whilst reading this novel and lost several nights sleep as I peered into the shadows, some part of my mind still entangled with the Keller's and their new home, silently reverberating with the mournful dirge of the dead. Despite logic, I discovered myself becoming increasingly frightened and thus I had to quit reading this novel before bed. Still, even during the daylight hours, the heavy aura of the novel weighted upon my conscious clothing everything in a dingy aura of unwholesome despair.
Added to the fearful emotions induced by this woebegone tale, the revelations as to the nature of the fitful spirits, especially the large man who wanted children to be "good puppies", was most disquieting and despite my continual sojourns into the fascinatingly fearful world of horror, I feel that such a disturbing and ultimately disgusting topic should not have been pursued in the name of mere entertainment. Simply stated, I feel that it went too far and that the causes for the young children's disturbed peace and their relation to the male phantasm were far too emotionally upsetting to the general reader. This tale should certainly not be pursued by children as they would find the content extremely upsetting.
The characterization was extremely well developed and I felt a certain emotional attachment to all the characters. Each character, including secondary characters, was attributed with a distinct personality causing the disturbing aura of realism to gain epic proportions. I discovered myself being drawn into the world of the Loveliest Dead, by the protagonists' strong emotions and well detailed personalities. The author presented each character through their own words, occasionally allowing the narration to switch to another character thus imbuing the tale with several distinct personalities and adding depth and meaning to each of the protagonists' actions. This style of narration was exceedingly effecting and amplified the aura of horror causing the suspense and terror to become almost unbearable in its intensity.
The writing style flowed smoothly never allowing the story to loose its distinct aura of chilling realism. The writing was eloquent, yet simple, and this chosen style greatly complimented the general tone and feel of the novel yet again amplifying the paralyzing horror.
The story never suffered from inactivity and the continual action, paranoia, and foreboding caused this to be a quick read despite its hefty 372 pages. The sequences of phantasmagoric peril and merciless mayhem were well enacted and produced in abundant supply without exhausting the reader emotionally by interjecting occasional respites in which the reader's foreboding only increased, anticipating the momentary respite as a signal of impending doom. These sequences, while distinctly disquieting, were not overtly gory. Rather, this tale sought to engage the readers mind inducing more physiological elements of horror than the typical gruesome sequences of unbridled carnage.
While the story keep me on the edge of my seat and the characters and dilemmas never failed to peak my interest and maintain my unwavering attention, I was able to easily predict the nature of the phantasms within the first several chapters, and although the conclusion was unpredictable, and somewhat unsatisfying in its rapidity, throughout most of the tale, I was easily able to discern the impending events. This was partially due to the more formulaic elements portrayed throughout the tale most noticeably the typical drop in temperature as an apparition enters a room etc. This, coupled with the sheer obviousness of the phantasms intent lent the story an air of predictability that was maintained throughout the duration of the tale. Although usually, when encountering this displeasing element within a novel, I immediately downgrade my star rating, the other aspects of the tale that so fully occupied my attention were so well presented that I was able to overlook the other more predictable aspects inherent within the storyline.
Despite the numerous shinning elements of perfection, this tale did succumb to one of the more typical ailments prevalent in the ghost story genre: the illogicality of the character's actions. Had I seen a single specter in my home, despite the characters' supposed financial restrictions, I would have immediately left my home and dwelled within my car if need be. I would not, under any circumstances remain within the house as objects hurtled about and apparitions writhed over the walls and wailed throughout the night. Also, and it truly pains me to say this, why must every horror novel have something nasty dwelling in the basement and why must the characters, knowing full well what awaits them in darkness below, happily trudge down the stairs (often without the aid of a flashlight), despite what has assailed them in the basement before? These are only a few of the examples of the occasional illogical meandering of the tale. However, it must be said that it wouldn't have been much of a tale if the characters had reacted as I would have and a tale of someone dwelling in their car talking about what they might have possibly seen once wouldn't prove particularly horrifying. Therefore, this tale requires a certain amount of poetic license and a fairly liberal imagination in relation the character's seemingly un-wise decisions.
In summarization, this tale boasts many enchanting aspects related to the expert characterization, appealing writing style, imaginative plot, and compelling aura of terror. Each of these essential elements of the horror genre easily interweave to create a strong tale of misery and palpable terror however, I advocate extreme caution when approaching this disturbing tale due to the theme of the children's requiem and the overpowering emotional turmoil invoked so effortlessly by each line of this shocking tale. This is certainly one of the better horror novels available but its overall theme is, stated mildly, perversely disturbing. Approach with caution.
- Ravenova
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
6 of 6 people found the following review helpful:
3.0 out of 5 stars
Well Written, But Nothing New, May 22, 2006
2 and 1/2 stars
Ray Garton is usually known for his more adult, disturbing horror. The Loveliest Dead unfortunately, is like Ray Garton-lite, a PG-13 type ghost story that felt very familiar and run-of-the-mill. This has exactly what all the other supernatural novels have - mysteriously disappearing children, unexplained noises in an empty house, strange voices in the basement, and the always predictable chill that passes through the room. There were a few real moments of terror, but not enough for the amount of buildup that came before it. It seemed that Mr. Garton was uninspired in writing this latest story.
The thing that kept me reading was Garton's writing. The story was the same, standard ghost story as most other books, but Garton's strong point is his clear, fluid writing style. His characters are nicely defined and the dialogue feels real. There are a few typos (shame, shame, Leisure!) that unfortunately appear near the climax and my only other problem seems to be Garton's dislike for Catholics. I'm not a Catholic, but his writing not only dismisses the religion, but makes the only priest in the story a pedophile. This clich annoyed me, but was only a minor complaint. Other than that, I'd recommend the A.J. Matthews/Rick Hautala or T.M. Wright ghost novels if the supernatural is your preference.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No