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Victoria Redel's novel about maternal obsession providing his wife Kyra Sedgwick with a role to spotlight just how fine an actress she truly is. The story is disturbing but vitally interesting. There are problems with the film, the most annoying one being that the dialogue is practically inaudible due to the miking and, more so, due to the musical score which covers all the lines to the point of making the movie seem like a silent movie with music from the pit! Such a shame, because it SEEMS like this is a good script with a lot to say.
Emily (Kyra Sedgwick) is damaged goods, a woman neglected as a child who is determined to have a baby and raise it on her own, lavishing the child with all the affection and attention she desperately missed. After numerous attempts to get pregnant from any available man, she finally succeeds impregnation with Campbell Scott and gives birth to Paul (Dominic Scott Kay) who becomes her entire reason for living. She sequesters Paul form the world, gives him everything a child could want - except association with peers. Her obsession grows to the point of mental illness and the results are devastating. Along the way Emily and Paul encounter people who seek to intervene in their lives: these people are played with great style by cameo roles of Sandra Bullock, Oliver Platt, Kevin Bacon, Marisa Tomei, Matt Dillon, Blair Brown and even some of the Bacon's own children! It is a star cast obviously committed to Kevin Bacon's vision of this star vehicle for Sedgwick.
The pacing, cinematography, and acting are all first rate. If only the ugly and senseless music hadn't submerged the dialogue (oddly enough the score was written by Michael Bacon!), this would be an Oscar contender. Grady Harp, September 06
Basically, this story is about a woman who grew up being neglected by her parents and demonstrates what can and does happen when the child grows up. Neglecting children is often worse than physically abusing them. One of the strange things about humans is that whatever terrorizes and tramatizes us in childhood, becomes a source of attraction later in life. In this film we see a woman who was tramatized by neglect from her parents (physically, emotionally and mentally). Her parents always put her down, embarrassed her, showed her hardly any affection. Her parents were so close to each other yet so far from her. As the little girl becomes a woman, she becomes a loner or an outcast and is eccentric. When she has a child by some random man she hooked up with, she becomes close to the child, yet so far from him. So far from him in that she doesn't care about his true feelings and doesn't care about him as a person and this is the same thing which traumitized her as a child (neglect). All she is wants from him is love... forever.
From the opening scenes we know there is something not quite right with Emily Stoll (Sedgwick). She's a 30-ish single woman whose parents have left her a large trust fund. She conveniently doesn't have to work and has no interest in establishing a conventional home or relationships. All she wants is a child and is determined to have one by any means necessary.
She travels the country in search of men whose genetic material meets her exacting standards. After countless fruitless sexual encounters - including a quickie amongst the stacks of a library - Emily returns to her home in Chicago dispirited and at a loss. Finally, however, gets pregnant by a poetic commodities trader (Campbell Scott) whom she meets in the elevator.
Nine months later, voila: a child is born unto her, she names him Paul and in a voice over, she describes her son's early years as some kind of idyllic existence. The story then jumps to when Paul (Dominic Scott Kay) is 6-years-old and developing an independent streak -- which mom views as a full-blown crisis, trouble sets in when Paul asks to go to school and mix with all the other boys and girls.
Home-schooled in bizarre, haphazard fashion by an overeducated mother with no grasp of age-appropriate teaching, he quickly tires of Mum's games and camping out in the back yard.Read more ›
Most Recent Customer Reviews
Wow, this is a really great movie. Without discussing the beliefs of some parents who believe that their child will do best with only the influence of a parents or family of... Read morePublished 1 month ago by Kathy S
OK, first of all, Loverboy does not star Sandra Bullock, but Kyra Sedgwick. The film was unusual and the child star was a wonder. Read morePublished 1 month ago by cancer
Watch for a bit and turned it off. Love Kyra Sedgwick... but the movie didn't work for me.Published 1 month ago by Petra
I loved this movie, well made all around; and it tells a very compelling story with sweetness, honesty.Published 1 month ago by L.T. Desjardins
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