Amazon.com Review
When young Emilia Sauri is born in turn-of-the-century Puebla, Mexico, her father expects great things for this child who will "live her entire life in a new century." Emilia grows up to be an independent woman, a doctor in a time and place when female physicians were few and far between, but history has a habit of sidetracking even the most regulated lives; the outbreak of the Mexican Revolution in 1911 throws the nation into chaos and Emilia's future into uncertainty. Angeles Mastretta's second novel,
Lovesick, follows the fortunes of Emilia and of Mexico as both are torn by the ravages of war. For Mexico, a dictator's triumphant overthrow slips rapidly into endless bloody revolution; for Emilia, her peaceful life as a healer is disrupted by her conflicting feelings for her lover, a fellow doctor, and Daniel Cuenca, a childhood friend-turned-revolutionary.
In real life, love and war seldom end neatly. So it is with Lovesick, a novel that refuses to give either its characters or readers easy solutions to complex problems. Emilia's choice between the meaningful existence she shares with her lover and the exhilaration she experiences with Daniel is at the heart of this book, yet Angeles Mastretta's novel doesn't wear that heart on its sleeve; like life, Lovesick leaves some questions unanswered.
From School Library Journal
YA. Born in 1893 in southern Mexico into a household longing for a child, Emilia Sauri begins her remarkable life of love and strife, miracles and losses just as her Aunt Milagros has prophesied. Her father, a pharmacist involved in politics, and her mother, an herbalist and the perfect nonpolitical counterpoint for her husband, provide a near-perfect childhood for Emilia. When she is older, she falls in love with a young man who is seduced by wanderlust and the excitement of politically induced wars. Emilia waits for Daniel to return, knowing all the while that he will leave her again. She gradually falls in love with Antonio Zavalza, a physician. She spends years in turmoil as she battles the inner war of loving two men. Eventually, she marries Zavalza, but also insures that she will always have Daniel. Mastretta parallels the years of political wars with the turmoil of Emilia's life. Much of the plot deals with the convolutions of political uprisings and revolution; they fit into the story as naturally as the vivid descriptions of the heat, the beauty of the land, and the temperament of the people. Readers who liked Gabriel Garcia Marquez's One Hundred Years of Solitude (HarperCollins, 1970) or Isabel Allende's The House of the Spirits (Knopf, 1985) will find similar themes to enjoy here.?Pam Johnson, Fairfax County Public Library, VA
Copyright 1997 Reed Business Information, Inc.