Loving the Machine: The Art and Science of Japanese Robots [Hardcover]

Timothy N. Hornyak (Author)

Book Description

ISBN-10: 4770030126 | ISBN-13: 978-4770030122 | Publication Date: July 28, 2006 | Edition: First edition.

Japan stands out for its long love affair with humanoid robots, a phenomenon that is creating what will likely be the world's first mass robot culture. While U.S. companies have produced robot vacuum cleaners and war machines, Japan has created warm and fuzzy life-like robot therapy pets. While the U.S. makes movies like "Robocop" and "The Terminator," Japan is responsible for the friendly Mighty Atom, Aibo and Asimo. While the U.S. sponsors robot-on-robot destruction contests, Japan's feature tasks that mimic nonviolent human activities. The Steven Spielberg film, "AI," was a disaster at the world box office-except in Japan, where it was a huge hit. Why is this? What can account for Japan's unique relationship with robots as potential colleagues in life, rather than as potential adversaries? Loving the Machine attempts to answer this fundamental query by looking at Japan's historical connections with robots, its present fascination and leading technologies, and what the future holds. Through in-depth interviews with scientists, researchers, historians, artists, writers and others involved with or influenced by robots today, author Timothy N. Hornyak looks at robots in Japan from the perspectives of culture, psychology and history, as well as technology; and brings understanding to an endlessly evolving subject. From the Edo-period humanoid automatons, through popular animation icons and into the high tech labs of today's researchers into robotic action and intelligence, the author traces a fascinating trail of passion and development.

Editorial Reviews

Amazon.com Review

Book Description From the amazing automatons of feudal Japan to giant animated robots and the cutting-edge androids of today, Loving the Machine is a fascinating journey of passion and discovery.

Watch a video clip featuring author Timothy Hornyak--and robots

How Much Do You Really Know About Robots?
(After reading Loving the Machine: The Art and Science of Japanese Robots, you’ll know a lot!)

Q: Where did the term "robot" first appear, and who coined it?
A: Karel Capek, pronounced [KARL CHAP-ek], in his 1921 play R. U. R. (Rossum’s Universal Robots).

Q: One of Japan’s first "robots" was a clockwork servant who would bring guests a cup of tea, then return to the server with the empty cup. In what century did these "tea-serving dolls" as they were known, appear?
A: The Eighteenth century, Japan’s Edo period.

Q: The animated hero Astro Boy may have 100,000 horsepower strength, but does he have a human soul?
A: Yes—and more importantly, he can fire bullets out of his backside!

Q: Wakamaru is a robot created by Mitsubishi that can recite news and weather forecasts that it receives from the Internet, look into people’s eyes when being spoken to, and charge itself when its power is running low. For what purpose was Wakamaru built?
A: For domestic help.

Q: The RoboCup, in which robot teams of soccer players from around the world compete, has as its ultimate goal the creation of a team of robots who will be able to take on the reigning World Cup champions. By what year do the RoboCup’s founders hope to have a team of robot Beckhams ready to face humanity’s top players?
A: 2050.

Q: What team’s humanoid robots won the RoboCup in the summer of 2006—and in several years before that?
A: Team Osaka (which is managed by Systec Akazawa Co. and includes robotics experts from Osaka University).

Q: Which team won in the Small Robot League this past summer?
A: Carnegie-Mellon University’s CMDragons.

Q: Sony’s Aibo robot, first available to consumers in 1999, was not a humanoid robot. What did it resemble?
A: A puppy.

Q: One of the most advanced robots in the world is ASIMO, a humanoid who can recognize faces, serve drinks, and run at 4 miles per hour. ASIMO rang the opening bell on the New York Stock Exchange in 2002, and was parodied on a South Park episode in which Eric Cartman tried to pass himself off as a robot called "AWESOM-O." What Japanese corporation created ASIMO? A: Honda.

Q: In 2006, android maker Hiroshi Ishiguro unveiled an android clone of what person?
A: Himself—he figured it would help cut his workload in half!

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Review

Beautiful...enlightening....a must-read for bot-obsessed humanoids. -- Wired Magazine

It’s a fascinating history, rendered in words and bright photographs. -- The Associated Press

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Product Details

• Hardcover: 160 pages
• Publisher: Kodansha International; First edition. edition (July 28, 2006)
• Language: English
• ISBN-10: 4770030126
• ISBN-13: 978-4770030122
• Product Dimensions: 9.9 x 7.8 x 0.8 inches
• Shipping Weight: 2 pounds (View shipping rates and policies)
• Average Customer Review: 4.7 out of 5 stars  See all reviews (9 customer reviews)
• Amazon Best Sellers Rank: #219,965 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

13 of 13 people found the following review helpful:

5.0 out of 5 stars I really want a robot!, September 4, 2006

By 

Zack Davisson "japanreviewed" (Seattle, WA, USA) - See all my reviews
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This review is from: Loving the Machine: The Art and Science of Japanese Robots (Hardcover)

All of my life, I have been promised that the age of the robot is just around the corner. It seems like one of those things that is always in the immediate future, and always just out of reach, an eternal carrot that we keep moving towards, always one step ahead. Fifty years ago, they figured we would all be living with robots in our homes by now, doing domestic chores, entertaining us, educating us. Our plastic pal whose fun to be with!

"Loving the Machine" again makes this promise, and again I am inclined to believe it. Author Timothy Hornyak plays show and tell, taking you on a guided tour through robotics from the primitive first attempts to the modern marvels of Asimo and the semi-android Replee Q1expo. They really are stunning, and one can almost feel the fire of creativity and inspiration driving modern robotics research. The scientists are building robots out of passion, out of a real sense of discovery rather than commerce, and that is what always drives technology forward. All of the different fields are coming together, mixing software with hardware, sharing breakthroughs and triumphs that far outnumber failures and disappointments.

Ostensibly, "Loving the Machine" is also about Japan's relationship with the robot, and it is. Japan's culture of robots stretches back into its distant past, with the Karakuri automatons that are still wonders of ancient technology, unable to be replicated today. Whereas Western cultures have Superman, Japan has Mighty Atom, the robot superboy. Whereas the US has GI Joe, Japan has the super robots Gundam and Mazinger Z. Japan has nurtured a deep-seated love for the robot, and the whole country holds its collective breath waiting for the first truly intelligent robot to announce its own birthday. However, in attempting to contrast cultures, this is where the book loses its footing. The author makes much of The Terminator and the Replicants from "Blade Runner", stressing the West's fear of technology out of control, but never mentions R2-D2 and C-3PO from "Star Wars", Rosie the Robot Maid from "The Jetsons" Johnny 5 from the films "Short Circuit," Bender from "Futurama," or Isaac Asimov's heartbreaking hero from "The Bicentennial Man" There is not even a mention of how the fearsome Terminator returns for a second movie, this time as the hero saving a young boy. While not on the same level, the West has also long had a love affair with cute, friendly robots who are friends and companions rather than just functional machines.

I've been let down before, but "Loving the Machine" has given me a boost, returning me to the childhood where, when asked to draw a picture of what I thought life would be like in the year 2000, I drew a happy home complete with robot butler and flying car. The flying car may be out of the question, but there is at least still some hope that I might live to see the first truly intelligent robot announce its own birthday. Frankly, I can't wait.

9 of 9 people found the following review helpful:

5.0 out of 5 stars A fascinating and informative tribute to Japanese popular culture and its love affair with humanoid robots, September 2, 2006

By 

Midwest Book Review (Oregon, WI USA) - See all my reviews

This review is from: Loving the Machine: The Art and Science of Japanese Robots (Hardcover)

Loving The Machine: The Art And Science Of Japanese Robots is a fascinating and informative tribute to Japanese popular culture and its love affair with humanoid robots ranging from anime's Astro Boy to automatons imagined in speculative fiction to have existed in the Edo period of Japanese history. In stark contrast to American movies portraying robots as ruthless, Terminator-style killing machines, Japanese cinema and television has a tradition of gentler robots that mimic human activities. Full-color photographs on every page illustrate this unique analysis of what Japanese culture celebrates robots, Japan's historical connections to robots, and what modern technology indicates the future holds. Loving The Machine is very highly recommended reading -- especially for modern Japanese culture buffs.

3 of 3 people found the following review helpful:

3.0 out of 5 stars Beautiful portrait of a fantasy/entertainment subculture, December 29, 2010

By 

Alan Engel (Tsukuba, Japan) - See all my reviews
(REAL NAME)   

This review is from: Loving the Machine: The Art and Science of Japanese Robots (Hardcover)

Background for Robotics Tsukuba [...] and CES 2011 booth, Robotics Tech Zone, [...
]
A better subtitle would be "The Art and Culture of Japanese Robots," for there is little science in this book. Very artfully illustrated, Loving the Machine traces robotics in Japan from 16th century puppets through the comic book robot Mighty Atom to the most recent humanoid and android robots.

Loving the Machine is not about science; it is about a subculture. This subculture is that of the Japanese creators of comic book robots and their hardware descendents. Except when quoting large sales figures for robot pets and the pervasiveness of industrial robots, the author rarely steps outside this subculture. Hornyak wants to pursuade the reader that the Japanese public is far more accepting of robots than is the Western public. This may be true but this book does not succeed in making this case.

The value of this book to this reader is in its description of this fantasy/entertainment subculture. Knowledge of this subculture should make recognition of progress in its surrounding culture more easily recognizable.