Low Spark of High Heeled Boys [CD]

Traffic | Format: Audio CD

Product Details

• Audio CD
• Original Release Date: 1971
• Format: CD
• Label: Island
• ASIN: B000QNRR7K
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.7 out of 5 stars  See all reviews (108 customer reviews)
• Amazon Best Sellers Rank: #371,185 in Music (See Top 100 in Music)

Editorial Reviews

Traffic - The Low Spark of High Heeled Boys. Island records release made in the USA by Capitol records, distributed by ATCO/Atlantic.

Customer Reviews

Most Helpful Customer Reviews

80 of 88 people found the following review helpful:

5.0 out of 5 stars utopian flashback/flashforward, September 12, 2004

By 

R. Hutchinson "autonomeus" (a world ruled by fossil fuels and fossil minds) - See all my reviews
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This review is from: Low Spark of High Heeled Boys (Audio CD)

LOW SPARK was Traffic's best album, and one of the best of the whole great '65-'75 period. I know there are those partial to JOHN BARLEYCORN, but it's not as consistent. What you have here is perhaps the most purely realized expression of the counterculture's dream -- a glimpse of utopia, through the haze, at twilight, or late at night...

"Hidden Treasure" is the gateway, complete with mystical flute from Chris Wood. The brilliant title track is the first vision, and it ruled the underground airwaves for months with piano and spacey organ! There's an element of tension with the mainstream -- "the man in the suit has just bought a new car with the profit he's made on your dreams" -- but the Man loses! He's done in by "The Low Spark of High-Heeled Boys," the power of the dreamers, who are building a new world in the ruins of the old. The other two visionary tracks are "Many a Mile to Freedom," with ringing guitar ("together we flow like the river -- and together we melt like the snow") and "Rainmaker" with a long instrumental coda, and all four are by the Winwood/Capaldi songwriting team. The drummer and bass player actually team up for a fine funky number, "Rock & Roll Stew," with Winwood on wicked guitar and the refrain "I'm gone, gone, gone!" Capaldi's "Light Up" got lots of airplay, and it's a great song, but it doesn't really fit in the album -- I often program it first, or out, so as not to disrupt the flow.

I find it hard to imagine exactly what a young person hears in LOW SPARK nowadays, hearing it for the first time. For me, it takes me back to 1971/72, and through that door to an alternative and much better future! "Spirit is something that no one destroys..." The dream lives on...

REST IN PEACE, JIM CAPALDI! YOU WILL BE REMEMBERED!

25 of 28 people found the following review helpful:

5.0 out of 5 stars A Time to Soar, September 30, 2007

By 

PHILIP S WOLF (SOUTH LAKE TAHOE, CA. USA) - See all my reviews
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This review is from: Low Spark of High Heeled Boys (Audio CD)

First released in November 1971: "The Low Spark of High Heeled Boys" is the most popular release by this great band. Centered by the nucleus of: Steve Winwood, Jim Capaldi & Chris Wood and with the assistance of: Ric Grech, Jim Gordon & Reebop Kwaku Baah. The opening cut: "Hidden Treasure", is a acoustic gem with the flutes of Chris Wood gliding over Steve's heartfelt vocals. 'Treasure' is an most amazing tune that crosses lines between folk & jazz. "Low Spark" sounds much better on this remaster, the bass is more fully defined than the LP, and other instruments spring forth out of the mix with new sound clarity.

The title cut, might be the best merger of rock & jazz, featured on ANY record. The piano explores many moods and discovers much color and textures. The percussion and sax, just seem to soar here above the rest of the instruments. "Low Spark of High Heeled Boys" is an mature piece of music that got the most attention on FM Radio of all the tracks on this record, and it deserves all of the praise it has gotten of the years.

"Light Up" is Jim Calpaldi's, showcase and it is the closest thing here to R & B. Jim, is in fine voice here and this was popular in dance clubs in the UK, back in the 80's (in a much longer mix.) "Rock N' Roll Stew" was a single (and the full single version can be found here as a bonus track, with the seldom heard part 2 included.) Again, this one features Jim on vocals and is considered the 'rock' number of the bunch, it's punchy & pulsating. "Many a Mile To Freedom" is almost a return to the band's sound of 67-69, gentle guitars and Chris Wood's flutes set the tone, and Steve shines again on an fantastic vocal here. "Rainmaker" wraps things up, and like the opener: "Treasure" due to it's dreamlike quality. This amazing record, closes out the way it began with folk and more than a touch of jazz and lot's of style. To list the best records of the 1970's: "Low Spark of High Heeled Boys" would rank high in the Top-20.

This record is one of the great ones. Newly remixed, and sounding much better than ever before.
Five Stars !!!

26 of 30 people found the following review helpful:

5.0 out of 5 stars Would Make a Great Chapter in a Classic Rock Bible., June 25, 2005

By 

Lovely to See You (Out There Somewhere) - See all my reviews

This review is from: Low Spark of High Heeled Boys (Audio CD)

If only there was one! This 1971 release from Traffic does everything right without ever once becoming overbearingly heavy. From the very first track, "Hidden Treasure" which is driven by Chris Wood's winsome flute and Steve Winwood's plaintive wail, you know you're in for something extraordinary.

And extraordinary it is! The title track is nearly twelve minutes of a blissful cool jazz/rock jam with just enough hipness to keep anyone listening to it from looking like a total coffee house beatnik. "Light Up or Leave Me Alone" is the late Jim Capaldi's excellent bluesy rocker with catchy pop riffs and some great keyboard fills, while "Rock 'n' Roll Stew" is one of the best pure rave rockers ever written and laid down in a studio. It stands as one of my two favorite staples on this classic album. My absolute favorite would be "Many a Mile to Freedom," which has a sweetness and vulnerability all its own without ever catering to whimpiness. "Rainmaker" is my least favorite track, but it's still a good one, and a vital part of the whole enchilada.

LSOHHB is an album you should have in your collection if you are a fan of great classic rock. With a mixture of jazz, blues, soul, and pop influences, it's as potent as a molotave cocktail without the nasty explosion, and there's no bitter aftertaste. Now that's what I call a rock 'n' roll stew.