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Lucerne Festival: Beethoven, Rimsky-Korsakov [Blu-ray] (2012)

 NR |  Blu-ray
4.7 out of 5 stars  See all reviews (7 customer reviews)

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Lucerne Festival: Beethoven, Rimsky-Korsakov [Blu-ray] + Lucerne Festival: Shostakovich Symphony No. 8 [Blu-ray]
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Product Details

  • Format: Multiple Formats, Blu-ray, Classical, NTSC, Widescreen
  • Language: English
  • Region: Region A/1 (Read more about DVD/Blu-ray formats.)
  • Aspect Ratio: 1.78:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: C Major
  • DVD Release Date: May 29, 2012
  • Run Time: 110 minutes
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (7 customer reviews)
  • ASIN: B007N0SW1O
  • Amazon Best Sellers Rank: #35,897 in Movies & TV (See Top 100 in Movies & TV)

Special Features


Editorial Reviews

Grammy Award winning pianist Yefim Bronfman joins the superstar conductor Andris Nelsons and the Royal Concertgebouw Orchestra in a stunning performances of Beethoven's Fifth Piano Concerto. The program is completed (arguably perfected) with Rimsky-Korsakov's Scheherazade, works by Dvorak and Beethoven, and the absolute gift of Yefim Bronfman playing Chopin's Etude in F major op. 10/8. "What a find!" The Wall Street Journal

Customer Reviews

Most Helpful Customer Reviews
11 of 12 people found the following review helpful
5.0 out of 5 stars Very good Beethoven, exciting Scheherazade May 15, 2012
Recorded live one day after C Minor's disk of Andris Nelsons conducting the Concertgebouw Orchestra in Shostakovich's Eighth Symphony (see my review) on 5 September 2011 at the Lucerne Festival, this production is another winner. Audio and video are flawless, the camera work is quite excellent, as we have come to expect from this label.

Andris Nelsons is a highly impressive young conductor, and the Concertgebouw musicians respond brilliantly and with enthusiasm to his (mostly smiling) directions. The generous program consists of the rarely heard Ruins of Athens overture, an intriguing late Beethoven piece, the "Emperor" piano concerto with Yefim Bronfman as a powerful and energetic soloist who also provides an encore, Chopin's Etude in F Major, Rimsky-Korsakov's tone poem Scheherazade and, finally, Dvorak's Slavonic Dance in A Major as an encore. Everything is superbly played. Bronfman's conception of the Fifth Piano Concerto is robust but not without subtlety: a joy to hear. Especially exciting is the interplay between piano and orchestra (note the period timpani played with hard sticks). If I were to nitpick, the only criticism I would offer is that Bronfman's reading of the concerto does not reveal anything "new" or so far unheard to me. For some listeners, this may be for the better, as he does not seem to be given to mannerisms, deep introspection or informed by any recent research of the score (for this listen to Buchbinder's new collection of the Beethoven concertos). The Chopin is wonderfully played: glittering and full of élan. Scheherazade is not too high on my list of favorites, but Nelsons and his Dutch orchestra play it with so much conviction, elegance and color that I find it irresistible and fresh, despite some rather slow passages.
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8 of 9 people found the following review helpful
5.0 out of 5 stars Exquisite Scheherazade, barnstorming "Emperor"! May 14, 2012
We're almost half way through 2012, and this is my pick so far for "Disc of the Year". We have Andris Nelsons and the Royal Concertgebouw Orchestra (RCO) at the top of their considerable form, an exquisite Rimsky-Korsakov's Scheherazade, a crackerjack Beethoven Emperor from Yefim Bronfman, and three good fillers, all recorded and directed in fabulous sound and video.

Scheherazade demands an orchestra of soloists, and the RCO is just the ticket. Listen to how the woodwind principals caress and cajole the themes out of their instruments in the second movement! Absolute magic! This is not to dismiss the efforts of the principal string and brass players, all of whom had me shaking my head and smiling.

This Scheherazade is taken a bit slower than average, but this allows Nelsons to coax the whole spectra of phrasing and sonority out of this great orchestra - surely one of the top three in the world. His enthusiasm is contagious, and the RCO obviously has tremendous rapport with him. I think he's all set to take over the mantle of "magician", previously ascribed to Stokowski. He's that good.

I last saw and heard Bronfman on video doing the Rachmaninov 3 with Rattle and the BPO at an outdoor concert - wonderful playing, iffy recording, replete with an infant crying lustily! He almost attacks the piano, and in this Emperor, he really romps through the first and third movements, but is tender and immensely poetic in the Adagio. This is a performance to leave you cheering, you get so caught up in it! It may be lacking some of the subtleties of the Buchbinder version, but this in an altogether more muscular and triumphant journey.

The concert is filled out by a Chopin etude, a Beethoven overture and a Dvorak Slavonic dance, all of which are very well done.
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1 of 1 people found the following review helpful
This concert was the second of two featuring the Concertgebouw Orchestra conducted by Andris Nelsons and was held at the Lucerne Festival in September 2011.

The program features three major works which together make for a very satisfying program. The concert opens with a performance of Beethoven's Ruins of Athens Overture and which clearly displays Nelson's conducting style as being physically very involved with the music making of the players. It is easy to see why his obvious enthusiasm would encourage considerable levels of commitment from the players and why he has attained such prominence at such a young age.

The opening of the concert brings a steady performance of the overture which is markedly slower than either Beecham or Zinman taking two examples on CD from different performing generations for comparison. This preference for slower tempi is also apparent in Scheherazade. This a consequence of Nelson's tendency to linger lovingly over expressive phrases and a desire to bring out a considerable amount of orchestral detail. Admirable though this may well be, and certainly interestingly revealing, the result is to change the character of what is normally a show-piece full of excitement with high levels of adrenaline. As a result, those purchasers essentially looking for emotional fire such as can be found in Reiner's famous CD performance for example, where the final movement was reputably recorded in one scorching take, will not find it here! What they will find though is beautiful playing and a loving performance which may well suit the character of Scheherazade and her intended as opposed to the content of her story material.
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