From Library Journal
Ironic combinations of archetypal symbols define the work of photographer Luis Gonz lez Palma. Born and raised in war-torn Guatemala, Gonz lez Palma portrays history, conflict, grief, and ultimately hope in his work. He began creating his timeless, layered portraits, assemblages, and installations in the mid-1980s and has since exhibited them worldwide. Trained as an architect, he is now a builder of images. His portraits of Mayan Indians, which might be more accurately described as constructions, make up the bulk of his work. At the center of these pieces is a headshot, direct in gaze, the subject fantastically adorned with a culturally significant or metaphorical headdress. The photograph is incorporated into a larger composition including objects such as ribbons, old wallpaper, texts, and iconic photographs. These elements culminate in a textural and aesthetic whole. Like poems, Gonz lez Palma's images unfold with increasing significance, resulting in an underlying sense of tension and forboding that is only slightly eased by their sheer loveliness. This first comprehensive survey of his work includes roughly 150 full-page color plates. Recommended for libraries with contemporary photography collections.ADebora Miller, Minneapolis
Copyright 1999 Reed Business Information, Inc.
Review
Guatemalan photographer Luis Gonzalez Palma uses the handsome young people of his country as subjects and as symbols. In his pictures, they assume the mantles of myth and spirituality-angel's wings, devils' horns, crowns of thorns or roses, halos-while remaining stubbornly, solidly human, and it's this marriage of the soulful and the earthly that gives the work its wide popular appeal. Though other Latin American photographers create mythic imagery, few have been able to parlay it into the sort of art-world success Gonzalez Palma enjoys. --
Village Voice Literary Supplement, April-May 1999