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In May of this year, the band visited both Asian countries, travelling Thailand and South Vietnam to get a first-hand impression of the country which still bears the scars of a devastating war. The three musicians did not only meet napalm bomb victims but also visited the famous war criminal museum in Saigon, which exhibits pictures of victims, decapitations and people disfigured by fragmentation bombs, plus a complete arsenal of missiles in all shapes and sizes (the biggest one weighing 6.8 tons!) and jars containing the bodies of deformed babies, victims of the toxin Agent Orange. The defoliant was used by the American army in the merciless clashes during the war and causes severe deformations for at least four generations. At the same time the band took part in an extensive tour of the 200 km Cu Chi tunnel system, which the population used for underground operations.
The new album M-16 is due out at the end of October on Steamhammer/SPV and deals with the barbarity and effects of the brutal Vietnam war, which raged between the southern and the northern part of the country during the Sixties, with around 500,000 US troops fighting Eastern Block military. Sodom continue a long tradition of politically committed and socially conscious albums that Angelripper & Co. started with Agent Orange and Code Red.
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Most Helpful Customer Reviews
7 of 7 people found the following review helpful:
5.0 out of 5 stars
Great Modern Thrash! 4 star album plus 1 star respect!,
By TKitO (Hong Kong) - See all my reviews
This review is from: M-16 (Audio CD)
Sodom is my favorite Thrash Metal band from Germany,
while the golden era of Thrash Metal is gone, Many 80' Thrash bands change their style or disbanded, But Sodom keep Thrashing till NOW!!! That desevre my Respect!!!!! Those Metallica Fans feel shame what Metallica doing now, Sodom never stop thrashing just made their fans feel proud!!! I got their first few album [which is classic, no doubt!!!] I haven't heard anything after Agent Orange, I think the reason for me to get this album is, Lots of good review over the world and This year Kreator and Destruction all release killer thrash metal album, It's sounds like Thrash Metal is back again! The guitar sounds little bit harsh, Tom Angelripper voice sounds as great as he did in Agent Orange and Persecution Mania, and sounds more agressive and spittin' machine gun lyrics!!! hard to pick a Best song, All songs sounds killer, but the most impressive song is the title song M-16! A great mid-tempo song! I think I can say it's give me a feel that, it's sounds like in the vein of Remember The Falling!!! The album got 4 Star, plus one star is my respect to Sodom never stop thrashing! A Killer Modern Thrash Metal album!
3 of 3 people found the following review helpful:
4.0 out of 5 stars
nothing new but good solid trash,
By Washburn "solitude71" (ISTANBUL Turkey) - See all my reviews
This review is from: M-16 (Audio CD)
If u like Agent Orange and Better off Dead, you can buy this one and like it too. They have become a little repetitive but I'll still give it 4 stars just for keeping the 80's trash spirit alive.
2 of 2 people found the following review helpful:
5.0 out of 5 stars
Pulverizing Thrash for the 21st century,
By General Zombie (the West) - See all my reviews
This review is from: M-16 (Audio CD)
While 'M-16' isn't completely pure, old-school thrash, it's about as close as you're likely to come nowadays. Fortunately, when it deviates from the thrash norm it largely does so effectively, making the album a bit more distinctive with out weakening it. This is not sophisticated stuff, just an unrelenting bludgeoning. But it works. Very, very well.
The guitar tone on this album is quite unusual for this sort of material. It's very, very thick and fuzzy, not too far from what you might here on a doom or sludge album. Surprisingly, this actually works pretty well. If you aren't listening very carefully it'll probably turn into a blur, but it's still sufficiently distinct to be made out very easily if you are actually listening to it. It's also got a sorta punkish speed metal feel at times, a la Motorhead, and it sometimes moves into slower, doomy atmospherics. Still, it's a thrash album at it's heart, with choppy, pounding riffs the vast majority of the time.(It's midpaced quite a bit of the time, but it never really turns into groove-thrash. Frankly, there's little evidence that Sodom has listened to anything made after 1990) The lead guitar isn't given much emphasis, and none of the solos have made all that big of an impression on me, but it doesn't really detract either. It's just kinda there. The drumming is simplistic, even for this sort of material, largely with basic fills and simple 1-2 beats. But, that's all you really need for this sorta material, so it works out fine. (Some fancier fills would be nice and all, but they aren't absolutely needed.) Tom Angelripper (who has the best metal pseudonym ever) sings in a fairly harsh rasp which isn't all that far from what you'd hear on a Kreator album. He's not much for melody, but the chorus are usually quite memorable, in their way. There isn't all that much variety here, but most of the tracks are catchy enough that they don't blur together all that much, and it is consistently fun, headbangable material from beginning to end. This is far catchier than your average thrash album, which more than makes up for the relative lack of variety. `Among the Weirdcong' is the opener and the best track. It's thunderously heavy, with a great, groovy but still propulsive main riff and an instantly memorable, roaring chorus. A modern thrash classic, definitely. `Napalm in the Morning' is a bit more subdued. Still very heavy, but groovier with a sorta Motorheady feel to it. Another fun, catchy song. `Minejumper' picks things up a bit again, faster with more unrelenting, trem-picked riffs, and more simple but catchy vocal lines. The title track is a bit more dynamic, with some slower parts actually melody in the guitar lines at times, and a great, hypnotic chorus. (`Marines' has the same basic feel, though it's not quite as effective) It closes with the cover `Surfin' Bird' which is really quite amusing. Normally, I try and discuss more specific songs than this, but almost everything here is good in the same way. But, as I said before, it's catchy enough that this doesn't really detract. Also, the cover art for this album is awesome. Awesome as hell. Very good, under appreciated stuff here.
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