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M. Butterfly. [Paperback]

David Henry Hwang
4.3 out of 5 stars  See all reviews (29 customer reviews)

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Book Description

January 1998
David Henry Hwang’s beautiful, heartrending play featuring an afterword by the author – winner of a 1988 Tony Award for Best Play and nominated for the 1989 Pulitzer Prize

Based on a true story that stunned the world, M. Butterfly opens in the cramped prison cell where diplomat Rene Gallimard is being held captive by the French government—and by his own illusions. In the darkness of his cell he recalls a time when desire seemed to give him wings. A time when Song Liling, the beautiful Chinese diva, touched him with a love as vivid, as seductive—and as elusive—as a butterfly.

How could he have known, then, that his ideal woman was, in fact, a spy for the Chinese government—and a man disguised as a woman? In a series of flashbacks, the diplomat relives the twenty-year affair from the temptation to the seduction, from its consummation to the scandal that ultimately consumed them both. But in the end, there remains only one truth: Whether or not Gallimard's passion was a flight of fancy, it sparked the most vigorous emotions of his life.

Only in real life could love become so unreal. And only in such a dramatic tour de force do we learn how a fantasy can become a man's mistress—as well as his jailer. M. Butterfly is one of the most compelling, explosive, and slyly humorous dramas ever to light the Broadway stage, a work of unrivaled brilliance, illuminating the conflict between men and women, the differences between East and West, racial stereotypes—and the shadows we cast around our most cherished illusions.

M. Butterfly remains one of the most influential romantic plays of contemporary literature, and in 1993 was made into a film by David Cronenberg starring Jeremy Irons and John Lone.

--This text refers to an alternate Paperback edition.

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Editorial Reviews

Review

"A brilliant play of ideas … a visionary work that bridges the history and culture of two worlds."
—Frank Rich, New York Times

"Audaciously imaginative … big in conception and theme, David Henry Hwang joins the first string of American playwrights."
Variety

"Just when you've seen every possible coupling, M. Butterfly presents one of the most provocative and touching of all."
USA Today

"Playwright David Henry Hwang has something to say and an original, audacious way of saying it. A rarity on Broadway."
—Edwin Wilson, Wall Street Journal
--This text refers to an alternate Paperback edition.

About the Author

David Henry Hwang, acclaimed playwright and winner of the 2012 Steinberg award, screenwriter, and librettist, won the Tony Award for his play M. Butterfly.

--This text refers to an alternate Paperback edition.

Product Details

  • Paperback: 72 pages
  • Publisher: Dramatists Play Service, Inc.; First Edition edition (January 1998)
  • Language: English
  • ISBN-10: 0822207125
  • ISBN-13: 978-0822207122
  • Product Dimensions: 5.4 x 7.9 inches
  • Shipping Weight: 3.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (29 customer reviews)
  • Amazon Best Sellers Rank: #36,523 in Books (See Top 100 in Books)

More About the Author

David Henry Hwang is a playwright, screenwriter and librettist for musicals and operas. He is a Tony Award winner and three-time nominee, a three-time Obie Award winner, and a two-time Nominated Finalist for the Pulitzer Prize in Drama. His plays include M. BUTTERFLY, CHINGLISH, GOLDEN CHILD, YELLOW FACE, THE DANCE AND THE RAILROAD and FOB. He wrote the script (or "book") for the Broadway musicals Elton John and Tim Rice's AIDA (co-author), which ran almost five years on Broadway, the revised FLOWER DRUM SONG, and DISNEY's TARZAN, with songs by Phil Collins. As America's most-produced living opera librettist, his works include four pieces with composer Philip Glass, as well as AINADAMAR (Osvaldo Golijov - winner of two 2007 Grammy Awards), THE SILVER RIVER (Bright Sheng) and ALICE IN WONDERLAND (Unsuk Chin). His first play, FOB, premiered in his lounge of his dormitory at Stanford University. Hwang penned the feature films M. BUTTERFLY, GOLDEN GATE, and POSSESSION (co-writer), and co-wrote the song "Solo" with composer/performer Prince. Recently, he won the 2011 PEN/Laura Pels Award for a Master American Dramatist, the 2012 Inge Award for Distinguished Achievement in the American Theatre, and the 2012 Steinberg Distinguished Playwright Award. He is currently the Residency One Playwright at New York's Signature Theatre, which is producing a season of his plays in 2012-13, including the premiere of his newest work, KUNG FU, inspired by the life of Bruce Lee. He lives in Brooklyn, New York, with his wife, actress Kathryn Layng, and their children.

Customer Reviews

A wonderful and beautiful piece of theatrical art. Oriana Havlicek  |  4 reviewers made a similar statement
Hwang creates stereotypes, and he makes these stereotypes vice versa. Sevgi Baykaldi  |  4 reviewers made a similar statement
Most Helpful Customer Reviews
6 of 6 people found the following review helpful
4.0 out of 5 stars M. Butterfly April 23, 2001
Format:Paperback
M. Butterfly takes place in the mind of Rene Gallimard. While the play begins with him in a French prison, we are taken far away from this prison into the depths of his mind. His fantasies of Song Liling are both reality and illusionary. He will ultimately face the most shocking truth about the "woman" he thought he loved for twenty years. M. Butterfly takes a bold move in rearranging common roles set by our society, whether speaking for the present or from fifty years ago. This play dives deep into the pool of stereotypes and makes every turn imaginable. While the Eastern/Western dichotomy is presented with stereotypes of both sides, roles are soon reversed which gives the dichotomy a whole new meaning. Gallimard, initially portrayed as the Western dominant male, and Song, initially portrayed as the compliant Asian woman, will both eventually reverse their sexual roles although their enthnic identities remain in tact. Gallimard evolves from the controller to the controlled, while Song proves his power and control as his masculinity is revealed. All of this role and sexual confusion causes us to re-examine the stereotypes. Are they socially constructed or are they inherent in the person? You must read and decide for yourself!
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7 of 8 people found the following review helpful
5.0 out of 5 stars The Poetry of Cultural, Sexual, and Gender Politics August 21, 2006
Format:Paperback
Reviewers who focus on the inplausibility of the play's premise are missing the forest for the trees. The ridiculousness of Gallimard's situation is the product of his (and through him, the West's) self-absorbed and limited view of the East, evidenced through the overly simplistic dichotomy of East & West. He has been utterly blinded by his preconceptions of gender, culture, and politics. Hwang has written a masterpiece with grace, humor, and wit. Students of literary analysis will find a text rich in archetypes and ritual.

Highly recommended.
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5 of 6 people found the following review helpful
5.0 out of 5 stars A great production July 16, 2001
Format:Audio CD
This audiobook presentation of M Butterfly will give listeners a first class seat to hear one of literature's great stories. M butterfly is much more then a love story; rather it is a multi-themed tale which addresses many issues. West vs East, Fantasy vs reality sexuality, true love and the human condition. John Lithgow and B. D. Wong are great in the leading roles, especially Wong what a transformation! Buy this production and enjoy this mind's eye treat. L.A theatre works did an excellent job in putting it all together and I will not hesitate to buy more of their audio products. Thank goodness Amazon carries a large selection! Highly recommended
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4 of 5 people found the following review helpful
5.0 out of 5 stars Turning the Familiar Inside Out April 24, 2000
Format:Paperback
M. Butterfly takes the well-known, traditional opera Madame Butterfly, and turns it upside down. It turns inside out the stereotype of Asian American women Americans almost take as fact. The common perceptions of male vs. female, East vs. West, powerful vs. powerless, homosexual vs. heterosexual are all overturned in this short play. Just when the reader thinks he or she knows what is going on, Hwang turns everything over once again. An astoundingly well written play... Be prepared for a surprise!
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1 of 1 people found the following review helpful
5.0 out of 5 stars An archive performance to treasure October 10, 2005
Format:Audio CD
There seem to be more than enough interpretations of the story from other reviewers, so suffice it to say that these CDs are a unique opportunity to own a theatre gem with two superb actors on top form. What a pity this production was not recorded for DVD as the film version is very miscast. Buy this and enjoy!!
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3 of 4 people found the following review helpful
5.0 out of 5 stars Constructions of Power April 18, 2000
Format:Paperback
Hwang's play, "M.Butterfly" attepts to deconstruct the opera "Madame Butterfly" by breaking the back of the play. He does this by reversing both gender roles and the identifications of power that go along with those roles. First, Hwang represents the Western man, who is stereotypically strong, crass, and powerful, as Rene, a rather effeminate man with homosexual leanings. In doing so, Hwang makes it possible for the sterotypically weak and effiminate Oriental man, played by Song, to dupe and therefore overpower the Western man. One problem Hwang runs into, however, is the fact that Song is presented as effiminate. In fact, for most of the play Song is dressed and acts like a woman. His lines play right into Rene's preconceptions about the East, which both leads to his promotion as well as his eventual destruction and downfall. While Song does appear to win in the end, Rene, in fact rejects him. Thus while Hwang does attempt to deconstruct many of the Western stereotypes about the East, and does, he also perpetuates others. This play examines the overwhelming power of sterotypes as a discourse, through the concepts of gender and with the backdrop of the Vietnam War.
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5 of 7 people found the following review helpful
5.0 out of 5 stars Deliciously irreverent & subversive September 11, 2002
Format:Paperback
Since some broad-minded fellow in the bible first referred to a woman as the "weaker vessel", and most likely before that, women have been fighting the stigma of the physically and mentally weak being, only capable of caring for herself to a certain extent. Even in this day and time, with self-proclaimed sensitive males coming out of the woodwork, quiet as kept, this is still the ideal. Passivity is thought of as a female trait, and an admirable one-though it has also become popular to herald the new dawn of strong, intelligent women. Only don't be too strong or intelligent. A heady mixture of non-threatening intelligence and feminine strength is probably best.

Hwang's M. BUTTERFLY skewers these concepts, attacking traditional Western views of Asian women, whom, perhaps even more than their sisters elsewhere, have the "weaker vessel", the delicate "lotus blossom" tattooed on their backsides. The character Gallimard is pulled into M. Butterfly's trap because he is enthralled with the modern western education and values she has, which he considers to be in conflict with her "Oriental" soul. It's exactly this piquant combination of an innocence and sexual prowess, which he considers culturally entrenched, that has him so in love with her. Asian girls in these types of stories are always slight, shy and beautiful, but no matter, they will eventually give in to the White Alpha Male, no matter WHAT he looks like. They are also loyal until the death, serving the White Alpha Male until their code of honor calls for suicide or some such nonsense, freeing White Alpha Male to marry a white woman, as the story wants us to believe he ought to have done in the first place....

Does anyone think that the real life Butterfly that this play is based on was as beautiful as her enamored bureaucrat thought? Or did he simply see what he wanted to see? MADAME BUTTERFLY IS A MAN! Gallimard has, and perhaps not consciously, mentally objectified Asian women so much that he is able to project his fantasies and delusions of what an Asian woman should be ON A MAN! Butterfly even STRIPS in front of him, and he sees nothing amiss. The reason the ruse works is, as Butterfly says "only a man knows how woman is supposed to act". Butterfly keys into Gallimard's own preconceptions of Asian female behavior, and uses them against him.

Generally, smirking retellings of old stories where a dubious gilding of modern sociological mores is splashed over everything give me a pain. But this time it works, and HOW it works. Pick up M. BUTTERFLY today. Read more ›

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Most Recent Customer Reviews
5.0 out of 5 stars Great read!
I used this for my study of world theatre in a college course. It is a great read and I would recommend it to anyone!
Published 5 days ago by Alex
5.0 out of 5 stars Review
Great story. This book will have you hooked. It's full of surprises that makes you want to continue to read. I really recommend it
Published 3 months ago by Pen Name
2.0 out of 5 stars Not as pictured
The ISBN that came in was not the book that I needed nor was it the edition that I thought I was getting.
Published 5 months ago by Iesha Thompson
4.0 out of 5 stars Good.
I had to read this book for my theater class. Fast shipping and no damage to the book. Overall, it is a pretty good story/production.
Published 13 months ago by Armadillo5
5.0 out of 5 stars Great!
I am very pleased with the purchase and the timely manner in which the book came. It arrived just in time for the beginning of the semester and was in great condition. Read more
Published 21 months ago by Vivienne Pettus
5.0 out of 5 stars Beautiful Screenplay
I chose this screenplay because I saw the movie and it was so moving and beautiful. I also needed it for my acting class. This was exactly what I needed.
Published on June 4, 2011 by Phyllis
5.0 out of 5 stars Just what I ordered
Nice to be able to receive scripts from Amazon without having to go to NYC to shop. This was brand new and just what I wanted. It arrived in perfect shape.
Published on July 23, 2010 by Aunt Bettie
5.0 out of 5 stars Amazing work
M. Butterfly contains a sense of tranquility of tempo but with sharp and deep cuts of theatrical drama. Read more
Published on April 15, 2010 by Oriana Havlicek
4.0 out of 5 stars Pained Love
M. Butterfly / 0-822-20712-5

No doubt you've heard the story of the man who was married to another man, but claimed to have mistakenly thought that his "wife" was a... Read more
Published on October 13, 2008 by Ana Mardoll
4.0 out of 5 stars Interesting
I had to read this for a college course. It was a very quick read and very interesting. It is a great book to write a paper over because of all the gender themes as well. Read more
Published on November 12, 2007 by Melissa Murphy
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