This book starts out with a brief explanation of why and how MIDI works. It includes information on how to link keyboards, sequencers, drum machines and computers into powerful MIDI systems. Discusses every message in the MIDI language in a musical as well as technical point of view. Includes more than 100 detailed illustrations and diagrams showing the finer points of how to use MIDI equipment to its fullest.
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Most Helpful Customer Reviews
9 of 9 people found the following review helpful:
4.0 out of 5 stars
Nice introduction,
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This review is from: The MIDI Book (Syntharts Series) (Paperback)
If you really want to learn MIDI, as with a lot of communications standards, the only way in which you can be *absolutely* sure you take everything under your belt is to read the original standard - but books like this are far more digestible and this one particularly is not bad. The approach taken here is the big floppy book sort of thing, with a lot of diagrams, all simple and intuitive, and usually presented accurately.The book is not too heavy on the electronic side, but does go into some detail on issues such as sample downloading and SMPTE codes, which would not be essential for a lot of people, but you can bet you will eventually need to cover this stuff if you get serious. Nowadays, this book is likely to be a very little bit out of date, but it is a good addition to your collection if you like things explained really well - and the overlap between this and other somewhat less accessible books would be likely to help a good deal to clarify matters.
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Inside This Book
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First Sentence:
Simply put, interfacing means establishing a flow of information between two or more parts of a system. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
record the sync tone, seventh voicings, voicing parameters, pitch bender, preset sound, mod wheel, bend amount, event clock, timing reference, compound interface, polyphonic synthesizers, beat subdivisions, continuous controllers, implementation chart, clock messages, different preset, most synthesizers, performance messages, data distortion, base channel, receiving instrument, controller numbers, channel assignment, drum machines, velocity data Key Phrases - Capitalized Phrases (CAPs): (learn more)
Attack Velocity, Channel Voice Messages, Channel Mode Messages, Release Velocity, System Exclusive, Key Number, Pointer Number, System Common Messages, System Real Time Messages, Song Number, Inbound Express, Outbound Express, Inbound Local, Source Data Distortion New!
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Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
Simply put, interfacing means establishing a flow of information between two or more parts of a system. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
record the sync tone, seventh voicings, voicing parameters, pitch bender, preset sound, mod wheel, bend amount, event clock, timing reference, compound interface, polyphonic synthesizers, beat subdivisions, continuous controllers, implementation chart, clock messages, different preset, most synthesizers, performance messages, data distortion, base channel, receiving instrument, controller numbers, channel assignment, drum machines, velocity data Key Phrases - Capitalized Phrases (CAPs): (learn more)
Attack Velocity, Channel Voice Messages, Channel Mode Messages, Release Velocity, System Exclusive, Key Number, Pointer Number, System Common Messages, System Real Time Messages, Song Number, Inbound Express, Outbound Express, Inbound Local, Source Data Distortion New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
Citations (learn more)
3
books
cite this book:
- Pro Tools for Music Production: Recording, Editing, and Mixing by Mike Collins in Back Matter
- Choosing and Using Audio and Music Software: A guide to the major software applications for Mac and PC by Mike Collins in Back Matter
- Pro Tools for Music Production, Second Edition: Recording, Editing and Mixing by Mike Collins in Back Matter
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