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| 1. H To The Izzo |
| 2. Take Over |
| 3. Girls, Girls, Girls |
| 4. Jigga What |
| 5. Big Pimpin |
| 6. Ain't No Love |
| 7. Can I Get A/Hard Knock Life/Ain't No... (Medley) |
| 8. Can't Knock The Hustle (Medley) |
| 9. Song Cry |
| 10. Give It To Me |
| 11. Jigga, Jigga |
I never really thought hip hop could sound this good live, but rest assured it can. All the tracks are done by different producers but they all seem to work. Of course they needed a little extra help on percussion for the Crazy incessant Timbaland Hi-Hats on "Jigga What , Jigga Who" but damn quest love puts it down behind the kit. And on "The Takeover" the Roots manage switch the beat to "Shook Ones" and "Oochie Wally" just to ad a little more fire to Prodigy and Nas' pants respectively.
Mary J Blige came in and showed the love on the classic "Cant knock the Hustle" she still sounds damn good on that track after all these years, Mary still cant knock her hustle. But still even more emotionally moving is "Song Cry" I mean I've never cheated on my wifey but for some reason the song still makes me sad, It must be some of the thug love nature in me. Even Jay himself is almost moved to tears by the end of the track.
From there of course tha party gets started once again, and The roots put it down on the wild Neptunes produced "Give it to me" , with a little extra percussion the track bumps like the pores on the back of a shaven neck. Then Questlove smacks the H out his snares on the Trackmasters produced "Jigga Jigga"
Overall this album is a Jay-Z greatest Hits album , and I mean on that John Forte level. Peace and check the album ,all the songs have a little salt added, meaning they got a lil more flava.
While the full Roots crew would probably have been a much more exhilarating show, it's hard to complain about having Jay-Z sit in with the band, and banging through newbies and classics like it's nothin'. The diversity of instruments the Roots band plays made covering Jay's tunes pretty simple, and the sounds they couldn't replicate, they simply ad-libbed.
Jay admitted in an interview that he was really feeling the dynamic between himself, the band and the crowd during the sessions, and a good deal of that energy is captured on the album. It's been said that Jigga had to read from a teleprompter during a lot of the set, and you can kind of hear that as well, most noticeably when he stumbles during some of the more rapid-fire lines in "N***a What N***a Who." But oh well. The quality of the jams makes up for it, I suppose.
The whole disc plays in under an hour, and most of the older, better songs are cut short. But the centerpiece of the album is it's best moment, a medley including "Can I Get A...," "Hard Knock Life," "Ain't No N***a," and finally, the Big Willie classic "Can't Knock Da Hustle," featuring none other than the guest on that track, Ms. Mary J. Blige.
But Jay-Hova was clearly the main attraction, commanding the crowd, barking orders and laying rhymes like few can. Playa-hater or not, this is a solid slice of hip-hop pie anyone can sink their fork into.