MTV Unplugged in New York [Live]

Nirvana | Format: Audio CD

Product Details

• Audio CD (November 1, 1994)
• Original Release Date: November 1, 1994
• Number of Discs: 1
• Format: Live
• Label: Geffen Records
• ASIN: B000003TB9
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Music
• Average Customer Review: 4.8 out of 5 stars  See all reviews (474 customer reviews)
• Amazon Best Sellers Rank: #1,152 in Music (See Top 100 in Music)
  • #1 in Music > Pop > By Decade > 1990s
  • #99 in Music > Pop > Adult Alternative

Editorial Reviews

Amazon.com

The last Nirvana collection recorded before the untimely death of Kurt Cobain, Unplugged caught many by surprise with its stripped down, neo-acoustic offerings with a bridled fury. When Cobain sings, "I swear I don't have a gun, I don't have a gun" with clenched teeth (instead of an open howl) and when the haunting strains of "About a Girl"--from their earliest LP--chills even with quieted guitars, you discover a new appreciation for the nuances of one of the greatest bands of recent times. Highlights include covers of three Meat Puppets tracks (featuring special guests Curt and Kris Kirkwood of that influential "college rock" band), the weepy cello on the Vaselines' "Jesus Doesn't Want Me for a Sunbeam," and their cover of David Bowie's "The Man Who Sold the World." --Lorry Fleming

Product Description

NIRVANA MTV UNPLUGGED IN NEW YORK

Most Helpful Customer Reviews

212 of 218 people found the following review helpful

5.0 out of 5 stars Beautiful and timeless December 22, 2003

By Adam Rickards

Format:Audio CD

Nirvana's Unplugged remains one of the band's most majestic moments. Coming hot off the heels of the noisy In Utero album, the band decided to stop into MTV's studios in New York City and play an acoustic set that completely erased any notions that they were just a simple "grunge" band. Kurt Cobain seems completely relaxed throughout, and he gives some staggeringly beautiful vocal performances. Dave Grohl plays the drums with wire brushes and demonstrates that he was just as capable of subtle shading as he was at hard-hitting fury. Krist Novoselic proves himself to be a worthwhile musician as well, playing accordion on "Jesus Doen't Want Me For a Sunbeam" in additon to playing a very solid-yet-laid back acoustic bass. Add former Germs guitarist Pat Smear to the lineup, as well as a guest appearance by the Kirkwood brothers of Tempe band the Meat Puppets, and you have all of the ingredients of that legendary November 1993 night.

All of the most obvious choices from Nevermind are featured here, "Polly," and "Something in the Way" of course, but their acoustic rendering of "On a Plain" is both relevatory and surprising, since I would not have expected them to include this song, and what's more it actually works as an acoustic! The classic "Come As You Are" is given more subtlely and emotion here, and that flanged guitar solo sounds positively stunning on an acoustic (actually he was using a half-acoustic/half-electric hybrid). The band also delivers some of the most mature songs from In Utero, too. "Dumb" sounds both blissful and melancholy at the same time, "All Apologies" is one of the highlights here, and "Pennyroyal Tea" stands as one of Kurt's most emotionally naked moments (I actually like the version here better).

Like the Beatles before him, Kurt Cobain had the uncanny ability to take any cover song and make it his own. From Devo to Leadbelly, David Bowie to the Vaselines, Kurt made it sound like all of these songs were his own, and he does this beautifully here as well, especially on their rendition of Bowie's "Man Who Sold the World," and of course, Leadbelly's "Where Did You Sleep Last Night." The latter has to be one of Nirvana's most chilling moments of all time, especially near the close of the song, where Kurt is giving it his all. Then, with an impassioned cry of "SHIVEEERRRRR!" he pauses for a couple of seconds before finishing the line. At this moment, I have to say the silence is deafening and is absolutely haunting in the purest sense of the word. It seems ironic that a band who was known for noisy live performances could rip walls out (and hearts) with two seconds of silence. This, if nothing else, stands as a testament to Nirvana's gifts.

As life affirming as this can be to listen to, sometimes it can also be quite sad knowing that this is ultimately the last word from Nirvana before Kurt's untimely death. But if this was the band's (and Kurt's) swan song, it is certainly the best finale that one can have, and I would certainly want something this beautiful to be my farewell, too. Even ten years later (God, has it been that long already?), Nirvana's Unplugged session remains as fresh as it was at the time, and stands as one of their very best live performances (as well as their most unique). Whether you are a casual fan or a diehard, this album is not to be missed and you are doing yourself a grave injustice if you skip out. This isn't just an Unplugged session, it is an experience.

59 of 60 people found the following review helpful

5.0 out of 5 stars A sad farewell November 8, 2005

By Daniel Maltzman

Format:Audio CD

November of 1994 saw the release of Nirvana's first posthumous album, "MTV Unplugged in New York." The album was recorded just six months before the death of Kurt Cobain and released just six months after. Much like John Lennon's "Double Fantasy," (1980) it's hard to listen to the album and take it out of the context surrounding its tragic circumstances.

"MTV Unplugged in New York City" would be a somber enough album as is, but considering Cobain died shortly after it was recorded, the album takes on special meaning. The album possesses the tone and atmosphere of a funeral, although it's not so depressing that it becomes unlistenable. Rather, "MTV Unplugged in New York City" serves as a tribute and memorial to one of rock's most talented musicians. Much like "Double Fantasy," "MTV Unplugged in New York City" serves as an artist's bittersweet goodbye.

The Nirvana power trio of Cobain, (guitar, vocals) Dave Grohl, (drums, bass) and Krist Novoselic (bass, accordion, guitar) is joined by Pat Smear (guitar). Lori Goldston (cello) joins the band for many of the songs. Curt and Cris Kirkwood (guitar, bass) of the Meat Puppets join the band for three renditions of songs from the Meat Puppets "Meat Puppets II" (1984). A second guitar player thickens the sound and leaves Cobain free to solo. The added cello works very nicely, enhancing and enriching the songs. The added cello especially shines in "Pennyroyal Tea" and "Something in the way."

Stripped down renditions of songs from Nirvana's three albums, "Bleach," (1989) "Nevermind," (1991) and "In Utero," (1993) offer a subtler, but equally exciting take on the classics. While unplugged versions of songs can often yield mixed results, nothing is lost in the sparseness of these renditions.

There are several cover songs on this recording by artists including the Vaselines, the Meat Puppets, Leadbelly and David Bowie. Nirvana's adaptations of these songs match, perhaps even outshine the originals. As others have pointed out, Cobain takes other artists songs and makes them his own. While the album is interspersed with cover songs, nothing ever seems out of place. The album has an easygoing, soothing flow which never gets monotonous. It's the type of album that you can listen to again once you are finished.

"MTV Unplugged in New York City" was recorded live at Sony Music Studios on November 18, 1993. In front of an audience and off-the-cuff, "MTV Unplugged in New York City" offers a rare glimpse into whom Cobain was as a person. His chatter with the band and his interaction with the audience show him to be sensitive, articulate, meticulous, humble, and not without a sense of humor.

It's hard to listen to this album and not have Cobain's imminent suicide on the back of ones mind. "All Apologies" sounds especially poignant when placed in this context, knowing how much pain Cobain must have felt while performing.

While Cobain's early death was a great loss, his legacy and genius is immortalized on this recording. With "MTV Unplugged in New York City," Cobain should not be mourned, but rather his life and his music should be celebrated. This recording serves as a fitting epithet to one of rocks most tortured, genuine and gifted talents.

43 of 44 people found the following review helpful

5.0 out of 5 stars I've Arranged To Be Buried With This May 23, 2000

By David Baker

Format:Audio CD

Hmmm....where does one start? Well, let's start by saying this; this album is one of the greatest albums ever, if not the greatest. Have you ever heard a song that you can hear a thousand times, yet never get sick of? We all have; but have you ever had an entire album that does that to you? Probably not. Kurt Cobain's talent was, to say the least, beyond anything mortal. It's just that it was always masked by the fury of punk; but you could still see right through that. "Smells Like Teen Spirit" is one of the biggest songs ever, it launched Nirvana right out of this world; yet they didn't even play it. Just as well too, none of these songs are upbeat. Hearing "Come As You Are" in it's acoustic form is haunting, Kurt's guitar solo is practicly weeping; I gaurantee you you'll want to weep after hearing these songs. "Something In The Way" is dark and lush; which might be the two best words to describe the album, dark and lush. "About A Girl" is very beautiful, everything about it is perfect; just like the album. "Jesus Don't Want Me For A Sunbeam" is very mellow, the accordian migh seem weird for them, but it fits in beautifully. "Dumb" is anything but, Kurt should have retitled it "Genius". "Polly" and "On A Plain" are too much for words, especially "Polly". The covers of the Meat Puppets' songs are amazing, "Lake Of Fire" being the best. "All Apologies" is really sad, the end of it holds your breath. 'All In All Is All We Are' is one of the greatest lines in a song I have heard (my friend said if you listen carefully Kurt changes it to 'All Alone' a couple of times, he's right), the way Kurt keeps repeating it over and over. The final song, "Where Did You Sleep Last Night", sends chills up my spine. At the end of the song Kurt starts screaming, he stops, sighs, then carries on. Afterwords your jaw is left on the floor. The cello throughout the songs gives them all a more haunting feel then they already have, a nice touch. Sadly enough, these songs of depression were no idle threat. You can't listen to this album and not feel like crying, I think it's impossible. This album is perfect, anyway you look at it, not one bad song here. I also recommend getting Tori Amos' cover of "Smells Like Teen Spirit", it has the same kind of feel of this album.I'm not one to say what you should or shouldn't buy, but you need this album; break your piggy bank if you have to. This is a classic, and it has raised the bar to a height which isn't gonna be surpassed in our lifetime.