Customer Reviews

MUSIC FOR HAMMERS & STICKS

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"Music For Hammers and Sticks" is a varied and fascinating collection of seven pieces composed for piano and percussion by six composers. Several of the pieces were commissioned by the performers, making this a truly collaborative effort. This is very definitely "art" music or contemporary classical, and is much more challenging than some listeners will want to tackle. Those with an interest in experimental and more "serious" music should find much to enjoy with this recording. The three performers are Teresa McCollough on piano, Thomas Burritt on marimba, and Peggy Benkeser on various other percussion instruments (including police whistle!) - all artists with international reputations and performance resumes.

The CD opens with a suite of three pieces called "At the Abyss" by Alex Shapiro. The title refers to violent and threatening events around the world, and to the human species being too savage for its survival, placing us all at the edge of the "abyss" which is our future. "Observe," the first movement, is dark and more than a little frightening - pretty heavy stuff. The second movement, "Reflect," goes much more inward, as the title suggests. Quieter and slower, this piece clearly describes the painful thought process of dealing with such an enormous problem. "Act" is lively and more hopeful, with a strong sense of urgency and agitation. "Greed Machine" by Alvin Singleton is a "mysterious, Zen-like work for vibraphone and piano" that is full of contrasting motifs. Quiet, open passages are met with sudden bursts of sound; tranquility suddenly becomes frenzied - a fascinating piece! "Busted" by Steve Mackey is a percussion solo that utilizes the relaxed gesture of letting the mallets drop onto the drum heads and letting them bounce, contrasted with taut, tense attacks. The forceful attacks take over the complex 7/4 time to "bust" into a funkier 4/4 "groove." The title refers to Mackey's "need" to derail a runaway groove with a police whistle. "Play" is the first piece in a suite for duo pianists by Belinda Reynolds. She applied the process of making up music by creating words from the music alphabet, letting the variations evolve with the words dispersing into new forms. The duo on this recording is piano and marimba. I really like this piece and look forward to hearing the whole suite at some point. "Heavy Circles" by Joseph Harchanko was inspired by the Wassily Kandinsky painting by the same name. This piece was composed for and dedicated to Thomas Burritt, who performs it solo. A feeling of circular patterns spinning and dancing on a colorful backdrop make this a most interesting work. "Wu Ji" by Zhou Long reflects the composer's Chinese heritage despite its very modern abstraction. There are several versions of this piece for varying instrumentation, and this one was done specifically for this recording and is really intense.

I'll admit to loving this sonic combination (piano/marimba/ percussion) since Terence Malick's "Badlands" first exposed me to Orff and Keetman's Schulwerk ("Streetsong" is effectively the film's theme). This new CD is a lush, evocative assortment of brilliantly played new compositions from well-known contemporary composers Alvin Singleton and Steve Mackey as well as a "Play"-ful breakthrough from Belinda Reynolds, a young composer I first noticed on the award-winning Common Sense CD "Shock of the Old" a few years back (well worth acquiring, too!) which uses musical "words" (C-A-B-B-A-G-E) as a base for some wonderful variations. The liner notes say it's the first part of a suite in progress for McCollough and pianist Kathleen Supove; I'm looking forward to the rest! Joseph Harchanko's "Heavy Circles" makes persuasive use of the lower range of Burritt's marimba, reminding me of Harry Partch's marimba eroica. Alex Shapiro's "At the Abyss" (Observe/Reflect/Act) moves from a discordant clash of war-like "observations" to a more zen-like set of meditations, then into more organized positive "actions." Singleton's "Greed Machine" is a study in contrasts and dynamics, and Mackey's "Busted" is a quirky 7/4 "dropped drumstick" motif that gets "busted" into a more circumspect 4/4 to the accompaniment of a police whistle! The broad diversity of styles represented here are united by the sonic signature of three fine performers in a too-rarely-heard combination of instruments. Very cleanly recorded, good liner notes, even a very clever cover design! This music is not something you're ever likely to hear on the radio (so you really need to buy it), but it's music you'll wish was heard a lot more often!

If i could reccomend just one new cd from this year, this would be it. Teresa McCollough plays music by several different new composers who all deserve your immediate attention. The music here is very enjoyable yet still provides enough challenges for the listener's ear to remain high-art. Yes, that's right...modern music has finally breached past the super-intellectual unfeeling detachedness and has now reached a point of true emotional impact. Try for starters the track by Belinda Reynolds. You will notice immediately a deep resonance and feeling that will stay with you long after the piece is finished. This is modern piano music that will surely reach classical status.