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MY DATE WITH SATAN: Stories [Paperback]

Stacey Richter (Author)
3.8 out of 5 stars  See all reviews (36 customer reviews)


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Book Description

July 13, 1999

Stacey Richter, Pushcart Prize winner and a Village Voice Writer on the Verge, delivers an alluring literary debut that marks the arrival of a new voice in fiction. Combining acute observations with profound compassion, Richter chronicles the obscure narratives of American life from rock-groupie love to Internet dating to drug-hungry Health Ed teachers.

"The Beauty Treatment" is narrated by a teenager who has had her face slashed by her best friend. Theirs is a brand of girlfriend rivalry common at any high school, but with Richter's remarkable agility and unique language, their story becomes an epic of empathy and forgiveness.

Any self-respecting Scandinavian Satanic heavy metal band -- even one with a chick keyboard player -- always knows it must "corrupt the world / spread the metal." But by the end of "Goal 666," the Lords of Sludge are possessed by a different kind of uncontrollable urge.

In "Sally's Story" a family's decline parallels their greyhound's rise to fame in the art world, and in "Rats Eat Cats" a depressive young woman tries to find sanctuary in a living art project in which she becomes a reclusive Cat Lady ("an old woman who lives 'by herself' with as many as seventy-five cats in a one-bedroom apartment") only to fall in love with her neighbor and arch enemy, the Rat Boy.

"A Prodigy of Longing" renders the impossible domestic situation of a child genius navigating the terrain occupied by his father and stepmother -- both believers in alien abduction -- and the biker boy next door.

An honest and affecting explorer of human experience, Richter turns tales from the fringe into stunningly intimate depictions of loss and loneliness. Her voice is distinctly original and deeply funny.


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Editorial Reviews

Amazon.com Review

Breathe a sigh of relief at the appearance of Stacey Richter, a hip, pop culture-obsessed fiction writer who actually knows what she's doing. A lot of "buzz" surrounds her first collection, My Date with Satan, and she was hailed by the Voice Literary Supplement as a "writer on the verge," but Richter is much more than the flavor of the month. Her prose bristles with humor and sadness, and her characters are true originals: an ex Teen Idol ("The Ocean"), a member of a Swedish heavy-metal band ("Goal 666"), a girl who desperately wants to be a Cat Lady ("Rats Eat Cats"). In this last story the 21-year-old narrator can't wait to get old in an apartment overtaken by felines:
I would constantly wear the same sweater, and maybe a synthetic wig. I'd have several litter boxes in my apartment, and this litter would be changed infrequently. I would receive either welfare or social security and spent most (if not all) of these public moneys on cat food.... Cat hair would be embedded in my sweater. It would almost appear that my sweater was made of cat hair.
Richter's characters are often pathetic or blind to themselves, but the author never condescends; writing solely in first person, she masterfully captures the private logic and language of her narrators. They are like messengers from an overlooked world, telling us stories we somehow need to know. In this way Richter reminds me of Eudora Welty, who also invested small, outcast characters with poetry, humor, grace. My Date with Satan establishes Richter as a talent to be reckoned with. She writes like a discoverer who has found the country she's been looking for. --Emily White

From Publishers Weekly

MTV-generation readers will see some of their favorite targetsAfallen celebrities, chat room junkies, privileged teensAlampooned in this energetic debut collection. Richter's 13 tales rambunctiously combine irony and sex, black humor and piercing glibness. "The Beauty Treatment," the collection's strongest story, delivers a convincing look into the minds of overindulged kids, though its cavalier treatment of teenage violence loses some humor in the wake of recent school shootings. Another charismatic first-person voice drives "The Island of Boyfriends," in which a suburban teenager finds herself shipwrecked among primitive hunks. "Goal 666" offers a witty portrait of a group of would-be heavy metal rockers, who despite their satanic trappings demonstrate a simple desire to croon sentimental love songs and bliss out. Other pieces aren't as spry; the title story concerns two chat room rough-sex partners who attempt some real-life interaction. The revelation that people talk tougher in cyberspace than in person holds little surprise. Similarly, "A Groupie, a Rock Star" covers some familiar territory exploring the life of a washed-up teen idol and his stalker/lover. The stories yield many compelling linesAthough at times these hooks delight more in isolation than in developing character. Richter's voice holds promise and wit, and this book is likely to attract an appreciative audience among the younger generation of hipsters looking for a fresh spin on cynical sensibilities. (July) FYI: "The Beauty Treatment" won a Pushcart Prize in 1998. Other stories in this book are forthcoming in GQ, Granta and Seventeen.
Copyright 1999 Reed Business Information, Inc.

Product Details

  • Paperback: 224 pages
  • Publisher: Scribner (July 13, 1999)
  • Language: English
  • ISBN-10: 0684857014
  • ISBN-13: 978-0684857015
  • Product Dimensions: 8.6 x 5.6 x 0.9 inches
  • Shipping Weight: 12.8 ounces
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (36 customer reviews)
  • Amazon Best Sellers Rank: #855,624 in Books (See Top 100 in Books)

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Customer Reviews

36 Reviews
5 star:
 (18)
4 star:
 (6)
3 star:
 (4)
2 star:
 (4)
1 star:
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Average Customer Review
3.8 out of 5 stars (36 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

6 of 6 people found the following review helpful:
5.0 out of 5 stars Delicious, January 2, 2001
By 
My girlfriend and I fought over who got to read it- luckily it's a quick read. The dog artist is one of the best characters I've ever read, bar none. And I couldn't stop laughing during 'Rats Eat Cats'. A lot of writers in the last few years try to be hip and gen-x in a very stiff and awkward manner, and some use pop culture references to cover a lack of actual story. Not here. The stories take place in our culture, not a literary ideal of our culture or a tv commercial version of our culture. It's our genuine, trashy, depraved and sparkling culture, like it or not. The characters are real and instantly recognizable as people we've met or been. What more could you want?
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4 of 4 people found the following review helpful:
5.0 out of 5 stars Stunning, original, poignant, lovely, September 22, 1999
By A Customer
This review is from: MY DATE WITH SATAN: Stories (Paperback)
I opened this book to the first page, thinking, 'I'll just read this one page...and maybe the beginning of the next...' and before I knew it the room faded to paste -- I became completely engrossed in Richter's world. Her voice is so genuine and concise, her dialogue and characters so marvelous, I could only shake my head in admiration, turning the pages, already feeling sad that the book wasn't longer. She manages to be hilarious and poignant without sacrificing the absolutely natural feel of the prose. A genuine talent....I feel invigorated. Anyone who calls it self conscious or depressing is missing the point; yet those light years ahead of their time will always be criticized by the unimaginitive and the jealous. Richter deserves all her good reviews and praise....and then some. Best of luck to this hugely talented woman.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars Short Stories are alive and well, July 29, 1999
By A Customer
This review is from: MY DATE WITH SATAN: Stories (Paperback)
With the appearances of Aimee Bender's "The Girl in The Flammable Skirt" and Lorrie Moore's "Birds of America" my attention has not been swayed from the short story genre. Stacey Richter is a wonderful new addition to creative fiction and the short story that offers a strong voice, imagination, and laugh out loud content. I hope the voices of the MFA creative writing programs of the 80's continue to write and find publishers. Stacey Richter's "My Date With Satan" has been an enjoyable read.
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