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Mañana [Vinyl]

Savath & SavalasVinyl
4.0 out of 5 stars  See all reviews (3 customer reviews)


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Formats

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MP3 Music, 8 Songs, 2004 $7.92  
Audio CD, 2004 $9.27  
Vinyl, 2004 --  
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Frequently Bought Together

Mañana [Vinyl] + Golden Pollen + La Llama
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Product Details

  • Vinyl (September 21, 2004)
  • Number of Discs: 1
  • Label: Warp Records
  • ASIN: B0002VYJ0E
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,672,510 in Music (See Top 100 in Music)

1. Interludio Inconcreto
2. Sota l'Aigüa
3. Demà Vinura
4. Ya Estoy de Vuelta
5. No Puedo de Cidir
6. Sense Pressa
7. Interludio Húmedo
8. Equipatge de Flors Seques

Customer Reviews

4.0 out of 5 stars
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Most Helpful Customer Reviews
2 of 2 people found the following review helpful
4.0 out of 5 stars Beautiful. Organic Electronic Music August 22, 2005
Format:Audio CD
Mañana is a lovely little album. The Prefuse 73 influence is very prominent. Buy this if you liked Prefuse 73 Reads the Books. The price can't be beat.
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5.0 out of 5 stars Savath & Savalas - Mañana March 10, 2011
Format:Audio CD
Savath & Savalas starts off the MANANA EP with the cut-up vocals reminiscent of Prefuse 73, but still with an ambient backing, rather than hip-hop. Things quickly return to normal (if normal is APROPA'T) with the slow, gorgeous "Sota L'Aigua." "Dina Vinora" goes from abstract to concrete in one phrase, and has a thumping percussion that makes it stand out. "No Puedo De Cidir" also makes an impression, if only for its strange intro sample and lack of vocals. "Equipatge de Flors Seques" takes us back out on the cut-up vocals, this time, backed by strings and a piano, until the vocals finally coalesce and break back apart.
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0 of 1 people found the following review helpful
3.0 out of 5 stars Jobim meets Fennesz! June 5, 2006
By IRate
Format:Audio CD
Not alltogether satisfying, this experimental latin tinged electronic does have it's moments. The majority of this brief disc does cater to the the sound warping techniques used throughout the microbeat laptop scene, normally favoring more textural voice and noise varieties rather then blatant Prefuse- like beats. The short length makes the meat and potatoes of this disc, which feature some breezy melodies and vocals, ambient production, coupled with that backbone of Herren's usual drive, really fade from the mostly atmospheric experimentation found throughout. While pursuing this interesting territory in the future, I feel Savath would be served best by cutting the ironic and jarring tones they use to contrast their melodic folk to a minimum and instead focus on involving the listener moreso into their aural quest of bridging past and future.
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