From Publishers Weekly
The collateral damage from a long-ago love affair resurfaces when Callie Hyde Epstein, now a successful, middle-aged Los Angeles screenwriter, stumbles on a forgotten cache of home movies, circa 1968, in this honest debut novel from screenwriter (
Children of a Lesser God) and memoirist (
South Mountain Road) Anderson. The films document her age of innocence (and its inevitable corruption) when as a young housewife she lived with her steady-if-repressed husband, Irwin, and their three children in one of the 16 Greenwich Village townhouses that border MacDougal Gardens. In all seasons, the children play in the private enclave surrounded by the houses, while their parents gather there to flirt with the counterculture and one another's spouses. Callie yields to temptation and frustration, and has an affair with her neighbor, Sam Messenger. Emboldened by her sexual awakening, she unloads her shocked husband, and in short order the fallout from her newfound freedom teaches her some hard truths. This unsentimental novel is a thoughtful re-examination of a fraught era, but it lacks emotional immediacy and suffers from being told in flashback. Its lack of suspense leaves only the painful witnessing of Callie's blunders as she moves blindly through selfishness to selfhood.
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Callie Epstein is on the move again, and the inevitable winnowing of her life's detritus prompts a trip down memory lane. Uncovering a box of old videotapes of her days as a young wife and mother in New York during the late 1960s, Callie recalls the nascent feelings of dissatisfaction undermining her safely comfortable marriage to Irwin and the accompanying seductive tremors of an unidentified longing. Craving freedom, she finds release in the arms of her neighbor, Sam, a sexy Broadway star and, Callie learns too late, an inveterate womanizer. Their affair explodes, then implodes. When Sam leaves, Callie falls apart--and so does Anderson's novel. Summing up the subsequent 30 years of Callie's life in mere pages, Anderson glosses over what should have been an equally dynamic phase of Callie's development. Still, in this cautious yet recognizable account of a woman in conflict, Anderson capably portrays the angst experienced by women who find that they indeed need to be careful of what they wish for.
Carol HaggasCopyright © American Library Association. All rights reserved