In its concentration of interest upon the protagonists, Macbeth can be seen as Shakespeare's experiment in unity of focus, whose chief appeal arises from the struggles of the central characters with each other and with the infernal powers that inspire or govern them. Over the centuries, the vision of directors like Welles, Nunn and Polanski, as well as the eloquent talents of actors like Garrick, Siddons, Olivier and McKellen have contributed to the central debate of the play: Who or what is culpable? Bernice W. Kliman, in her analysis of Macbeth in performance, examines major productions of the play on both stage and screen, thereby inviting the reader to contemplate directors' and actors' choices for what is arguably Shakespeare's most compelling play.
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1 of 1 people found the following review helpful:
1.0 out of 5 stars
Kindle edition is not the Signet,
By moviegoer (Merrimack, NH USA) - See all my reviews
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This review is from: Macbeth (Signet Classics) (Paperback)
A search for the wonderful Signet edition of Shakespeare's works turns up a "Kindle edition".
It is not the Signet class with its criticism and notes. In fact, the lines are not numbered. Difficulty to use for teaching. Not what I think I was led to believe it was -- a Signet classic.
4 of 7 people found the following review helpful:
5.0 out of 5 stars
What's done cannot be undone,
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This review is from: Macbeth (Signet Classics) (Paperback)
After four centuries of well-deserved adulation, "Macbeth" hardly requires further praise. It seems worthwhile, however, to single out the play as a particularly good introduction to Shakespeare. It is tightly constructed, brilliantly written, and relatively short. The memorable plot (drawn from Holinshed's Chronicles) has cast long shadows. The snowballing murders and eerily-fulfilled prophecies have become literary icons, yet have lost none of their power in their original form.
2 of 4 people found the following review helpful:
4.0 out of 5 stars
foul is fair...,
By NotATameLion (Michigan) - See all my reviews
This review is from: Macbeth (Signet Classics) (Paperback)
Macbeth is one of Shakespeare's more gloomy plays. It is downright grim. It starts grim and only gets blacker... ...It is one of Shakespeare's better playsMacbeth is one of Shakespeare's more ambiguous main characters. Motivation is always a big question with him. Sure, he is hungry for power. Yet he also needs prodding from several quarters to take most of his actions. Lady Macbeth is really no different. She comes off as eager for evil early on, but is utterly shocked by its repercussions. Her attempt to go against nature leaves her absolutely unhinged and thirsting after guidance--only to find despair. In this regard, Shakespeare anticipates the psychology of Dostoevsky. Macbeth is also one of Shakespeare's most supernatural plays. Regardless of whether one wants to debate the reality of Banquo's ghost, there are forces at work in Macbeth that are often unseen, but which drive the plot. The witches and all the unnaturalness come up against the forces of nature (the trees) and the divinely appointed King. The most remarkable thing about this play is, for me at least, that it becomes a true tragedy only in its last moments. Only when all the stuff has hit the fan, and he has realized his doom is eminent, does Macbeth show the courage and nobility of a true tragic hero. Macbeth is a great place to start if you are new to Shakespeare. It is a fun place to return if you're not.
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Inside This Book
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First Sentence:
First Witch. When shall we three meet again? Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
third murderer, sleepwalking scene, drunken porter, golden blood, weird sisters Key Phrases - Capitalized Phrases (CAPs): (learn more)
Lady Macbeth, Lady Macduff, First Witch, Thane of Cawdor, Second Witch, First Murderer, Ladv Macbeth, Third Witch, Birnam Wood, Enter Macduff, King James, Young Siward, New York, Second Murderer, Sir Arthur, Enter Lady, King Edward, Sarah Siddons, Shakespearean Tragedy, Enter Banquo, Malcolme Cammore, Enter King, Enter the Three Witches, Exit Servant, Orson Welles New!
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Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
First Witch. When shall we three meet again? Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
third murderer, sleepwalking scene, drunken porter, golden blood, weird sisters Key Phrases - Capitalized Phrases (CAPs): (learn more)
Lady Macbeth, Lady Macduff, First Witch, Thane of Cawdor, Second Witch, First Murderer, Ladv Macbeth, Third Witch, Birnam Wood, Enter Macduff, King James, Young Siward, New York, Second Murderer, Sir Arthur, Enter Lady, King Edward, Sarah Siddons, Shakespearean Tragedy, Enter Banquo, Malcolme Cammore, Enter King, Enter the Three Witches, Exit Servant, Orson Welles New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
Citations (learn more)
This book cites 100
books:
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- King Lear (The New Folger Library Shakespeare) by William Shakespeare on 12 pages
- The Merchant of Venice (Saddleback Classics) by Emily Hutchinson on 10 pages
- The Merchant of Venice (Folger Shakespeare Library) by William Shakespeare on 10 pages
- The Merchant Of Venice by William Shakespeare on 10 pages
- Twelfth Night (Folger Shakespeare Library) by William Shakespeare on 9 pages
See all 100 books this book cites
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