One of the most widely studied and performed works of music written before 1600, Machaut's Messe de Notre Dame stands as an enduring monument of medieval musical art. The mass itself, however, is surrounded by uncertainty; its date of composition remains unknown, its purpose is unclear, and its construction yields much ambiguity. A controversial new approach to Machaut's composition technique, this volume provides a case study in the application of music ficta and a detailed introduction to performance. Relating the Mass to other works of the period, this introduction is an invaluable guide to its intricacies.
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Editorial Reviews
Review
"Readable and informed....Accessible to undergraduates and highly useful to performers and students of medieval music."--Choice
"This is by far the best edition of the Mass thus far published."--Speculum
--This text refers to an out of print or unavailable edition of this title.
About the Author
Daniel Leech-Wilkinson, Lecturer in Music, Southampton University.
--This text refers to an out of print or unavailable edition of this title.
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