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| 1. Hayling |
| 2. Glitterball |
| 3. Nothing Is Wrong |
| 4. Bleep Freak |
| 5. Machine Says Yes |
| 6. North Pole Transmission |
| 7. Mindset To Cycle |
| 8. Microcuts |
| 9. Growler |
| 10. Hayling (SFA Dunk! Dunk! Dunk! Remix) |
| 11. Fear Of Guitars |
The British duo of Dan Ormondroyd and Jon Nowell have been making a musical scene since the mid90s, when they held court over a raucous roaming London party called the Big Kahuna Burger. But once they woke up from three years of madness, a new direction towards sicker electronic manipulations led to a new club (Headstart) and a new sound, a druggy amalgamation of brutal beats and classic acid, referencing early Warp acts like LFO just as readily as DJ Pierre and, erm, the Charlatans. On Machine Says Yes, they pay homage to all of the above, from the old-school bleep of "Growler" to the creepy monotone pulse of "Nothing is Wrong," complete with totally bored robotic female vocals. And although it fits nicely into whats considered "electro-clash," songs like these have much more bump and grind that a majority of that lot.
They switch gears nicely into the smooth, dulcet tones of "Hayling," a cool downtempo dalliance that flits somewhere between Zero 7 and Air. Even your mom will find this one relaxing.
But the bulk of Machine Says Yes is thick with throbbing dance floor throw-downs like "Mindset to Cycle" and Tigas DJ-ready remix of the title cut, which wraps the whole thing up with a nice big red bow.
Timothy Brown -- From URB Magazine
That formula alone carries streamlined tracks Nothing is Wrong, Microcuts, and Machine Says Yes, the latter aided by Gus Gus vocal gal Hafdis Huld into surefire hit territory. Hayling's the melancholy media darling, where her soft vocals ride on icy blips ping-ponging about. Even better, country collaborator Eileen Rose offers the emotional heart to this album, North Pole Transmission's poetic vocals given a machine serenade; computerized accompaniment that's stunningly heartfelt, and a strong statement to the duo's diversity.
Now add propulsive blast Glitterball, which clearly is a big, huge, dancehall tune chucked with laser blasts and big whooshes for club craziness, and you have one of the electronic albums of the year. Wisely this domestic release sticks the clunker Growler and a pointless bonus track at the end; you'll be satisfied way before you get there.