Customer Reviews

Machine & Soul

5 star:		(2)
4 star:		(3)
3 star:		(2)
2 star:		(1)
1 star:		(0)

 

 

I think that the professional and amateur reviewers just spend too much time on occasion trying to place a given work within a larger context. How about just taking a record at face value? I think this is a great collection of songs, regardless of the fact that the songs are culled from a rather dysfunctional 18 month period of Numan's career. So what? I never knew that. All I hear is the music, and "Machine and Soul" is a real rocker. The themes developed revolve around a fairly jaundiced view of love as corruption in a technological, industrial age. "Generator" has an interesting, funky sound that features a chanted "Hey, hey, hey." In this song there are wonderful, atmospheric interludes, which tell of delights to come on this disc. The song ends with a sample from "2001: A Space Odyssey."

"The Skin Game" is spectacular, with a great chorus that sings: "One more question: Am I in danger?" "Poison" is a relief after this energetic introduction, with a shoop-dee-shoo beat, very quirky and fun. I should mention that the production values are, as usual, sky-high. The recording is crystal clear. It's just great stereo.

"I wonder" is a gorgeous Numan ballad, heart on the sleeve stuff, beautifully atmospheric. The follow-up is "Emotion," another driving song with an original beat. "Cry" is another flawless rocker that features nice chimes in the percussion. "U Got the Look" has a reverberant band accompaniment, a grand sound. Numan sings: "I never saw a girl who looked so tough." The song is a great deal of fun, very much tongue in cheek. "Love isolation," a very low-key meditation on love lost,brings the original album to a close.

The twenty minutes of bonus material are great. The first is a grim, atmospheric piece that features a monstrous sounding voice and echoing glissandi. This piece, "Hanoi," seems to blend into the next, "Dark Mountain," where the echoing atmospherics continue. "The Hauntings" is more of the same, so these three pieces give the impression of being a larger-scale composition.

Numan's cover of "1999" is a good change from the contemplative pieces, lively and competent. "Cry Baby" is a welcome reprise of "Cry," a bit less frantic with a more deliberate beat. "Wonder Eye" is a slower version of the lovely "I Wonder," bringing the disk full circle essentially.

In short, I cannot imagine that Numan fans would be disappointed.

Appreciably, not one of Numans more traditional works, but a close read of his autobiography reveals why. At one of the lowest times of his career, dwindling finances and record company pressure gave birth to Machine and Soul. For Numan, things couldnt have gotten any worse, but retrospectively its still quite a tight sound. Nice production, smooth female backing vocals, and some cleverly-placed samples tie this somewhat average effort together quite nicely. Its major fault is that its just not Numan!

I do agree with the previous posts - this is not Gary Numan's best album. I think the Prince cover songs have a lot to do with the negativity sorrounding the CD. "1999" and "You Got the Look" sound strange and out of place. But there are a few brilliant moments on this CD:
1. Skin Game - a great mechanical sounding wall of sound!
2. Machine and Soul - Another good song amid the uninspired tracks.
3. I Wonder - a great ballad with wonderful lyrics
4. Cry - another awesome ballad
5. Generator - The song has a definite dance clubfeel, but it actually works.

The rest... well, it's just there. I'm a huge fan of Gary's music (I don't hate any of it) but I'd have to rank this one just below middle of the road.

I like very much love isolation. A beautiful, unusual ballad. It feels like is talking to a ghost, not to a lost woman. He must have been very on the edge, very depressed then. It shows. Hanoi and the hauntings got a very very dark feel to them. I like this album cause of some tracks and in my opinion, this is far better than Outland.

The re-issue of Machine and Soul in 99 is what fans have been waiting for!!!You cannot go wrong here!!!Mysterious industrial,dance funk with
Numa doing what he doe's best,going deep in to the unknown via his feelings,with his own take on the early 90s sound captured!!!In my opinion this is his best record ever,rather he realizes it or not......

Maybe not the best of all of Gary's white funk albums but the most entertaining and fun of them all in my humble opinion.Production is VERY low budget (just keyboards and guitar with female backsinging) the songs are more Prince influenced than ever before with a cover of You Got The Look I actually find better than the original.Not a weak track on the whole cd as oppossed to earlier efforts.The bonus tracks are numerous and mainly b sides of the single versions and demo versions far better and rockier than those of the actual lp are included.Several gorgeous ballads and a couple of instumentals,in Gary's minimalistic trademark approach,round up an already attractive package at 74' + .
I HAD to knock a star off what would have been a 5 stars rating because of the sound.Muddy upper treble and Gary's voice sounding like it had been recorded through a brick wall and the midrange and female singing are unpleasantly strident .
A special mention for 1999 (another Prince cover ) ;if you think the squeaky keyboard programmed ?wind section?did'nt work well on The Fury,this one sounds like a couple of out of tune car horns.Prince allegedly changed his name after these covers (naw,just kiddin'! )
A must for Numan completist and people who,like me,enjoy his white funk period.

a bloody good album. not a weak song on it. up there with warriors. it all came together on this album. choiceof singles not to my liking or the punters.
buy it , it won't dissapoint.

Gary Numan was obviously looking for direction by time this album came out - why else would he cover TWO Prince songs? Oddly, "U Got the Look" emerges as a decent track here. A few others - the title track, the ballad "I Wonder", and "Cry" are worth a listen or two as well. The rest of the album - enh.